| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
"A LIKELY STORY": CHARLOTTE SMITH'S REVOLUTIONARY NARRATIVES
|
Benis, Toby Ruth
|
|
2003
|
|
3 |
p. 291-306
|
artikel
|
| 2 |
An apology for the conduct of the Gordons: Dichtung and Wahrheit in Achim von Arnim's Mistris Lee
|
Dickson, Sheila
|
|
2000
|
|
3 |
p. 300-321
|
artikel
|
| 3 |
Answering The Borderers in “The Rime of the Ancient Mariner”
|
Ulmer, William A.
|
|
2008
|
|
3 |
p. 233-246
|
artikel
|
| 4 |
A Tragic Farce: Revolutionary Women in Elizabeth Inchbald's The Massacre and European Drama
|
Nielsen, Wendy C.
|
|
2006
|
|
3 |
p. 275-288
|
artikel
|
| 5 |
Beggars Can Be Choosers: From Gay to Inchbald
|
Hall, Dewey W.
|
|
2006
|
|
3 |
p. 341-350
|
artikel
|
| 6 |
Beyond New Historicism: Adorno and Wordsworth
|
Kim, Sung-Joong
|
|
2004
|
|
3 |
p. 463-480
|
artikel
|
| 7 |
BOOK REVIEW
|
Douglass, Paul
|
|
2002
|
|
3 |
p. 1-6
|
artikel
|
| 8 |
BOOK REVIEW
|
Mieszkowski, Jan
|
|
2002
|
|
3 |
p. 1-3
|
artikel
|
| 9 |
BOOK REVIEW
|
Baker, J. M.
|
|
2002
|
|
3 |
p. 1-5
|
artikel
|
| 10 |
BOOK REVIEWS
|
|
|
2003
|
|
3 |
p. 369-390
|
artikel
|
| 11 |
Book reviews
|
|
|
2004
|
|
3 |
p. 481-491
|
artikel
|
| 12 |
Book Reviews
|
Graham, Peter W.
|
|
2007
|
|
3 |
p. 435-444
|
artikel
|
| 13 |
BOOK REVIEWS
|
Persyn, Mary Kelly
|
|
2002
|
|
3 |
p. 325-346
|
artikel
|
| 14 |
Book Reviews
|
Hoeveler, Diane Long
|
|
2005
|
|
3 |
p. 373-398
|
artikel
|
| 15 |
Book Reviews
|
|
|
2006
|
|
3 |
p. 377-401
|
artikel
|
| 16 |
BOOK REVIEWS
|
Jager, Colin
|
|
2008
|
|
3 |
p. 289-306
|
artikel
|
| 17 |
“Breathing human passion”: Keats, Cornwall, Shelley and popular romanticism
|
Turley, Richard Marggraf
|
|
2008
|
|
3 |
p. 253-273
|
artikel
|
| 18 |
Byron and the fantasy of compensation
|
Elfenbein, Andrew
|
|
2001
|
|
3 |
p. 267-283
|
artikel
|
| 19 |
Byron and the new disability studies: A response
|
Thomson, Rosemarie Garland
|
|
2001
|
|
3 |
p. 321-327
|
artikel
|
| 20 |
Byron's disability and the techno-gothic grotesque in the deformed transformed
|
Purinton, Marjean D.
|
|
2001
|
|
3 |
p. 301-320
|
artikel
|
| 21 |
Byron, The deformed transformed, and the problematic of embodiment
|
Peterfreund, Stuart
|
|
2001
|
|
3 |
p. 284-300
|
artikel
|
| 22 |
COMPETING HISTORIES IN THE WAVERLEY NOVELS
|
Burwick, Frederick
|
|
2002
|
|
3 |
p. 261-271
|
artikel
|
| 23 |
Cowley's Bold Stroke for Comedy
|
Cox, Jeffrey N.
|
|
2006
|
|
3 |
p. 361-375
|
artikel
|
| 24 |
Deformity transformed: Byron and his biographers on the subject of his lameness
|
Jones, Christine Kenyon
|
|
2001
|
|
3 |
p. 249-266
|
artikel
|
| 25 |
Desires and History: Historical Representation in Frances Burney's Edwy and Elgiva and Joanna Baillie's Ethwald
|
Gilbert, Elizabeth Deirdre
|
|
2006
|
|
3 |
p. 327-334
|
artikel
|
| 26 |
Editor's introduction: Byron and disability
|
Elfenbein, Andrew
|
|
2001
|
|
3 |
p. 247-248
|
artikel
|
| 27 |
Embodied Cosmopolitanism and the British Romantic Woman Writer
|
Mellor, Anne K.
|
|
2006
|
|
3 |
p. 289-300
|
artikel
|
| 28 |
Empathized with Immediacy: Improvisation, Romantic Folk Song and Goethe's Concept of the “Born Poet”
|
Pape, Walter
|
|
2005
|
|
3 |
p. 361-372
|
artikel
|
| 29 |
Essay Review: “Camelion” Clare
|
Keegan, Bridget
|
|
2007
|
|
3 |
p. 445-457
|
artikel
|
| 30 |
Female pseudonymity in the romantic “age of personality”: The career of charlotte King/Rosa Matilda/charlotte Dacre
|
Wilson, Lisa M.
|
|
1998
|
|
3 |
p. 393-420
|
artikel
|
| 31 |
Foolish knowledge: the commercial modernity of the periodical press
|
Keen, Paul
|
|
2008
|
|
3 |
p. 199-218
|
artikel
|
| 32 |
Foregrounding nationalism: Mary Russell Mitford's Our Village and the effects of publication context
|
Morrison, Kevin A.
|
|
2008
|
|
3 |
p. 275-287
|
artikel
|
| 33 |
FOREWORD
|
Beiderwell, Bruce
|
|
2002
|
|
3 |
p. 223
|
artikel
|
| 34 |
Forgery, Fiscal Trauma, and the Fauntleroy Case
|
Malton, Sara
|
|
2007
|
|
3 |
p. 401-415
|
artikel
|
| 35 |
From Charlotte Smith to Nehemiah Higginbottom: Revising the genealogy of the early romantic sonnet
|
Raycroft, Brent
|
|
1998
|
|
3 |
p. 363-392
|
artikel
|
| 36 |
In Memoriam: J. Robert Barth, S. J.
|
Mahoney, John L.
|
|
2006
|
|
3 |
p. 255-257
|
artikel
|
| 37 |
“Insipid decency”: Modesty and female sexuality in Wollstonecraft
|
Crafton, Lisa Plummer
|
|
2000
|
|
3 |
p. 277-299
|
artikel
|
| 38 |
Introduction
|
Maniquis, Robert M.
|
|
2005
|
|
3 |
p. 269-272
|
artikel
|
| 39 |
Introduction
|
Schneider, Matthew
|
|
2006
|
|
3 |
p. 259-263
|
artikel
|
| 40 |
Joanna Baillie and the Emergence of Medico-Legal Discourse
|
Myers, Victoria
|
|
2007
|
|
3 |
p. 339-359
|
artikel
|
| 41 |
Joanna Baillie's and Elizabeth Inchbald's Moral Aesthetics: Humanizing Actors and Madmen
|
Tucker, Kathryn
|
|
2006
|
|
3 |
p. 335-340
|
artikel
|
| 42 |
Joanna Baillie's Religious Ideology: The Dichotomy of Fundamentalism and Liberalism in The Martyr and A View of the General Tenour of the New Testament Regarding the Nature and Dignity of Jesus Christ
|
Slagle, Judith Bailey
|
|
2006
|
|
3 |
p. 301-314
|
artikel
|
| 43 |
LUCY AIKIN'S MARGINALIA TO BIOGRAPHIA LITERARIA
|
Graver, Bruce
|
|
2003
|
|
3 |
p. 323-343
|
artikel
|
| 44 |
Margaret Atwood's Lucy Poem: The postmodern art of otherness in 'Death by Landscape'
|
Bruhn, Mark J.
|
|
2004
|
|
3 |
p. 449-461
|
artikel
|
| 45 |
Mary Robinson as Dramatist: The Nobody Catastrophe
|
Brewer, William D.
|
|
2006
|
|
3 |
p. 265-273
|
artikel
|
| 46 |
Mood and metaphysics in wordsworth and coleridge
|
Cauchi, Francesca
|
|
2001
|
|
3 |
p. 328-350
|
artikel
|
| 47 |
"MORE THAN HALF A POET": VOCATIONAL PHILANTHROPY AND DOROTHY WORDSWORTH'S GRASMERE JOURNALS
|
Comitini, Patricia
|
|
2003
|
|
3 |
p. 307-322
|
artikel
|
| 48 |
Multivocality in Mary Shelley's unfinished memoirs of her father
|
Conger, Syndy McMillen
|
|
1998
|
|
3 |
p. 303-322
|
artikel
|
| 49 |
Natural history, Manfred, and the critique of knowledge
|
Meritt, Mark D.
|
|
1998
|
|
3 |
p. 351-362
|
artikel
|
| 50 |
On Coleridge as translator of Faustus from the German of Goethe
|
Burwick, Frederick
|
|
2008
|
|
3 |
p. 247-252
|
artikel
|
| 51 |
“One half what i should say”: Byron's gay narrator in Don Juan
|
Gross, Jonathan David
|
|
1998
|
|
3 |
p. 323-350
|
artikel
|
| 52 |
On Teaching A Bold Stroke for a Husband and Other Comedies by Romantic Women Playwrights
|
Purinton, Marjean D.
|
|
2006
|
|
3 |
p. 351-360
|
artikel
|
| 53 |
PEDANTRY AND THE QUESTION OF ENLIGHTENMENT HISTORY: THE FIGURE OF THE ANTIQUARY IN SCOTT
|
Ferris, Ina
|
|
2002
|
|
3 |
p. 273-283
|
artikel
|
| 54 |
Practicing Resistance: Blake, Milton, and the English Jury
|
Barr, Mark L.
|
|
2007
|
|
3 |
p. 361-379
|
artikel
|
| 55 |
PREFACE
|
Hewitt, Regina
|
|
2003
|
|
3 |
p. 289
|
artikel
|
| 56 |
Prometheus in a Bind: Law, Narrative and Movement in Prometheus Unbound
|
Nuss, Melynda
|
|
2007
|
|
3 |
p. 417-434
|
artikel
|
| 57 |
Reviews
|
Burroughs, Catherine
|
|
2001
|
|
3 |
p. 381-405
|
artikel
|
| 58 |
Reviews
|
Burwick, Frederick
|
|
1998
|
|
3 |
p. 421-452
|
artikel
|
| 59 |
Reviews
|
Weber, Caroline
|
|
2000
|
|
3 |
p. 348-373
|
artikel
|
| 60 |
Romanticism and the Law: A Selective Introduction
|
Hewitt, Regina
|
|
2007
|
|
3 |
p. 299-315
|
artikel
|
| 61 |
Scott, Baillie, and the Bewitching of Social Relations
|
Hewitt, Regina
|
|
2005
|
|
3 |
p. 341-350
|
artikel
|
| 62 |
SCOTT'S LAY OF THE LAST MINSTREL : THE HISTORY OF A BOOK
|
Millgate, Jane
|
|
2002
|
|
3 |
p. 225-238
|
artikel
|
| 63 |
SCOTT, WOMEN, AND HISTORY
|
Shaw, Harry
|
|
2002
|
|
3 |
p. 285-297
|
artikel
|
| 64 |
'Soul-shudd'ring vacuum': space for subjects in Later Blake
|
Goslee, Nancy Moore
|
|
2004
|
|
3 |
p. 391-407
|
artikel
|
| 65 |
Text and Context: Margaret Holford Hodson, Joanna Baillie, and the Wolfstein-Byron Controversy
|
Slagle, Judith Bailey
|
|
2004
|
|
3 |
p. 425-447
|
artikel
|
| 66 |
THE "AMANUENSIS OF HISTORY" IN THE FRANCO-BURGUNDIAN NOVELS
|
Alexander, J. H.
|
|
2002
|
|
3 |
p. 239-247
|
artikel
|
| 67 |
The Anxiety of Innocence in Blake and Kierkegaard
|
Schneider, Matthew
|
|
2005
|
|
3 |
p. 351-359
|
artikel
|
| 68 |
THE ELEPHANT'S FOOT AND THE BRITISH MOUTH: WALTER SCOTT ON IMPERIAL RHETORIC
|
Wallace, Tara Ghoshal
|
|
2002
|
|
3 |
p. 311-324
|
artikel
|
| 69 |
The “fatal attractions” of “serious things”: Regency politics and performance in Baudelaire's Le spleen de Paris
|
Nicolay, Claire
|
|
2000
|
|
3 |
p. 322-347
|
artikel
|
| 70 |
“The Ghost of Gold”: Forgery Trials and the Standard of Value in Shelley's The Mask of Anarchy
|
Dick, Alex J.
|
|
2007
|
|
3 |
p. 381-400
|
artikel
|
| 71 |
THE HEART OF MID-LOTHIAN AND 'THE PEOPLE'
|
Hewitt, David
|
|
2002
|
|
3 |
p. 299-309
|
artikel
|
| 72 |
"THE MINSTRELS OF MODERN ITALY": IMPROVISATION COMES TO BRITAIN
|
Simpson, Erik
|
|
2003
|
|
3 |
p. 345-367
|
artikel
|
| 73 |
The politics of matter: Newtonian science and Priestleyan metaphysics in Coleridge's “Preternatural Agency”
|
Erving, George S.
|
|
2008
|
|
3 |
p. 219-232
|
artikel
|
| 74 |
“The Race of the Cid”: Blood, Darkness, and the Captivity Narrative in Felicia Hemans's The Siege of Valencia
|
Cass, Jeffrey
|
|
2006
|
|
3 |
p. 315-326
|
artikel
|
| 75 |
'The soul of sweet delight': Blake and the Sensual Soul
|
Behrendt, Stephen C.
|
|
2004
|
|
3 |
p. 409-423
|
artikel
|
| 76 |
“This valley of wonders”: Coleridge's Hymn before Sun-rise in the vale of chamouni
|
Paley, Morton D.
|
|
2001
|
|
3 |
p. 351-380
|
artikel
|
| 77 |
TRANSMUTATIONS: FROM ALCHEMY TO HISTORY IN QUENTIN DURWARD AND ANNE OF GEIERSTEIN
|
Wilt, Judith
|
|
2002
|
|
3 |
p. 249-260
|
artikel
|
| 78 |
Unfit for an English Stage? Inchbald's Lovers' Vows and Kotzebue's Das Kind der Liebe
|
Bode, Christoph
|
|
2005
|
|
3 |
p. 297-309
|
artikel
|
| 79 |
What Lord Byron Learned from Lady Caroline Lamb
|
Douglass, Paul
|
|
2005
|
|
3 |
p. 273-281
|
artikel
|
| 80 |
Where the Evidence Leads: Gothic Narratives and Legal Technologies
|
Hoeveler, Diane Long
|
|
2007
|
|
3 |
p. 317-337
|
artikel
|
| 81 |
William Taylor's pluralist project: The major translations, 1789-91
|
Chandler, David
|
|
2000
|
|
3 |
p. 259-276
|
artikel
|
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