| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1 |
Book Review: Dorottya Fabian, A musicology of performance: Theory and method based on Bach’s solos for violin
|
Timmers, Renee
|
|
2016
|
20 |
2 |
p. 274-279
|
article
|
| 2 |
Book Review: J. Murphy McCaleb, Embodied knowledge in ensemble performance
|
Waddington, Caroline
|
|
2016
|
20 |
2 |
p. 271-274
|
article
|
| 3 |
Book Review: Meinard Müller, Fundamentals of music processing
|
Knox, Don
|
|
2016
|
20 |
2 |
p. 269-271
|
article
|
| 4 |
Capitalising on intuition and reflection: Making sense of a composer’s creative process
|
Pohjannoro, Ulla
|
|
2016
|
20 |
2 |
p. 207-234
|
article
|
| 5 |
Familiarity of Western melodies: An exploratory approach to influences of national culture, genre and musical expertise
|
Büdenbender, Niklas
|
|
2016
|
20 |
2 |
p. 173-192
|
article
|
| 6 |
Hargreaves’ “open-earedness”: A critical discussion and new approach on the concept of musical tolerance and curiosity
|
Louven, Christoph
|
|
2016
|
20 |
2 |
p. 235-247
|
article
|
| 7 |
Let the music be your master: Power laws and music listening habits
|
Mongiardino Koch, Nicolás
|
|
2016
|
20 |
2 |
p. 193-206
|
article
|
| 8 |
Midlevel analysis of monophonic jazz solos: A new approach to the study of improvisation
|
Frieler, Klaus
|
|
2016
|
20 |
2 |
p. 143-162
|
article
|
| 9 |
Psychological responses to recorded music as predictors of intentions to attend concerts: Emotions, liking, performance evaluations, and monetary value
|
Kawase, Satoshi
|
|
2016
|
20 |
2 |
p. 163-172
|
article
|
| 10 |
The effect of social feedback on music preference
|
Schäfer, Thomas
|
|
2016
|
20 |
2 |
p. 263-268
|
article
|
| 11 |
Voicelikeness of musical instruments: A literature review of acoustical, psychological and expressiveness perspectives
|
Schubert, Emery
|
|
2016
|
20 |
2 |
p. 248-262
|
article
|
Journal description