| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Abject identities and fluid performances: Theorizing the leaking body
|
Harradine, David
|
|
2000
|
|
3 |
p. 69-85
|
artikel
|
| 2 |
Acknowledgements
|
|
|
2000
|
|
3 |
p. 5
|
artikel
|
| 3 |
Acknowledgements
|
|
|
1998
|
|
3 |
p. 7
|
artikel
|
| 4 |
Acting Ethically? Subjectivity and the Actress in Geddy Aniksdal's No Doctor for the Dead
|
Sharp, Marianne
|
|
2008
|
|
3 |
p. 370-382
|
artikel
|
| 5 |
Active Differences: Disability and Identity beyond Postmodernism
|
Conroy, Colette
|
|
2008
|
|
3 |
p. 341-354
|
artikel
|
| 6 |
A Democratic theatre
|
Hancock, W. David
|
|
2006
|
|
3 |
p. 281-282
|
artikel
|
| 7 |
A First Extract of Alternative Theatre in Poland 1954-1989, by Kathleen M. Cioffi
|
|
|
1998
|
|
3 |
p. 99-120
|
artikel
|
| 8 |
A Last Bastion of Resistance: Georges Lavaudant's Theatrum Mundi
|
Fayard, Nicole
|
|
2003
|
|
3 |
p. 37-46
|
artikel
|
| 9 |
Appropriating Pierre Bourdieu's champ and habitus for a sociology of stage productions
|
Shevtsova, Maria
|
|
2002
|
|
3 |
p. 35-66
|
artikel
|
| 10 |
A Review of Analysing Performance: A Critical Reader, Edited by Patrick Campbell
|
Rebellato, Dan
|
|
1998
|
|
3 |
p. 123-125
|
artikel
|
| 11 |
A Review of Being Naked Playing Dead: The Art of Peter Greenaway by Alan Woods
|
Deleyto, Celestino
|
|
1998
|
|
3 |
p. 121-122
|
artikel
|
| 12 |
A Review of Contemporary Catalan Theatre: An Introduction, Edited by David George and John London
|
Zatlin, Phyllis
|
|
1998
|
|
3 |
p. 117-120
|
artikel
|
| 13 |
A Review of From Stanislavsky to Gorbachev: The Theater-Studios of Leningrad by Douglas Graham Stenberg
|
Pitches, Jonathan
|
|
1998
|
|
3 |
p. 135-137
|
artikel
|
| 14 |
A Review of Plays: 5 (Human Cannon, The Bundle, Jackets, In the Company of Men) by Edward Bond
|
Boon, Richard
|
|
1998
|
|
3 |
p. 129-130
|
artikel
|
| 15 |
A Review of Plays: 5 (Human Cannon, The Bundle, Jackets, In the Company of Men) by Edward Bond. A Review on Devising Theatre: A Practical and Theoretical Handbook by Alison Oddey
|
Wilson, Michael
|
|
1998
|
|
3 |
p. 131-133
|
artikel
|
| 16 |
A Review of Thomas Kyd: The Spanish Tragedy, Edited by David Bevington
|
Sedge, Douglas
|
|
1998
|
|
3 |
p. 127-128
|
artikel
|
| 17 |
'A theatre without curtains': On process, the actor as artisan and La Cubana
|
Milan, Jordi
|
|
2007
|
|
3 |
p. 346-356
|
artikel
|
| 18 |
Backpages 17.3
|
|
|
2007
|
|
3 |
p. 471-482
|
artikel
|
| 19 |
Backpages 18.3
|
|
|
2008
|
|
3 |
p. 398-408
|
artikel
|
| 20 |
Barney Simon: Brokering Cultural Interventions
|
Hutchison, Yvette
|
|
2003
|
|
3 |
p. 4-15
|
artikel
|
| 21 |
Benet i Jornet's Salamandra: Twenty-eight scenes at sunset
|
Holt, Marion Peter
|
|
2007
|
|
3 |
p. 425-433
|
artikel
|
| 22 |
Beyond Cynicism: The Sceptical Imperative and (Future) Contemporary Performance
|
Tomlin, Liz
|
|
2008
|
|
3 |
p. 355-369
|
artikel
|
| 23 |
Beyond the local: Sergi Belbel and Forasters
|
George, David
|
|
2007
|
|
3 |
p. 398-410
|
artikel
|
| 24 |
'Big dreams': An interview with Eugenio Barba
|
Milosevic, Dijana
|
|
2006
|
|
3 |
p. 291-295
|
artikel
|
| 25 |
Blood and bones yet dressed in poetry: The drama of Sam Shepard
|
Bigsby, C. W. E.
|
|
1998
|
|
3 |
p. 19-30
|
artikel
|
| 26 |
Bloody hard work: Women in nontraditional work in theatre
|
Tait, Peta
|
|
1995
|
|
3 |
p. 89-100
|
artikel
|
| 27 |
Bloody Mary and the Virgin Queen
|
Barnard, Deborah
|
|
1997
|
|
3 |
p. 47-67
|
artikel
|
| 28 |
Brossa and the others
|
Coca, Jordi
|
|
2007
|
|
3 |
p. 446-452
|
artikel
|
| 29 |
Calixto Bieito: 'Reimagining the Text for the Age in which it is being Staged' - An Interview
|
Delgado, Maria
|
|
2003
|
|
3 |
p. 59-66
|
artikel
|
| 30 |
Candour and edge: A response to Michael Billington
|
Kalb, Jonathan
|
|
2006
|
|
3 |
p. 331-333
|
artikel
|
| 31 |
Catalan puppet theatre: A process of cultural affirmation
|
Astles, Cariad
|
|
2007
|
|
3 |
p. 323-334
|
artikel
|
| 32 |
Censoring the body: Whores, Goddesses and Annie Sprinkle
|
Campbell, Patrick
|
|
2000
|
|
3 |
p. 53-68
|
artikel
|
| 33 |
Circus Oz Larrikinism: Good Gender Sport?
|
Tait, Peta
|
|
2004
|
|
3 |
p. 73-81
|
artikel
|
| 34 |
Cloudstreet: 'The world is holy? Maybe so.'
|
Nimmo, Heather
|
|
2004
|
|
3 |
p. 12-20
|
artikel
|
| 35 |
Composing for the stage: The music theatre of Carles Santos
|
Delgado, Maria M.
|
|
2007
|
|
3 |
p. 278-300
|
artikel
|
| 36 |
Contemporary Catalan Drama in english: Some aspirations and limitations
|
London, John
|
|
2007
|
|
3 |
p. 453-462
|
artikel
|
| 37 |
Contemporary Catalan Theatre: Between the desert and the promised land
|
Batlle i Jorda, Carles
|
|
2007
|
|
3 |
p. 416-424
|
artikel
|
| 38 |
David Williamson at Thirty-One Plays
|
Gay, Penny
|
|
2004
|
|
3 |
p. 5-11
|
artikel
|
| 39 |
Desire and Danger in the Long Journey from Door to Table: An Exploration of Movement in Jenny Kemp's The Black Sequin Dress
|
Worth, Libby
|
|
2004
|
|
3 |
p. 53-62
|
artikel
|
| 40 |
Directeur vs metteur en scene : Interviews with Stanislas Nordey and Brigitte Jaques
|
Anderson, Joel
|
|
2003
|
|
3 |
p. 47-58
|
artikel
|
| 41 |
Directors of the twentieth century Spanish stage
|
de Frutos, Maria Francisca Vilches
|
|
1998
|
|
3 |
p. 1-23
|
artikel
|
| 42 |
Drama in South Africa and tropes of postcoloniality
|
Amkpa, Awam
|
|
1999
|
|
3 |
p. 1-18
|
artikel
|
| 43 |
Dream On: A 'Reconciliation' Tempest in 2001
|
Tweg, Sue
|
|
2004
|
|
3 |
p. 45-52
|
artikel
|
| 44 |
Editorial
|
Delgado, Maria M.
|
|
2007
|
|
3 |
p. 273-277
|
artikel
|
| 45 |
Editorial
|
Kershaw, Baz
|
|
2008
|
|
3 |
p. 289-292
|
artikel
|
| 46 |
Editorial
|
Bradby, David
|
|
2005
|
|
3 |
p. 295-296
|
artikel
|
| 47 |
Editorial board
|
|
|
1997
|
|
3 |
p. 1
|
artikel
|
| 48 |
Editorial board
|
|
|
1998
|
|
3 |
p. 1
|
artikel
|
| 49 |
Editorial board
|
|
|
1995
|
|
3 |
p. 1
|
artikel
|
| 50 |
Editorial board
|
|
|
1998
|
|
3 |
p. 1
|
artikel
|
| 51 |
Editorial board
|
|
|
2002
|
|
3 |
p. 1
|
artikel
|
| 52 |
Editorial: Popular forms for a radical theatre
|
|
|
2006
|
|
3 |
p. 275-280
|
artikel
|
| 53 |
Editorial - The Director as Cultural Critic
|
Bradby, David
|
|
2003
|
|
3 |
p. 1-3
|
artikel
|
| 54 |
Enrique Rambal: The forgotten Auteur of Spanish popular theatre
|
Delgado, Maria M.
|
|
1998
|
|
3 |
p. 67-92
|
artikel
|
| 55 |
Erratum
|
|
|
2006
|
|
3 |
p. 381
|
artikel
|
| 56 |
Erratum
|
|
|
2008
|
|
3 |
p. 409
|
artikel
|
| 57 |
Everytime you go away … you take a piece of me with you
|
Harper, Steve
|
|
2000
|
|
3 |
p. 87-95
|
artikel
|
| 58 |
From Deconstruction to Reconstruction: A Habermasian Framework for Contemporary Political Theatre
|
Botham, Paola
|
|
2008
|
|
3 |
p. 307-317
|
artikel
|
| 59 |
From stage to screen: The adaptations of ventura pons
|
Zatlin, Phyllis
|
|
2007
|
|
3 |
p. 434-445
|
artikel
|
| 60 |
From Texas, to Virginia: An essay on form
|
Eno, Will
|
|
2006
|
|
3 |
p. 355-357
|
artikel
|
| 61 |
Geoffrey Rush: Manic Genius or Team Player?
|
Milne, Geoffrey
|
|
2004
|
|
3 |
p. 21-29
|
artikel
|
| 62 |
Getting harder? From Post-Soweto to post-election: South African theatre and the politics of gender
|
Flockemann, Miki
|
|
1999
|
|
3 |
p. 37-53
|
artikel
|
| 63 |
Glossary of terms, names, events, and places
|
|
|
1999
|
|
3 |
p. 93-99
|
artikel
|
| 64 |
Ian Spink: Texts and Contexts
|
Cave, Richard
|
|
2004
|
|
3 |
p. 63-72
|
artikel
|
| 65 |
Introduction
|
Griffin, Gabriele
|
|
1997
|
|
3 |
p. 1-10
|
artikel
|
| 66 |
Introduction
|
Campbell, Patrick
|
|
2000
|
|
3 |
p. 1-3
|
artikel
|
| 67 |
Introduction
|
Pascal, Julia
|
|
1995
|
|
3 |
p. 1-5
|
artikel
|
| 68 |
Introduction
|
Callens, Johan
|
|
1998
|
|
3 |
p. 1-17
|
artikel
|
| 69 |
Introduction in the form of a dialogue
|
Shevtsova, Maria
|
|
2002
|
|
3 |
p. 1-8
|
artikel
|
| 70 |
Introducton Theatre Australia: or London is a long way from the centre
|
Schafer, Elizabeth
|
|
2004
|
|
3 |
p. 1-4
|
artikel
|
| 71 |
Israeli drama: A sociological perspective
|
Urian, Dan
|
|
2002
|
|
3 |
p. 67-95
|
artikel
|
| 72 |
Kuo Pao Kun: The Spirit of the Eagle
|
Chan, Margaret
|
|
2003
|
|
3 |
p. 26-36
|
artikel
|
| 73 |
La Fura dels Baus: Scenes for the twenty-first century
|
Saumell, Merce
|
|
2007
|
|
3 |
p. 335-345
|
artikel
|
| 74 |
Laughing all the way to the Ghetto: Lesbian Farce
|
Clune, Jackie
|
|
1995
|
|
3 |
p. 55-62
|
artikel
|
| 75 |
Minding the matter of representation: Staging the body (politic)
|
Spackman, Helen
|
|
2000
|
|
3 |
p. 5-22
|
artikel
|
| 76 |
Moises Kaufman: 'Reconstructing History Through Theatre' - An Interview
|
Svich, Caridad
|
|
2003
|
|
3 |
p. 67-72
|
artikel
|
| 77 |
Mother tongue: Colonized bodies and performing cultures
|
Bennett, Susan
|
|
1995
|
|
3 |
p. 101-109
|
artikel
|
| 78 |
Mrs. Beeton's history of the world
|
Wilkinson, Julie
|
|
1997
|
|
3 |
p. 69-112
|
artikel
|
| 79 |
Notes on contributors
|
|
|
1997
|
|
3 |
p. 113
|
artikel
|
| 80 |
Notes on contributors
|
|
|
1998
|
|
3 |
p. 93-94
|
artikel
|
| 81 |
Notes on contributors
|
|
|
1999
|
|
3 |
p. 105-106
|
artikel
|
| 82 |
Notes on contributors
|
|
|
2002
|
|
3 |
p. 131
|
artikel
|
| 83 |
Notes on Contributors
|
|
|
2003
|
|
3 |
p. 87-88
|
artikel
|
| 84 |
Notes on Contributors
|
|
|
2004
|
|
3 |
p. 2-1
|
artikel
|
| 85 |
Notes on contributors
|
|
|
2007
|
|
3 |
p. 271-272
|
artikel
|
| 86 |
Notes on Contributors
|
|
|
2008
|
|
3 |
p. 287-288
|
artikel
|
| 87 |
Notes on contributors
|
|
|
2000
|
|
3 |
p. 105-106
|
artikel
|
| 88 |
Notes on contributors
|
|
|
2006
|
|
3 |
p. 273-274
|
artikel
|
| 89 |
Notes on contributors
|
|
|
1998
|
|
3 |
p. 109-110
|
artikel
|
| 90 |
Off the map: Charting an American theatre of place
|
London, Todd
|
|
2006
|
|
3 |
p. 296-300
|
artikel
|
| 91 |
On creativity and anger
|
Pascal, Julia
|
|
1995
|
|
3 |
p. 39-48
|
artikel
|
| 92 |
On taking the blind in hand
|
Schneider, Rebecca
|
|
2000
|
|
3 |
p. 23-38
|
artikel
|
| 93 |
On writing, directing and the Teatre Nacional de Catalunya
|
Belbel, Sergi
|
|
2007
|
|
3 |
p. 411-415
|
artikel
|
| 94 |
Out of Joint: Max Stafford-Clark and 'the Temper of Our Time'
|
Ginman, John
|
|
2003
|
|
3 |
p. 16-23
|
artikel
|
| 95 |
Performing Bulimia, engendering dis-ease in the South African body politic: Janine Denison's all the rage
|
Blumberg, Marcia
|
|
1999
|
|
3 |
p. 19-35
|
artikel
|
| 96 |
Photocopying permitted by license only dialogues of the heart: Norodom Sihanouk and Mahatma Ghandi as portrayed by Helene Cixous
|
Lamar, Celita
|
|
1995
|
|
3 |
p. 31-37
|
artikel
|
| 97 |
Politics, culture and urban regeneration: The mercat de les flors, Barcelona's 'Forgotten' theatre
|
Orozco, Lourdes
|
|
2007
|
|
3 |
p. 357-369
|
artikel
|
| 98 |
Portrait of the artist as a young musician, writer, actor
|
Cohn, Ruby
|
|
1998
|
|
3 |
p. 67-77
|
artikel
|
| 99 |
(Post)Modern Subjectivity and the New Expressionism: Howard Barker, Sarah Kane, and Forced Entertainment
|
Gritzner, Karoline
|
|
2008
|
|
3 |
p. 328-340
|
artikel
|
| 100 |
Reality Performance: Documentary Trends in Post-Soviet Russian Theatre
|
Lipovetsky, Mark
|
|
2008
|
|
3 |
p. 293-306
|
artikel
|
| 101 |
Reviews
|
|
|
2004
|
|
3 |
p. 82-90
|
artikel
|
| 102 |
Reviews
|
|
|
2006
|
|
3 |
p. 358-365
|
artikel
|
| 103 |
Reviews
|
|
|
2007
|
|
3 |
p. 463-470
|
artikel
|
| 104 |
Reviews
|
|
|
2008
|
|
3 |
p. 383-397
|
artikel
|
| 105 |
Reviews
|
|
|
2003
|
|
3 |
p. 73-86
|
artikel
|
| 106 |
Reviews
|
|
|
2005
|
|
3 |
p. 363-368
|
artikel
|
| 107 |
Revolution and poetry in Feyder's Le Chant du retour
|
Lancaster, Patricia
|
|
1995
|
|
3 |
p. 49-54
|
artikel
|
| 108 |
Room service: En Suite on the Blasted Frontline
|
Iball, Helen
|
|
2005
|
|
3 |
p. 320-329
|
artikel
|
| 109 |
Self-effacement and Self-fashioning: Michael Blakemore and the Craft of Directing
|
Schafer, Elizabeth
|
|
2004
|
|
3 |
p. 30-38
|
artikel
|
| 110 |
Shakespeare's Cleopatra, the Male Gaze, and Madonna: Performance Dilemmas
|
Schafer, Elizabeth
|
|
1995
|
|
3 |
p. 7-16
|
artikel
|
| 111 |
Shepard's sit-trag: Salvation subverted
|
Zinman, Toby Silverman
|
|
1998
|
|
3 |
p. 41-54
|
artikel
|
| 112 |
Songs of the twentieth century: The plays of Ludmila Petrushevskaya
|
Picon-Vallin, Beatrice
|
|
1995
|
|
3 |
p. 77-87
|
artikel
|
| 113 |
So what's new?
|
Dike, Fatima
|
|
1999
|
|
3 |
p. 55-91
|
artikel
|
| 114 |
Spanish sources of Fernando Arrabal's theatre of the grotesque: Goya, Valle-Inclan and bunuel
|
Podol, Peter L.
|
|
1998
|
|
3 |
p. 93-107
|
artikel
|
| 115 |
Staging “things”: Realism and the theatrical object in Shepard's theatre
|
Garner, Stanton B.
|
|
1998
|
|
3 |
p. 55-66
|
artikel
|
| 116 |
Star of stage and screen
|
Billington, Michael
|
|
2006
|
|
3 |
p. 329-330
|
artikel
|
| 117 |
Suggested further reading
|
|
|
1999
|
|
3 |
p. 101-103
|
artikel
|
| 118 |
That's entertainment?
|
Ravenhill, Mark
|
|
2006
|
|
3 |
p. 327-328
|
artikel
|
| 119 |
Theatre as alchemy: On politics, culture and running a theatre company for over 40 years
|
Boadella, Albert
|
|
2007
|
|
3 |
p. 301-310
|
artikel
|
| 120 |
The function and mission of theatre: Ortega's Idea del teatro
|
Roberts, Stephen G. H.
|
|
1998
|
|
3 |
p. 57-66
|
artikel
|
| 121 |
“The girl who lost her voice”
|
Lipkin, Joan
|
|
2000
|
|
3 |
p. 97-103
|
artikel
|
| 122 |
The idea of the “political” in our histories of theatre: Texts, contexts, periods, and problems
|
Postlewait, Thomas
|
|
2002
|
|
3 |
p. 9-33
|
artikel
|
| 123 |
The mutant woman:The use and abuse of the female body in performance art
|
Ashby, Imogen
|
|
2000
|
|
3 |
p. 39-51
|
artikel
|
| 124 |
The 'Placing of Memory' in contemporary Catalan theatre
|
Buffery, Helena
|
|
2007
|
|
3 |
p. 385-397
|
artikel
|
| 125 |
'The Politics of the Skin': An Interview with Wesley Enoch
|
Smith, Susan Bradley
|
|
2004
|
|
3 |
p. 39-44
|
artikel
|
| 126 |
The sadomasochist in the closet
|
Savran, David
|
|
1998
|
|
3 |
p. 79-91
|
artikel
|
| 127 |
The sala beckett and the zero degree of theatricality: From Lluisa Cunille to Carles Batlle
|
Feldman, Sharon G.
|
|
2007
|
|
3 |
p. 370-384
|
artikel
|
| 128 |
Truth or bust: Consensualising a historic narrative or provoking through theatre. The place of the personal narrative in the truth and reconciliation commission
|
Hutchison, Yvette
|
|
2005
|
|
3 |
p. 354-362
|
artikel
|
| 129 |
Trying to like Sam Shepard: Or, the Emperor's New Dungarees
|
Smith, Susan Harris
|
|
1998
|
|
3 |
p. 31-40
|
artikel
|
| 130 |
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London, John
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1998
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Uncovering heroines: Some theatrical perspectives on the French revolution
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Lamar, Celita
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1995
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Unsteady states: Theories of contemporary new writing
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Edgar, David
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Using cognitive science to understand spatiality and community in the theater
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McConachie, Bruce
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2002
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Walking on peas
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Block, Erika
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Canton, Ursula
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Sauter, Willmar
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Women's theatre in Italy
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Bassnett, Susan
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Women, theatre, and territory: The Omaha magic theatre and the boundaries of theatrical performance
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Carlson, Susan Lynn
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Zombie-nation: Haunting, 'Doubling' and the 'Unmaking' of Francoist aesthetics in Albert Boadella's ¡ Buen viaje, Excelencia!
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Wright, Sarah
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2007
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