no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
1 |
“A license to do anything”: Robert Rauschenberg and the Merce Cunningham dance company
|
Potter, Michelle |
|
1993 |
16 |
1 |
p. 1-43 |
article |
2 |
Books received
|
|
|
1993 |
16 |
1 |
p. 141-144 |
article |
3 |
Editorial board
|
|
|
1993 |
16 |
1 |
p. 1 |
article |
4 |
George Beiswanger and dance criticism
|
Miller, Raphael F. |
|
1993 |
16 |
1 |
p. 45-71 |
article |
5 |
German Rites revisited: An addendum to a history of Le Sacre du Printemps on the German stage
|
Manning, Susan |
|
1993 |
16 |
1 |
p. 115-120 |
article |
6 |
In other journals
|
|
|
1993 |
16 |
1 |
p. 139-140 |
article |
7 |
Looking up the dance
|
Dorris, George |
|
1993 |
16 |
1 |
p. 133-135 |
article |
8 |
Music hall ballet in Britain
|
Cohen, Selma Jeanne |
|
1993 |
16 |
1 |
p. 129-131 |
article |
9 |
Notes on contributors
|
|
|
1993 |
16 |
1 |
p. 145-146 |
article |
10 |
Scenes from a dancer's life, part two: 1919-1921
|
Severn, Margaret |
|
1993 |
16 |
1 |
p. 73-114 |
article |
11 |
Theatre in revolution: An exhibition and a catalogue
|
Johnson, Robert |
|
1993 |
16 |
1 |
p. 121-127 |
article |
12 |
The Ballets Russes, 1932-1962: A correction
|
|
|
1993 |
16 |
1 |
p. 137 |
article |