nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
Book Review: Dorottya Fabian, A musicology of performance: Theory and method based on Bach’s solos for violin
|
Timmers, Renee |
|
2016 |
20 |
2 |
p. 274-279 |
artikel |
2 |
Book Review: J. Murphy McCaleb, Embodied knowledge in ensemble performance
|
Waddington, Caroline |
|
2016 |
20 |
2 |
p. 271-274 |
artikel |
3 |
Book Review: Meinard Müller, Fundamentals of music processing
|
Knox, Don |
|
2016 |
20 |
2 |
p. 269-271 |
artikel |
4 |
Capitalising on intuition and reflection: Making sense of a composer’s creative process
|
Pohjannoro, Ulla |
|
2016 |
20 |
2 |
p. 207-234 |
artikel |
5 |
Familiarity of Western melodies: An exploratory approach to influences of national culture, genre and musical expertise
|
Büdenbender, Niklas |
|
2016 |
20 |
2 |
p. 173-192 |
artikel |
6 |
Hargreaves’ “open-earedness”: A critical discussion and new approach on the concept of musical tolerance and curiosity
|
Louven, Christoph |
|
2016 |
20 |
2 |
p. 235-247 |
artikel |
7 |
Let the music be your master: Power laws and music listening habits
|
Mongiardino Koch, Nicolás |
|
2016 |
20 |
2 |
p. 193-206 |
artikel |
8 |
Midlevel analysis of monophonic jazz solos: A new approach to the study of improvisation
|
Frieler, Klaus |
|
2016 |
20 |
2 |
p. 143-162 |
artikel |
9 |
Psychological responses to recorded music as predictors of intentions to attend concerts: Emotions, liking, performance evaluations, and monetary value
|
Kawase, Satoshi |
|
2016 |
20 |
2 |
p. 163-172 |
artikel |
10 |
The effect of social feedback on music preference
|
Schäfer, Thomas |
|
2016 |
20 |
2 |
p. 263-268 |
artikel |
11 |
Voicelikeness of musical instruments: A literature review of acoustical, psychological and expressiveness perspectives
|
Schubert, Emery |
|
2016 |
20 |
2 |
p. 248-262 |
artikel |