| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
'Adieu Madras, Adieu Foulard': Musical Origins and the Doudou's Colonial Plaint
|
Hill, Edwin
|
|
2007
|
|
1 |
p. 19-43
|
artikel
|
| 2 |
Aesthetic considerations in understanding Chinese literati musical behaviour
|
Ho, Edward
|
|
1997
|
|
1 |
p. 35-49
|
artikel
|
| 3 |
An Interview with J. H. Kwabena Nketia: Perspectives on Tradition and Modernity
|
Wiggins, Trevor
|
|
2005
|
|
1 |
p. 57-81
|
artikel
|
| 4 |
An understanding between Bollywood and Hollywood? The meaning of Hollywood-style music in Hindi films
|
Morcom, Anna
|
|
2001
|
|
1 |
p. 63-84
|
artikel
|
| 5 |
Auspicious women, auspicious songs: Mangalini and their music at the court of Kathmandu
|
Tingey, Carol
|
|
1993
|
|
1 |
p. 55-74
|
artikel
|
| 6 |
Azerbaijani Mugham and Carpet: Cross-Domain Mapping
|
Naroditskaya, Inna
|
|
2005
|
|
1 |
p. 25-55
|
artikel
|
| 7 |
Bandleaders in Crete: Musicians and entrepreneurs in a Greek island economy
|
Dawe, Kevin
|
|
1998
|
|
1 |
p. 23-44
|
artikel
|
| 8 |
Birds of Wasulu: Freedom of expression and expressions of freedom in the popular music of Southern Mali
|
Duran, Lucy
|
|
1995
|
|
1 |
p. 101-134
|
artikel
|
| 9 |
Blanks on the cognitive map: Unpredictable aspects of musical performance
|
Gourlay, Kenneth A.
|
|
1993
|
|
1 |
p. 1-30
|
artikel
|
| 10 |
“Brotherhood of the boat”: Musical dialogues in a Caribbean context
|
Ramnarine, Tina K.
|
|
1998
|
|
1 |
p. 1-22
|
artikel
|
| 11 |
By the rivers of babylon: echoes of the babylonian past in the musical heritage of the iraqi jewish diaspora
|
Randhofer, Regina
|
|
2004
|
|
1 |
p. 21-45
|
artikel
|
| 12 |
CDs
|
Gammon, Vic
|
|
2003
|
|
1 |
p. 178-179
|
artikel
|
| 13 |
CDs
|
Pegg, Carole
|
|
2002
|
|
1 |
p. 170-180
|
artikel
|
| 14 |
Chinese ritual music under Mao and Deng
|
Jones, Stephen
|
|
1999
|
|
1 |
p. 27-66
|
artikel
|
| 15 |
Collecting Indian songs in late 18th-century Lucknow: Problems of transcription
|
Woodfield, Ian
|
|
1994
|
|
1 |
p. 73-88
|
artikel
|
| 16 |
Compositional techniques in roman catholic church music in Uganda
|
Gray, Catherine
|
|
1995
|
|
1 |
p. 135-155
|
artikel
|
| 17 |
Contemporary recital solos for the Chinese two-stringed fiddle erhu
|
Stock, Jonathan
|
|
1992
|
|
1 |
p. 55-88
|
artikel
|
| 18 |
Contributors to this issue
|
|
|
1992
|
|
1 |
p. 6
|
artikel
|
| 19 |
Contributors to this issue
|
|
|
1994
|
|
1 |
p. 2
|
artikel
|
| 20 |
Contributors to this issue
|
|
|
1998
|
|
1 |
p. 6
|
artikel
|
| 21 |
Contributors to this issue
|
|
|
1993
|
|
1 |
p. 6
|
artikel
|
| 22 |
Corrections
|
|
|
2003
|
|
1 |
p. 4
|
artikel
|
| 23 |
Correspondence
|
|
|
1996
|
|
1 |
p. 187
|
artikel
|
| 24 |
Cultural accommodation and exchange in the refugee experience: a german-jewish musician in shanghai
|
Utz, Christian
|
|
2004
|
|
1 |
p. 119-151
|
artikel
|
| 25 |
Cultural accommodation and exchange in the refugee experience: a german-jewish musician in shanghai
|
Utz, Christian
|
|
2004
|
|
1 |
p. 119-151
|
artikel
|
| 26 |
Diasporic Transpositions: Indigenous and Jewish Performances of Mourning in 20th-Century Australia
|
Breyley, Gay
|
|
2007
|
|
1 |
p. 95-126
|
artikel
|
| 27 |
Editorial
|
Editors, The
|
|
2000
|
|
1 |
p. 1
|
artikel
|
| 28 |
Editorial
|
|
|
2004
|
|
1 |
p. 1
|
artikel
|
| 29 |
Editorial
|
Harris, Rachel
|
|
2006
|
|
1 |
p. 1
|
artikel
|
| 30 |
Editorial
|
Killick, Andrew
|
|
2008
|
|
1 |
p. 1
|
artikel
|
| 31 |
Editorial
|
|
|
2005
|
|
1 |
p. 1
|
artikel
|
| 32 |
Editorial board
|
|
|
1993
|
|
1 |
p. 1
|
artikel
|
| 33 |
Editorial board
|
|
|
1995
|
|
1 |
p. 1
|
artikel
|
| 34 |
Editorial board
|
|
|
2000
|
|
1 |
p. 1
|
artikel
|
| 35 |
Editorial board
|
|
|
1994
|
|
1 |
p. 1
|
artikel
|
| 36 |
Editorial board
|
|
|
2001
|
|
1 |
p. 1
|
artikel
|
| 37 |
Editorial board
|
|
|
2002
|
|
1 |
p. 1
|
artikel
|
| 38 |
Editorial board
|
|
|
2003
|
|
1 |
p. 1
|
artikel
|
| 39 |
Editorial board
|
|
|
1996
|
|
1 |
p. 1
|
artikel
|
| 40 |
Editorial board
|
|
|
1997
|
|
1 |
p. 1
|
artikel
|
| 41 |
Editorial board
|
|
|
1998
|
|
1 |
p. 1
|
artikel
|
| 42 |
Editorial board
|
|
|
1999
|
|
1 |
p. 1
|
artikel
|
| 43 |
Editorial preface
|
|
|
1994
|
|
1 |
p. 1
|
artikel
|
| 44 |
Editorial preface
|
Editors, The
|
|
1992
|
|
1 |
p. 5
|
artikel
|
| 45 |
Editorial preface
|
Editors, The
|
|
1993
|
|
1 |
p. 5
|
artikel
|
| 46 |
Editorial preface
|
Editors, The
|
|
1995
|
|
1 |
p. 5
|
artikel
|
| 47 |
Editorial preface
|
Editors, The
|
|
1996
|
|
1 |
p. 5
|
artikel
|
| 48 |
Editorial preface
|
Editors, The
|
|
1997
|
|
1 |
p. 5-6
|
artikel
|
| 49 |
Editorial preface
|
Editors, The
|
|
1998
|
|
1 |
p. 5
|
artikel
|
| 50 |
Erratum
|
|
|
1996
|
|
1 |
p. 187
|
artikel
|
| 51 |
Ethics in the sung duels of northeastern Brazil: Collective memory and contemporary practice
|
Travassos, Elizabeth
|
|
2000
|
|
1 |
p. 61-94
|
artikel
|
| 52 |
Ethnographic reflections
|
Maryniak-Halstead, Nadia
|
|
2003
|
|
1 |
p. 55-66
|
artikel
|
| 53 |
Ethnographic wax cylinders at the British library national sound archive: A brief history and description of the collection
|
Clayton, Martin
|
|
1996
|
|
1 |
p. 67-92
|
artikel
|
| 54 |
Experiencing people: Relationships, responsibility and reciprocity
|
Hellier-Tinoco, Ruth
|
|
2003
|
|
1 |
p. 19-34
|
artikel
|
| 55 |
Festivals of dhrupad in northern India: New contexts for an ancient art
|
Widdess, Richard
|
|
1994
|
|
1 |
p. 89-109
|
artikel
|
| 56 |
Fieldwork in common places: An ethnographer's experiences in Tory Island
|
Laoire, Lillis O
|
|
2003
|
|
1 |
p. 113-136
|
artikel
|
| 57 |
Fifteen fragments on my (field)work
|
Plastino, Goffredo
|
|
2003
|
|
1 |
p. 97-112
|
artikel
|
| 58 |
Flourishing horns and enchanted tubers: Music and potatoes in highland Bolivia
|
Stobart, Henry
|
|
1994
|
|
1 |
p. 35-48
|
artikel
|
| 59 |
Following in the footsteps of a giant: When fieldwork past influences field-work present, Karl Tiren and Die lappische Volksmusik
|
Jones-Bamman, Richard
|
|
2003
|
|
1 |
p. 35-54
|
artikel
|
| 60 |
Forever red: The invention of solo dizi music in post-1949 China
|
Lau, Frederick
|
|
1996
|
|
1 |
p. 113-131
|
artikel
|
| 61 |
Gaucho musical regionalism
|
Lucas, Maria Elizabeth
|
|
2000
|
|
1 |
p. 41-60
|
artikel
|
| 62 |
Genuine and adopted songs in the Vlach Gypsy repertoire: A controversy re-examined
|
Kertesz-Wilkinson, Iren
|
|
1992
|
|
1 |
p. 111-136
|
artikel
|
| 63 |
Guest editor's preface
|
Duesenberry, Peggy
|
|
1995
|
|
1 |
p. 6
|
artikel
|
| 64 |
'Happy Diwali!' Performance, Multicultural Soundscapes and Intervention in Aotearoa/New Zealand
|
Johnson, Henry
|
|
2007
|
|
1 |
p. 71-94
|
artikel
|
| 65 |
Images of Abing: Jonathan Stock's Musical creativity in twentieth-century China
|
Jones, Stephen
|
|
1997
|
|
1 |
p. 165-187
|
artikel
|
| 66 |
In brief
|
|
|
1996
|
|
1 |
p. 186-187
|
artikel
|
| 67 |
“Indian” music in the diaspora: Case studies of “chutney” in Trinidad and in London
|
Ramnarine, Tina Karina
|
|
1996
|
|
1 |
p. 133-153
|
artikel
|
| 68 |
In Touch with the Earth? Musical Instruments, Gender and Fertility in the Bolivian Andes
|
Stobart, Henry
|
|
2008
|
|
1 |
p. 67-94
|
artikel
|
| 69 |
Introduction: Brazilian musics, Brazilian identities
|
Reily, Suzel Ana
|
|
2000
|
|
1 |
p. 1-10
|
artikel
|
| 70 |
Introduction: Musical outcomes of Jewish migration into Asia via the Northern and Southern routes c.1780-c.1950
|
Kartomi, Margaret
|
|
2004
|
|
1 |
p. 3-20
|
artikel
|
| 71 |
Introduction: Musical outcomes of Jewish migration into Asia via the Northern and Southern routes c.1780-c.1950
|
Kartomi, Margaret
|
|
2004
|
|
1 |
p. 3-20
|
artikel
|
| 72 |
Introduction: Ritual music and Communism
|
Harris, Rachel
|
|
2002
|
|
1 |
p. 1-8
|
artikel
|
| 73 |
Introduction: Towards a theory of musical meaning (in India and elsewhere)
|
Clayton, Martin
|
|
2001
|
|
1 |
p. 1-17
|
artikel
|
| 74 |
"Isn't This Nice? It's just like being in Bali": Constructing Balinese Music Culture in Lombok
|
Harnish, David
|
|
2005
|
|
1 |
p. 3-24
|
artikel
|
| 75 |
'I Take My Dombra and Sing to Remember my Homeland': Identity, Landscape and Music in Kazakh Communities of Western Mongolia
|
Post, Jennifer C.
|
|
2007
|
|
1 |
p. 45-69
|
artikel
|
| 76 |
“It is new-strung and shan't be heard”: Nationalism and memory in the Irish harp tradition
|
Lanier, S. C.
|
|
1999
|
|
1 |
p. 1-26
|
artikel
|
| 77 |
Joseph Shabalala: Chronicles of an African composer
|
Ballantine, Christopher
|
|
1996
|
|
1 |
p. 1-38
|
artikel
|
| 78 |
Kouta and karaoke in modern Japan: A blurring of the distinction between umgangsmusik and darbietungsmusik
|
Hesselink, Nathan
|
|
1994
|
|
1 |
p. 49-61
|
artikel
|
| 79 |
List of publications
|
Cooke, Peter R.
|
|
1995
|
|
1 |
p. 7-9
|
artikel
|
| 80 |
Locating the Past in the Present: Living Traditions and the Performance of Early Music
|
Shull, Jonathan
|
|
2006
|
|
1 |
p. 87-111
|
artikel
|
| 81 |
Long day's journey to Rincon: From suffering to resistance in the procession of San Lazaro/Babalu Aye
|
Hagedorn, Katherine J.
|
|
2002
|
|
1 |
p. 43-69
|
artikel
|
| 82 |
Manufacturing and Consuming Culture: Fakesong in Singapore
|
Tan, Shzr Ee
|
|
2005
|
|
1 |
p. 83-106
|
artikel
|
| 83 |
Mazar festivals of the Uyghurs: Music, Islam and the Chinese State
|
Harris, Rachel
|
|
2002
|
|
1 |
p. 101-118
|
artikel
|
| 84 |
Meaning and structure - the case of Chinese qin (zither) music
|
Kouwenhoven, Frank
|
|
2001
|
|
1 |
p. 39-62
|
artikel
|
| 85 |
Meaning in benga music of western Kenya
|
Barz, Gregory F.
|
|
2001
|
|
1 |
p. 107-115
|
artikel
|
| 86 |
Melodic relationships in pibroch
|
Buisman, Frans
|
|
1995
|
|
1 |
p. 17-39
|
artikel
|
| 87 |
Mongolian conceptualizations of overtone singing (xoomii)
|
Pegg, Carole
|
|
1992
|
|
1 |
p. 31-54
|
artikel
|
| 88 |
Musical Archaeologists: the Revival and Reconstruction of Polyphonic Settings of the Latin Mass in Corsica
|
Bithell, Caroline
|
|
2006
|
|
1 |
p. 113-145
|
artikel
|
| 89 |
Musical instrument or ritual object? The status of the kettledrum in the temples of Central Nepal
|
Tingey, Carol
|
|
1992
|
|
1 |
p. 103-109
|
artikel
|
| 90 |
Musical performance at a Brazilian festival
|
Reily, Suzel Ana
|
|
1994
|
|
1 |
p. 1-34
|
artikel
|
| 91 |
Musical Performance in the Diaspora: Introduction
|
Ramnarine, Tina K.
|
|
2007
|
|
1 |
p. 1-17
|
artikel
|
| 92 |
Music and politics in Ireland: The specificity of the folk revival in Belfast
|
McCann, May
|
|
1995
|
|
1 |
p. 51-75
|
artikel
|
| 93 |
Musica romantica in Montes Claros: Inter-gender relations in Brazilian popular song
|
de Ulhoa, Martha Tupinamba
|
|
2000
|
|
1 |
p. 11-40
|
artikel
|
| 94 |
Music education and ethnomusicology
|
Swanwick, Keith
|
|
1992
|
|
1 |
p. 137-144
|
artikel
|
| 95 |
Music for dreaming: Aboriginal lullabies in the Yanyuwa community at Borroloola, Northern Territory
|
Mackinlay, Elizabeth
|
|
1999
|
|
1 |
p. 97-111
|
artikel
|
| 96 |
Music, Memory and History
|
Shelemay, Kay Kaufman
|
|
2006
|
|
1 |
p. 17-37
|
artikel
|
| 97 |
Mystical numbers and Manchu traditional music: A consideration of the relationship between shamanic thought and musical ideas
|
Li, Lisha
|
|
1993
|
|
1 |
p. 99-115
|
artikel
|
| 98 |
Note from the editors
|
|
|
2003
|
|
1 |
p. 6
|
artikel
|
| 99 |
On the playing fields of the world (and Corsica): Politics, power, passion and polyphony
|
Bithell, Caroline
|
|
2003
|
|
1 |
p. 67-95
|
artikel
|
| 100 |
Polyphonic voices: National identity, world music and the recording of traditional music in Corsica
|
Bithell, Caroline
|
|
1996
|
|
1 |
p. 39-66
|
artikel
|
| 101 |
Preface
|
Cooley, Timothy J.
|
|
2003
|
|
1 |
p. 5-6
|
artikel
|
| 102 |
Recent trends in Buddhist music research in China
|
Qing, Tian
|
|
1994
|
|
1 |
p. 63-72
|
artikel
|
| 103 |
Reconstructing the vanished musical life of the shanghai jewish diaspora: A report
|
Yating, Tang
|
|
2004
|
|
1 |
p. 101-118
|
artikel
|
| 104 |
Recordings
|
Rees, Helen
|
|
1995
|
|
1 |
p. 179-184
|
artikel
|
| 105 |
Recordings
|
Jaremko-Porter, Christina
|
|
2001
|
|
1 |
p. 139-143
|
artikel
|
| 106 |
Recordings
|
Hughes, David W.
|
|
1997
|
|
1 |
p. 213-216
|
artikel
|
| 107 |
Recordings
|
Pegg, Carole
|
|
1999
|
|
1 |
p. 133-138
|
artikel
|
| 108 |
Recordings
|
Allen, Lara
|
|
1996
|
|
1 |
p. 177-186
|
artikel
|
| 109 |
Recordings
|
Lord, Maria
|
|
1998
|
|
1 |
p. 165-166
|
artikel
|
| 110 |
Recordings
|
Lord, Maria
|
|
2000
|
|
1 |
p. 166-167
|
artikel
|
| 111 |
Reflections on music and meaning: Metaphor, signification and control in the Bulgarian case
|
Rice, Timothy
|
|
2001
|
|
1 |
p. 19-38
|
artikel
|
| 112 |
Religious music traditions of the jewish-babylonian diaspora in bombay
|
Manasseh, Sara
|
|
2004
|
|
1 |
p. 47-73
|
artikel
|
| 113 |
Remembering the Baroque Era: Historical Consciousness, Local Identity and the Holy Week Celebrations in a Former Mining Town in Brazil
|
Reily, Suzel Ana
|
|
2006
|
|
1 |
p. 39-62
|
artikel
|
| 114 |
Review essay
|
Stock, Jonathan
|
|
1998
|
|
1 |
p. 143-151
|
artikel
|
| 115 |
Review essay
|
Bithell, Caroline
|
|
1999
|
|
1 |
p. 116-122
|
artikel
|
| 116 |
Review essay
|
Bastos, Rafael Jose de Menezes
|
|
2000
|
|
1 |
p. 143-156
|
artikel
|
| 117 |
Review essay
|
Pegg, Carole
|
|
2001
|
|
1 |
p. 117-124
|
artikel
|
| 118 |
REVIEW ESSAY
|
Howard, Keith
|
|
2006
|
|
1 |
p. 147-151
|
artikel
|
| 119 |
Review essay
|
Bohlman, Philip V.
|
|
1999
|
|
1 |
p. 112-115
|
artikel
|
| 120 |
Reviews
|
|
|
2005
|
|
1 |
p. 107-123
|
artikel
|
| 121 |
Reviews
|
|
|
2006
|
|
1 |
p. 153-176
|
artikel
|
| 122 |
Reviews
|
Hughes, David W.
|
|
1993
|
|
1 |
p. 143-156
|
artikel
|
| 123 |
Reviews
|
Duesenberry, Peggy
|
|
1996
|
|
1 |
p. 155-177
|
artikel
|
| 124 |
Reviews
|
Owen, David
|
|
1998
|
|
1 |
p. 152-165
|
artikel
|
| 125 |
Reviews
|
Stock, Jonathan P. J.
|
|
2000
|
|
1 |
p. 157-166
|
artikel
|
| 126 |
Reviews
|
Barz, Gregory F.
|
|
1999
|
|
1 |
p. 123-133
|
artikel
|
| 127 |
Reviews
|
Reily, Suzel Ana
|
|
2003
|
|
1 |
p. 173-177
|
artikel
|
| 128 |
Reviews
|
|
|
2004
|
|
1 |
p. 153-168
|
artikel
|
| 129 |
Reviews
|
Blench, R. M.
|
|
1992
|
|
1 |
p. 145-157
|
artikel
|
| 130 |
Reviews
|
Gammon, Vic
|
|
2002
|
|
1 |
p. 159-170
|
artikel
|
| 131 |
Reviews
|
|
|
2008
|
|
1 |
p. 151-162
|
artikel
|
| 132 |
Reviews
|
Pegg, Carole
|
|
1997
|
|
1 |
p. 189-212
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| 133 |
Reviews
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Harris, Rachel
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2001
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1 |
p. 125-139
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artikel
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| 134 |
Reviews
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2007
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1 |
p. 157-181
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artikel
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| 135 |
Reviews
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Hughes, David W.
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1995
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1 |
p. 157-179
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artikel
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| 136 |
Reviews of books
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Stobart, Henry
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1994
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1 |
p. 111-129
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artikel
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| 137 |
Reviews of Recordings
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Cooke, Peter
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1994
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1 |
p. 129-132
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artikel
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| 138 |
Ritual, religion and magic in West Mongolian (Oirad) heroic epic performance
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Pegg, Carole
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1995
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1 |
p. 77-99
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artikel
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| 139 |
Samba in Wales: Making sense of adopted music
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Eisentraut, Jochen
|
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2001
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1 |
p. 85-106
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artikel
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| 140 |
Saving the soul in Red China: Music and ideology in the Gongde ritual of merit in Fujian
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Tan, Hwee-San
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2002
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1 |
p. 119-140
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artikel
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| 141 |
Shona Women Mbira Players: Gender, Tradition and Nation in Zimbabwe
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Jones, Claire
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2008
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1 |
p. 125-149
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artikel
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| 142 |
short notices
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|
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1993
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1 |
p. 169
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artikel
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| 143 |
Singing contests in the ethnic enclosure of the post-war Japanese-Brazilian community
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Hosokawa, Shuhei
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2000
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1 |
p. 95-118
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artikel
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| 144 |
Siren songs: Ritual and revolution in the Peruvian Andes
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Ritter, Jonathan
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2002
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1 |
p. 9-42
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artikel
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| 145 |
Sound recordings
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Blench, R. M.
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1992
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|
1 |
p. 158-162
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artikel
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| 146 |
Sound recordings
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Baily, John
|
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1993
|
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1 |
p. 156-165
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artikel
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| 147 |
Sounds of Power: An Overview of Musical Instruments and Gender
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Doubleday, Veronica
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2008
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1 |
p. 3-39
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artikel
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| 148 |
“Sulendra”: An example of petegak in the Balinese gender wayang repertory
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Gray, Nick
|
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1992
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1 |
p. 1-16
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artikel
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| 149 |
Techniques of variation and concepts of musical understanding in Northern Ghana
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Wiggins, Trevor
|
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1998
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1 |
p. 117-142
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artikel
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| 150 |
Television series
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Grau, Andree
|
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1993
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1 |
p. 166-169
|
artikel
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| 151 |
Thai music in Java, Javanese music in Thailand: Two case studies
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Hughes, David W.
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1992
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1 |
p. 17-30
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artikel
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| 152 |
The active listener: Greek attitudes towards music listening in the age of enlightenment
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Plemmenos, John G.
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1997
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1 |
p. 51-63
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artikel
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| 153 |
The age of consent: Traditional music, intellectual property and changing attitudes in the People's Republic of China
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Rees, Helen
|
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2003
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1 |
p. 137-171
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artikel
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| 154 |
The concertina as an emblem of the folk music revival in the British Isles
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Eydmann, Stuart
|
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1995
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1 |
p. 41-49
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artikel
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| 155 |
The 'Danza de las Canas': Music, Theatre and Afroperuvian Modernity
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Leon, Javier F.
|
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2007
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1 |
p. 127-155
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artikel
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| 156 |
The development of chordal harmony in Greek rebetika and laika music, 1930s to 1960s
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Pennanen, Risto Pekka
|
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1997
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1 |
p. 65-116
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artikel
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| 157 |
The early days of the gramophone industry in India: Historical, social and musical perspectives
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Farrell, Gerry
|
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1993
|
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1 |
p. 31-53
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artikel
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| 158 |
The engendered lyra: Music, poetry and manhood in Crete
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Dawe, Kevin
|
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1996
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1 |
p. 93-112
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artikel
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| 159 |
The ethnographic enterprise: Venda girls' initiation schools revisited
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Anareily, Suzel
|
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1998
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1 |
p. 45-68
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artikel
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| 160 |
The experimental music of Hermeto Paschoal e Grupo (1981-93): A musical system in the making
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Neto, Luiz Costa Lima
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2000
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1 |
p. 119-142
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artikel
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| 161 |
The Jewish service in Communist Hungary: A personal journey
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Frigyesi, Judit
|
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2002
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1 |
p. 141-157
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artikel
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| 162 |
The Marriage Relationship between Player and Kacapi Zither in West Java
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van Zanten, Wim
|
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2008
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1 |
p. 41-65
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artikel
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| 163 |
The media and reform: The saz and elektrosaz in urban Turkish folk music
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Stokes, Martin
|
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1992
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1 |
p. 89-102
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artikel
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| 164 |
“The Moon Remembers Uncle Ho”: The politics of music and mediumship in northern Vietnam
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Norton, Barley
|
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2002
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1 |
p. 71-100
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artikel
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| 165 |
The naghma-ye kashal of Afghanistan
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Baily, John
|
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1997
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1 |
p. 117-163
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artikel
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| 166 |
The New African Diaspora, the Built Environment and the Past in Jazz
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Muller, Carol A.
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2006
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1 |
p. 63-86
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artikel
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| 167 |
The “origin of samba” as the invention of Brazil (why do songs have music?)
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Bastos, Rafael Jose de Menezes
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1999
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1 |
p. 67-96
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artikel
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| 168 |
Theorizing fieldwork impact: Malinowski, peasant-love and friendship
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Cooley, Timothy J.
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2003
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p. 1-17
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artikel
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| 169 |
The Past in Music: Introduction
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Bithell, Caroline
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2006
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1 |
p. 3-16
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artikel
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| 170 |
The sacred music of Islam: Sama' in the Persian Sufi tradition
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Lewisohn, Leonard
|
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1997
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1 |
p. 1-33
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artikel
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| 171 |
The song of the nightingale: Processes of improvisation in dastgah Segah (Iranian classical music)
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Nooshin, Laudan
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1998
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1 |
p. 69-116
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artikel
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| 172 |
The Ugandan lyre endongo and its music
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Gray, Catherine T.
|
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1993
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p. 117-142
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artikel
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| 173 |
'This Drum I Play': Women and Square Frame Drums in Portugal and Spain
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Cohen, Judith R.
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2008
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1 |
p. 95-124
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artikel
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| 174 |
Tracing Jewish-Babylonian trade routes and identity through music, with reference to seven versions of a song of praise melody
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Kartomi, Margaret
|
|
2004
|
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1 |
p. 75-100
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artikel
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| 175 |
Two gat forms for the sitar: A case study in the rhythmic analysis of North Indian music
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Clayton, Martin
|
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1993
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p. 75-98
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artikel
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| 176 |
What can we learn about piobaireachd?
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Cannon, Roderick D.
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1995
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p. 1-15
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artikel
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