| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1 |
Aaron Copland's Short Symphony and the Challenge to Human Supervision and Control in Music
|
Pollack, Howard
|
|
2002
|
31 |
3 |
p. 201-210
|
article
|
| 2 |
Analytical Coherence and Performance Regulation
|
Fleischer, Anja
|
|
2002
|
31 |
3 |
p. 239-247
|
article
|
| 3 |
Composing Sounds: Developing Tools for Refined Control of Timbre in Music
|
Kretz, Johannes
|
|
2002
|
31 |
3 |
p. 257-267
|
article
|
| 4 |
Computer-aided Musical Performance with the Distributed Rubato Environment
|
Muller, Stefan
|
|
2002
|
31 |
3 |
p. 233-237
|
article
|
| 5 |
Engineering for the Mind: Cognitive Science and Musical Composition
|
Alty, James L.
|
|
2002
|
31 |
3 |
p. 249-255
|
article
|
| 6 |
"Human Supervision and Control in Engineering and Music"
|
Johannsen, Gunnar
|
|
2002
|
31 |
3 |
p. 177-178
|
article
|
| 7 |
Human Supervision and Control in Engineering and Music - Foundations and Transdisciplinary Views
|
Johannsen, Gunnar
|
|
2002
|
31 |
3 |
p. 179-190
|
article
|
| 8 |
Human Supervision, Control, and Lack of Control in Beethoven's Op. 36
|
Burstein, L. Poundie
|
|
2002
|
31 |
3 |
p. 191-199
|
article
|
| 9 |
Performance and Interpretation
|
Mazzola, Guerino
|
|
2002
|
31 |
3 |
p. 221-232
|
article
|
| 10 |
The Helical Keyboard: Perspectives for Spatial Auditory Displays and Visual Music
|
Herder, Jens
|
|
2002
|
31 |
3 |
p. 269-281
|
article
|
| 11 |
Toru Takemitsu's November Steps
|
Cornwell, Lewis
|
|
2002
|
31 |
3 |
p. 211-220
|
article
|
Journal description