nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
Adventures in Music Theatre
|
Bradby, David |
|
2004 |
14 |
1 |
p. 3-6 |
artikel |
2 |
'Back to the Bawdy: Shockheaded Peter's Punk Archaeology of the Music Hall'
|
Svich, Caridad |
|
2004 |
14 |
1 |
p. 39-49 |
artikel |
3 |
Complicite's Comintern. Internationalism and The Noise of Time
|
Knapper, Stephen |
|
2004 |
14 |
1 |
p. 61-73 |
artikel |
4 |
Exits and Entrances: On Opera
|
Sellars, Peter |
|
2004 |
14 |
1 |
p. 107-109 |
artikel |
5 |
From the Ice Cube Stage to Simulated Reality: Place and Displacement in Laurie Anderson's Performances
|
Jestrovic, Silvija |
|
2004 |
14 |
1 |
p. 25-37 |
artikel |
6 |
'I don't mind if something's operatic, just as long it's not opera.' A Critical Practice for New Opera and Music Theatre
|
Till, Nicholas |
|
2004 |
14 |
1 |
p. 15-24 |
artikel |
7 |
Notes on Contributors
|
|
|
2004 |
14 |
1 |
p. 2 |
artikel |
8 |
Opera as 'Information': The Dramaturgy of The Death of Klinghoffer
|
Ginman, John |
|
2004 |
14 |
1 |
p. 51-59 |
artikel |
9 |
Performance Analysis and Popular Music: A Manifesto
|
Auslander, Philip |
|
2004 |
14 |
1 |
p. 1-13 |
artikel |
10 |
Reviews
|
|
|
2004 |
14 |
1 |
p. 111-118 |
artikel |
11 |
'The Clowns of God': Jerry Springer the Opera
|
Soto-Morettini, Donna |
|
2004 |
14 |
1 |
p. 75-87 |
artikel |
12 |
The Gaze Concentrated and the Ears Open
|
Dudley, Jo |
|
2004 |
14 |
1 |
p. 89-105 |
artikel |