| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Acknowledgements
|
|
|
1999
|
|
4 |
p. 7
|
artikel
|
| 2 |
Acknowledgements
|
|
|
2000
|
|
4 |
p. 1
|
artikel
|
| 3 |
A life in translation: A conversationwith marguerite feitlowitz
|
Svich, Caridad
|
|
2005
|
|
4 |
p. 406-412
|
artikel
|
| 4 |
All he fears
|
Barker, Howard
|
|
1999
|
|
4 |
p. 15-35
|
artikel
|
| 5 |
'A Matter of Attention': A Conversation with Andrei Serban
|
Svich, Caridad
|
|
2004
|
|
4 |
p. 1-11
|
artikel
|
| 6 |
American clocks: Sam Shepard's time plays
|
Brater, Enoch
|
|
1998
|
|
4 |
p. 19-28
|
artikel
|
| 7 |
Anna Halprin in Paris
|
Worth, Libby
|
|
2005
|
|
4 |
p. 440-448
|
artikel
|
| 8 |
Antanas Mockus's Cultura Ciudadana: Theatrical acts for cultural change in Bogota, Colombia
|
Dundjerovic, Aleksandar Sasha
|
|
2006
|
|
4 |
p. 457-467
|
artikel
|
| 9 |
'An Urgent Voice for Our Times'. An Interview with Jose Rivera
|
Svich, Caridad
|
|
2004
|
|
4 |
p. 83-89
|
artikel
|
| 10 |
A review of conversations with (and about) Beckett, edited by Mel Gussow
|
Buse, Peter
|
|
1998
|
|
4 |
p. 131-132
|
artikel
|
| 11 |
A review of dear writer ... dear actress ... the love letters of Olga Knipper and Anton Chekhov, Selected, edited and translated by Jean Benedetti
|
Wainwright, Jeffrey
|
|
1998
|
|
4 |
p. 133-134
|
artikel
|
| 12 |
A review of plays 1 by Jim Cartwright
|
Shrubsall, Anthony
|
|
1998
|
|
4 |
p. 125-127
|
artikel
|
| 13 |
A review of Ramon Maria del Valle-Inclan: Questions of gender, edited by Carol Maier and Roberta L. Salper
|
George, David
|
|
1998
|
|
4 |
p. 129-130
|
artikel
|
| 14 |
A review of Shakespeare in performance: Henry V, edited by James N. Loehlin
|
McCullough, Christopher
|
|
1998
|
|
4 |
p. 121-122
|
artikel
|
| 15 |
A review of the beauty queen of Leenane by Martin McDonagh
|
Svich, Caridad
|
|
1998
|
|
4 |
p. 135-138
|
artikel
|
| 16 |
A review of the crucible - a screenplay, by Arthur Miller
|
Banfield, Chris
|
|
1998
|
|
4 |
p. 123-124
|
artikel
|
| 17 |
A review of the plays of John Lyly, Eros and Eliza, edited by Michael Pincombe
|
Holderness, Graham
|
|
1998
|
|
4 |
p. 117-120
|
artikel
|
| 18 |
A Second Extract of Alternative Theatre in Poland 1954-1989 by Kathleen M. Cioffi
|
|
|
1998
|
|
4 |
p. 97-118
|
artikel
|
| 19 |
'Avignon, Everybody's Dream'
|
Wehle, Philippa
|
|
2003
|
|
4 |
p. 27-41
|
artikel
|
| 20 |
A young lad in the arms of an old man - Sergi Belbel directs angel guimera's la filla del mar (The daughter of the Sea)
|
George, David
|
|
1998
|
|
4 |
p. 45-64
|
artikel
|
| 21 |
Backpages 16.4
|
|
|
2006
|
|
4 |
p. 522-532
|
artikel
|
| 22 |
Backpages 17.4
|
|
|
2007
|
|
4 |
p. 596-608
|
artikel
|
| 23 |
Backpages 18.4
|
|
|
2008
|
|
4 |
p. 531-544
|
artikel
|
| 24 |
Backpages
|
|
|
2005
|
|
4 |
p. 476-494
|
artikel
|
| 25 |
Bees, horseshoes, and puppets for the elderly: The local initiatives program and the political economy of Canadian theatre
|
McKinnie, Michael
|
|
2005
|
|
4 |
p. 427-439
|
artikel
|
| 26 |
Binglishing Britain: Tara Arts: Journey to the West Trilogy
|
Hingorani, Dominic
|
|
2004
|
|
4 |
p. 12-22
|
artikel
|
| 27 |
Biographical notes
|
|
|
2000
|
|
4 |
p. 63
|
artikel
|
| 28 |
Book Reviews
|
|
|
2007
|
|
4 |
p. 582-595
|
artikel
|
| 29 |
'Broken Music': Adam Bock
|
Svich, Caridad
|
|
2008
|
|
4 |
p. 497-502
|
artikel
|
| 30 |
Casting themselves: Culture clash and the comedy of resistance
|
Glenn, Antonia Nakano
|
|
2005
|
|
4 |
p. 413-426
|
artikel
|
| 31 |
Cultural Effects of the Edinburgh International Festival: Elitism, Identities, Industries
|
Harvie, Jen
|
|
2003
|
|
4 |
p. 12-26
|
artikel
|
| 32 |
Curse of the Starving Class and the Logic of Destruction
|
Kleb, William E.
|
|
1998
|
|
4 |
p. 1-17
|
artikel
|
| 33 |
Dance and Postmodern Communities
|
Alderson, Evan
|
|
1997
|
|
4 |
p. 63-74
|
artikel
|
| 34 |
Dead Faces Laugh
|
Finnegan, Seamus
|
|
2000
|
|
4 |
p. 9-61
|
artikel
|
| 35 |
'Deformities of the Frame':The Theatre of Anthony Neilson
|
Reid, Trish
|
|
2007
|
|
4 |
p. 487-498
|
artikel
|
| 36 |
Diary of a madwoman
|
Woods, Pam
|
|
2002
|
|
4 |
p. 31-35
|
artikel
|
| 37 |
Documents
|
|
|
2006
|
|
4 |
p. 483-509
|
artikel
|
| 38 |
Drama making as a research process
|
Somers, John
|
|
2002
|
|
4 |
p. 97-111
|
artikel
|
| 39 |
Editorial
|
Bradby, David
|
|
2004
|
|
4 |
p. 3-6
|
artikel
|
| 40 |
Editorial
|
|
|
2006
|
|
4 |
p. 385-388
|
artikel
|
| 41 |
Editorial
|
Bradby, David
|
|
2003
|
|
4 |
p. 1-4
|
artikel
|
| 42 |
Editorial
|
Bradby, David
|
|
2005
|
|
4 |
p. 389-391
|
artikel
|
| 43 |
Editorial
|
Bradby, David
|
|
2007
|
|
4 |
p. 485-486
|
artikel
|
| 44 |
Editorial board
|
|
|
1998
|
|
4 |
p. 1
|
artikel
|
| 45 |
Editorial board
|
|
|
2002
|
|
4 |
p. 1
|
artikel
|
| 46 |
Editorial board
|
|
|
1997
|
|
4 |
p. 1
|
artikel
|
| 47 |
Editorial board
|
|
|
1998
|
|
4 |
p. 1
|
artikel
|
| 48 |
Faustus in Africa
|
Kentridge, William
|
|
1999
|
|
4 |
p. 45-82
|
artikel
|
| 49 |
'Gagging' - Forum on Censorship
|
|
|
2007
|
|
4 |
p. 516-556
|
artikel
|
| 50 |
Hidden in plain sight: 25 notes on Shepard's stage silence and screen presence, 1984-1993
|
Shewey, Don
|
|
1998
|
|
4 |
p. 75-89
|
artikel
|
| 51 |
Idiotic Stories: Colin Teevan's Svejk
|
Poulain, Alexandra
|
|
2005
|
|
4 |
p. 449-454
|
artikel
|
| 52 |
Indian country: Sam Shepard and the cultural other
|
DeRose, David J.
|
|
1998
|
|
4 |
p. 55-73
|
artikel
|
| 53 |
Interacting
|
Birringer, Johannes
|
|
2006
|
|
4 |
p. 389-405
|
artikel
|
| 54 |
Interview with Howard Barker
|
Francis, Penny
|
|
1999
|
|
4 |
p. 37-39
|
artikel
|
| 55 |
In the beginning there was a blank piece of paper, tape, space, . . . An introduction to ways of working
|
Oddey, Alison
|
|
2002
|
|
4 |
p. 1-8
|
artikel
|
| 56 |
Introduction
|
Wilcher, Robert
|
|
2000
|
|
4 |
p. 1-8
|
artikel
|
| 57 |
Introduction
|
Yarrow, Ralph
|
|
1997
|
|
4 |
p. 1-6
|
artikel
|
| 58 |
Introduction
|
|
|
1999
|
|
4 |
p. 1-12
|
artikel
|
| 59 |
'L'Affaire Koltes': A Contextualization
|
Fancy, David
|
|
2008
|
|
4 |
p. 487-496
|
artikel
|
| 60 |
La Fura dels Baus and the legacy of Antonin Artaud
|
Sanchez, Antonio
|
|
2006
|
|
4 |
p. 406-418
|
artikel
|
| 61 |
Martin McDonagh's Lieutenant of Inishmore: Selling (-Out) to the English
|
Luckhurst, Mary
|
|
2004
|
|
4 |
p. 34-41
|
artikel
|
| 62 |
Meeting content: A performance research collaboration
|
Kuppers, Petra
|
|
2002
|
|
4 |
p. 53-61
|
artikel
|
| 63 |
Notes at close quarters: Fragments/early version (first edit)
|
Wright, Fiona
|
|
2002
|
|
4 |
p. 37-41
|
artikel
|
| 64 |
Notes on Contributors
|
|
|
1997
|
|
4 |
p. 75
|
artikel
|
| 65 |
Notes on contributors
|
|
|
1998
|
|
4 |
p. 111-112
|
artikel
|
| 66 |
Notes on contributors
|
|
|
2003
|
|
4 |
p. 2
|
artikel
|
| 67 |
Notes on Contributors
|
|
|
2006
|
|
4 |
p. 383-384
|
artikel
|
| 68 |
Notes on Contributors
|
|
|
2007
|
|
4 |
p. 483-484
|
artikel
|
| 69 |
Notes on Contributors
|
|
|
2008
|
|
4 |
p. 411
|
artikel
|
| 70 |
Notes on contributors
|
|
|
1998
|
|
4 |
p. 91-92
|
artikel
|
| 71 |
Notes on contributors
|
|
|
1999
|
|
4 |
p. 85-86
|
artikel
|
| 72 |
Notes on contributors
|
|
|
2002
|
|
4 |
p. 121-123
|
artikel
|
| 73 |
Notes on Contributors
|
|
|
2005
|
|
4 |
p. 387-388
|
artikel
|
| 74 |
Of fire, death, and desire: Transgression and carnival in Jonathan Larson's rent
|
Sebesta, Judith
|
|
2006
|
|
4 |
p. 419-438
|
artikel
|
| 75 |
On and Off: A Tour of Theatre Festivals in Canada and the United States
|
Huffman, Shawn
|
|
2003
|
|
4 |
p. 57-65
|
artikel
|
| 76 |
On being a werewolf: Practice as research - a playwright's perspective
|
Ramsay, Gordon
|
|
2002
|
|
4 |
p. 43-52
|
artikel
|
| 77 |
“Paper or practice?” : A dialogue debating key issues of practice as research
|
Oddey, Alison
|
|
2002
|
|
4 |
p. 9-24
|
artikel
|
| 78 |
Parallel power: Shakespeare, gunfire and silence
|
Heritage, Paul
|
|
2005
|
|
4 |
p. 392-405
|
artikel
|
| 79 |
Performance groups in contemporary Spanish theatre
|
Saumell, Merce
|
|
1998
|
|
4 |
p. 1-30
|
artikel
|
| 80 |
Performances Interpretation by Segmentation and its Notation
|
Tangian, Andranik
|
|
1997
|
|
4 |
p. 79-97
|
artikel
|
| 81 |
Performatised Secrets, Performatised Selves
|
Freeman, John
|
|
2004
|
|
4 |
p. 54-67
|
artikel
|
| 82 |
Performing love: A week's discourse with forced entertainment
|
Babbage, Frances
|
|
2002
|
|
4 |
p. 63-76
|
artikel
|
| 83 |
Perverse Martyrologies: An Interview with Ron Athey
|
Johnson, Dominic
|
|
2008
|
|
4 |
p. 503-513
|
artikel
|
| 84 |
Peter Hall in Rehearsal
|
Knapper, Stephen
|
|
2007
|
|
4 |
p. 578-581
|
artikel
|
| 85 |
'Politics, Playwriting, Postmodernism': An Interview with David Edgar
|
Reinelt, Janelle
|
|
2004
|
|
4 |
p. 42-53
|
artikel
|
| 86 |
Post-Franco Spanish theatre, Jaime Salom and Casi Una Diosa (almost a goddess)
|
Edwards, Gwynne
|
|
1998
|
|
4 |
p. 31-44
|
artikel
|
| 87 |
Practice as research: Knowledge how and knowledge whether
|
White, Christine A.
|
|
2002
|
|
4 |
p. 113-120
|
artikel
|
| 88 |
Presenting the Unrepresentable: Maeterlinck's L'Intruse and the Symbolist Drama
|
Chamberlain, Franc
|
|
1997
|
|
4 |
p. 25-36
|
artikel
|
| 89 |
Principally Boys? Gender Dynamics and Casting Practices in Modern British Pantomime
|
Lipton, Martina
|
|
2008
|
|
4 |
p. 470-486
|
artikel
|
| 90 |
Putting it into practice: The possibilities and problems of practical research for the theatre historian
|
Bush-Bailey, Gilli
|
|
2002
|
|
4 |
p. 77-96
|
artikel
|
| 91 |
Redefining Spanish Theatre: Lluis Pasqual on directing, Fabia Puigserver, and the Lliure
|
Delgado, Maria M.
|
|
1998
|
|
4 |
p. 81-109
|
artikel
|
| 92 |
Re-Membering Cricket: Sport as an instrument of decolonisation in Trobriand Cricket (1976) and Lagaan. Once Upon a Time in India (2001)
|
Neumann, Birgit
|
|
2006
|
|
4 |
p. 468-482
|
artikel
|
| 93 |
Reviews
|
Maguire, Tom
|
|
2004
|
|
4 |
p. 90-97
|
artikel
|
| 94 |
reviews
|
|
|
2005
|
|
4 |
p. 470-475
|
artikel
|
| 95 |
Reviews
|
|
|
2006
|
|
4 |
p. 510-521
|
artikel
|
| 96 |
reviews
|
|
|
2008
|
|
4 |
p. 514-530
|
artikel
|
| 97 |
Reviews
|
|
|
2003
|
|
4 |
p. 94-102
|
artikel
|
| 98 |
Sam Shepard, feminist playwright: The destination of a lie of the mind
|
Rosen, Carol
|
|
1998
|
|
4 |
p. 29-40
|
artikel
|
| 99 |
Schiller's 'Killer Queen' on the streets of London: Recent productions of Mary Stuart in England
|
Gobels, Bettina
|
|
2006
|
|
4 |
p. 439-456
|
artikel
|
| 100 |
Screening Presence: The Builders Association and dbox, SUPER VISION (2005)
|
Kaye, Nick
|
|
2007
|
|
4 |
p. 557-577
|
artikel
|
| 101 |
Select bibliography
|
|
|
1999
|
|
4 |
p. 83
|
artikel
|
| 102 |
Shamanism vilified and redeemed: Sam Shepard's states of shock
|
Nordmann, Alfred
|
|
1998
|
|
4 |
p. 41-54
|
artikel
|
| 103 |
Signs of Reading: The Theatre of the Eighth Day's Teczki and Czas Matek
|
Edmond, Murray
|
|
2008
|
|
4 |
p. 442-456
|
artikel
|
| 104 |
Space, Metamorphosis and Extratemporality in the Theatre of Robert Lepage
|
Dixon, Steve
|
|
2007
|
|
4 |
p. 499-515
|
artikel
|
| 105 |
Still and Again: Whither Festivals?
|
Maurin, Frederic
|
|
2003
|
|
4 |
p. 5-11
|
artikel
|
| 106 |
The Africa of Festivals: Bringing People Together
|
Campana, Francois
|
|
2003
|
|
4 |
p. 48-56
|
artikel
|
| 107 |
Theatre Festivals in the Arab World
|
Carlson, Marvin
|
|
2003
|
|
4 |
p. 42-47
|
artikel
|
| 108 |
The Body We Leave Behind The International Workshop Festival 1988-2001
|
McCaw, Dick
|
|
2003
|
|
4 |
p. 66-78
|
artikel
|
| 109 |
The 'Darkness' at the End of the Theatre: Chereau, Koltes, Nanterre
|
Fancy, David
|
|
2004
|
|
4 |
p. 68-82
|
artikel
|
| 110 |
The Echo from Within: The Role of Stage Music in Peter Brook's Performance of Shakespeare
|
Cole King, Helen
|
|
2008
|
|
4 |
p. 412-424
|
artikel
|
| 111 |
The Lorca cult: Theatre, cinema, and print media in 1980s Spain
|
Smith, Paul Julian
|
|
1998
|
|
4 |
p. 65-80
|
artikel
|
| 112 |
Theoretical Methodologiesand the Advent of VirtualAnalytical Tools in Theatre
|
Harvey, Neal
|
|
2005
|
|
4 |
p. 455-469
|
artikel
|
| 113 |
The pre-expressive level: A Mechanicist-alchemist concept
|
Pradier, Jean-Marie
|
|
1997
|
|
4 |
p. 7-23
|
artikel
|
| 114 |
'This space is not big enough for all the different hats I'm wearing': Notes on negotiating room enough for all in rehearsal
|
Cruickshank, Tracy
|
|
2002
|
|
4 |
p. 25-29
|
artikel
|
| 115 |
'To Push the Actor-Training to its Extreme': Training Process in Ingemar Lindh's Practice of Collective Improvisation
|
Camilleri, Frank
|
|
2008
|
|
4 |
p. 425-441
|
artikel
|
| 116 |
Tourism, The Festival Marketplace and Robert Lepage's The Seven Streams of the River Ota
|
Fricker, Karen
|
|
2003
|
|
4 |
p. 79-93
|
artikel
|
| 117 |
Tragic Plots from Bootle to Baghdad
|
Kuti, Elizabeth
|
|
2008
|
|
4 |
p. 457-469
|
artikel
|
| 118 |
Underscore:The Shape of Things to Come
|
Pavis, Patrice
|
|
1997
|
|
4 |
p. 37-61
|
artikel
|
| 119 |
West Indies vs England in Winsome Pinnock's Migration Narratives
|
Goddard, Lynette
|
|
2004
|
|
4 |
p. 23-33
|
artikel
|
| 120 |
Why promote text-based drama for live animation?
|
Middleton, Gren
|
|
1999
|
|
4 |
p. 41
|
artikel
|
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