| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1 |
Arnheim's Gestalt Theory of Visual Balance: Examining the Compositional Structure of Art Photographs and Abstract Images
|
McManus, I C
|
|
2011
|
2 |
6 |
p. 615-647
|
article
|
| 2 |
Coronal Streamers Revealed during Solar Eclipses: Seeing is not Believing, and Pictures Can Lie
|
Woo, Richard
|
|
2011
|
2 |
6 |
p. 565-568
|
article
|
| 3 |
Depth
|
Koenderink, Jan J
|
|
2011
|
2 |
6 |
p. 541-564
|
article
|
| 4 |
Dichoptic Completion, Rather than Binocular Rivalry or Binocular Summation
|
Zhaoping, Li
|
|
2011
|
2 |
6 |
p. 611-614
|
article
|
| 5 |
Layers of Looking
|
Morris, Wendy
|
|
2011
|
2 |
6 |
p. 577-591
|
article
|
| 6 |
Measuring Pictorial Balance Perception at First Glance using Japanese Calligraphy
|
Gershoni, Sharon
|
|
2011
|
2 |
6 |
p. 508-527
|
article
|
| 7 |
New Insights into Ambient and Focal Visual Fixations using an Automatic Classification Algorithm
|
Follet, Brice
|
|
2011
|
2 |
6 |
p. 592-610
|
article
|
| 8 |
Quicker, Faster, Darker: Changes in Hollywood Film over 75 Years
|
Cutting, James E
|
|
2011
|
2 |
6 |
p. 569-576
|
article
|
| 9 |
The Effect of Left-Right Reversal on Film: Watching Kurosawa Reversed
|
Bertamini, Marco
|
|
2011
|
2 |
6 |
p. 528-540
|
article
|
| 10 |
Towards a New Kind of Experimental Psycho-Aesthetics? Reflections on the Parallellepipeda Project
|
Wagemans, Johan
|
|
2011
|
2 |
6 |
p. 648-678
|
article
|
Journal description