| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1 |
Adventures in Music Theatre
|
Bradby, David
|
|
2004
|
14 |
1 |
p. 3-6
|
article
|
| 2 |
'Back to the Bawdy: Shockheaded Peter's Punk Archaeology of the Music Hall'
|
Svich, Caridad
|
|
2004
|
14 |
1 |
p. 39-49
|
article
|
| 3 |
Complicite's Comintern. Internationalism and The Noise of Time
|
Knapper, Stephen
|
|
2004
|
14 |
1 |
p. 61-73
|
article
|
| 4 |
Exits and Entrances: On Opera
|
Sellars, Peter
|
|
2004
|
14 |
1 |
p. 107-109
|
article
|
| 5 |
From the Ice Cube Stage to Simulated Reality: Place and Displacement in Laurie Anderson's Performances
|
Jestrovic, Silvija
|
|
2004
|
14 |
1 |
p. 25-37
|
article
|
| 6 |
'I don't mind if something's operatic, just as long it's not opera.' A Critical Practice for New Opera and Music Theatre
|
Till, Nicholas
|
|
2004
|
14 |
1 |
p. 15-24
|
article
|
| 7 |
Notes on Contributors
|
|
|
2004
|
14 |
1 |
p. 2
|
article
|
| 8 |
Opera as 'Information': The Dramaturgy of The Death of Klinghoffer
|
Ginman, John
|
|
2004
|
14 |
1 |
p. 51-59
|
article
|
| 9 |
Performance Analysis and Popular Music: A Manifesto
|
Auslander, Philip
|
|
2004
|
14 |
1 |
p. 1-13
|
article
|
| 10 |
Reviews
|
|
|
2004
|
14 |
1 |
p. 111-118
|
article
|
| 11 |
'The Clowns of God': Jerry Springer the Opera
|
Soto-Morettini, Donna
|
|
2004
|
14 |
1 |
p. 75-87
|
article
|
| 12 |
The Gaze Concentrated and the Ears Open
|
Dudley, Jo
|
|
2004
|
14 |
1 |
p. 89-105
|
article
|
Journal description