nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
A Bouquet of Bournonville: Three essays
|
Bournonville, August |
|
1996 |
|
3 |
p. 309-329 |
artikel |
2 |
“A dancer must be perfect all over”: Greta Nissen on stage and screen
|
Ryan, Pat M. |
|
1989 |
|
3 |
p. 285-332 |
artikel |
3 |
A decade of brilliance: Dance theatre in late-eighteenth-century Philadelphia
|
Brooks, Lynn Matluck |
|
1989 |
|
3 |
p. 333-365 |
artikel |
4 |
A look at the DaCapo reprints in dance
|
Dorris, George |
|
1980 |
|
3 |
p. 338-341 |
artikel |
5 |
American music for dance
|
Teck, Katherine |
|
1998 |
|
3 |
p. 481-484 |
artikel |
6 |
A new source for seventeenth-century ballet: Le Manage de la Grosse Cathos
|
Marsh, Carol G. |
|
1987 |
|
3 |
p. 398-428 |
artikel |
7 |
A nineteenth-century dancing master at the court of Wurttemberg: The dance notebooks of Michel St. Leon
|
Hammond, Sandra N. |
|
1992 |
|
3 |
p. 291-315 |
artikel |
8 |
Antiquity as inspiration in the Renaissance of dance: The classical connection and fifteen-century Italian dance—A correction
|
|
|
1994 |
|
3 |
p. 377 |
artikel |
9 |
Antiquity as inspiration in the renaissance of dance: The classical connection and fifteenth-century Italian dance
|
Sparti, Barbara |
|
1993 |
|
3 |
p. 373-390 |
artikel |
10 |
A Review of: “Ambition, Talent, and the Ailey School”
|
West, Martha Ullman |
|
2005 |
|
3 |
p. 413-416 |
artikel |
11 |
A Review of: “Mary Wigman and Hanya Holm: A Special Relationship”
|
Kant, Marion |
|
2005 |
|
3 |
p. 417-423 |
artikel |
12 |
A Riview of: “Dance and the Camera”
|
de Spain, Kent |
|
2005 |
|
3 |
p. 407-411 |
artikel |
13 |
A Rocket Through the Zeitgeist
|
Felciano, Rita |
|
2007 |
|
3 |
p. 523-525 |
artikel |
14 |
Artistic values and middle-class mores
|
Shelton, Suzanne |
|
1980 |
|
3 |
p. 331-333 |
artikel |
15 |
Ave Atque Vale
|
Dorris, George |
|
2007 |
|
3 |
p. 359-362 |
artikel |
16 |
Bach and the dance
|
Reichart, Sarah |
|
1992 |
|
3 |
p. 361-367 |
artikel |
17 |
Backstage at the Paris Opera in the 1830s
|
Smith, Marian |
|
2004 |
|
3 |
p. 427-431 |
artikel |
18 |
Balanchine's school
|
Schwarz, Josephine |
|
1985 |
|
3 |
p. 386-392 |
artikel |
19 |
Ballet as ideology: Giselle, Act II
|
Alderson, Evan |
|
1986 |
|
3 |
p. 290-304 |
artikel |
20 |
Ballet Ballads
|
Underwood, Sharry |
|
1985 |
|
3 |
p. 279-327 |
artikel |
21 |
“Ballet for Jerry”: Three letters from Jerome Robbins to Ned Rorem
|
Rorem, Ned |
|
2000 |
|
3 |
p. 263-273 |
artikel |
22 |
Ballet: Incarnation of allegory
|
Christout, Marie-Francoise |
|
1995 |
|
3 |
p. 427-435 |
artikel |
23 |
Ballet Man from Germany
|
Jackson, George |
|
2008 |
|
3 |
p. 485-490 |
artikel |
24 |
Ballet on a Small Planet: Widening Our Horizons
|
Meglin, Joellen A. |
|
2008 |
|
3 |
p. 319-323 |
artikel |
25 |
Ballet on British television, 1933-1939
|
Davis, Janet Rowson |
|
1981 |
|
3 |
p. 245-304 |
artikel |
26 |
Ballet on British Television, 1932-1935: A Supplement
|
Davis, Janet Rowson |
|
1983 |
|
3 |
p. 294-325 |
artikel |
27 |
Berain and Baroque Spectacle
|
Christout, Marie-Francoise |
|
1986 |
|
3 |
p. 375-377 |
artikel |
28 |
Bharata Natyam Mapped: Not Subjectivity but Subject Position
|
Chakravorty, Pallabi |
|
2008 |
|
3 |
p. 471-475 |
artikel |
29 |
Books and DVDs Received
|
|
|
2005 |
|
3 |
p. 427-434 |
artikel |
30 |
Books received
|
|
|
1987 |
|
3 |
p. 441 |
artikel |
31 |
Books received
|
|
|
1990 |
|
3 |
p. 415-416 |
artikel |
32 |
Books received
|
|
|
1997 |
|
3 |
p. 349-353 |
artikel |
33 |
Books received
|
|
|
1999 |
|
3 |
p. 455-458 |
artikel |
34 |
Books received
|
|
|
2000 |
|
3 |
p. 343-346 |
artikel |
35 |
Books Received
|
|
|
2008 |
|
3 |
p. 499-500 |
artikel |
36 |
Books received
|
|
|
1995 |
|
3 |
p. 519-522 |
artikel |
37 |
Books received
|
|
|
1996 |
|
3 |
p. 375-378 |
artikel |
38 |
Books Received
|
|
|
2004 |
|
3 |
p. 441-443 |
artikel |
39 |
Books Received
|
|
|
2007 |
|
3 |
p. 553-555 |
artikel |
40 |
Books received
|
|
|
1989 |
|
3 |
p. 396 |
artikel |
41 |
Books received
|
|
|
1992 |
|
3 |
p. 377-379 |
artikel |
42 |
Books received
|
|
|
1993 |
|
3 |
p. 407-409 |
artikel |
43 |
Books received
|
|
|
1994 |
|
3 |
p. 383-386 |
artikel |
44 |
Books received
|
|
|
1998 |
|
3 |
p. 505-506 |
artikel |
45 |
Books Received
|
|
|
2003 |
|
3 |
p. 373-378 |
artikel |
46 |
Boumonville a Paris
|
McAndrew, Patricia |
|
1978 |
|
3 |
p. 213-221 |
artikel |
47 |
Bournonville: The sequel
|
Anderson, Jack |
|
1992 |
|
3 |
p. 333-347 |
artikel |
48 |
Breaking down barriers in the study of Renaissance and Baroque dance
|
Sparti, Barbara |
|
1996 |
|
3 |
p. 255-276 |
artikel |
49 |
Breaking new ground
|
Semmens, Richard |
|
1995 |
|
3 |
p. 497-504 |
artikel |
50 |
Buckminster Fuller: Experience and experiencing
|
Snyder, Allegra Fuller |
|
1996 |
|
3 |
p. 299-308 |
artikel |
51 |
Building American ballet
|
Anderson, Jack |
|
1999 |
|
3 |
p. 435-440 |
artikel |
52 |
Cavalieri's Theatrical Ballo “O che nuovo miracolo”: A Reconstruction
|
Nevile, Jennifer |
|
1998 |
|
3 |
p. 353-388 |
artikel |
53 |
Choreographing Identities beyond Boundaries: La Guiablesse and Ruth Page's Excursions into World Dance (1926-1934)
|
Meglin, Joellen A. |
|
2007 |
|
3 |
p. 439-469 |
artikel |
54 |
Confessions of an Opera Director: Chapters from the Memoires of Dr. Louis Veron, Part III
|
Huckenpahler, Victoria |
|
1983 |
|
3 |
p. 345-370 |
artikel |
55 |
Dance and the French enlightenment
|
Giles, Jeffrey |
|
1980 |
|
3 |
p. 245-263 |
artikel |
56 |
Dance and the London stage, 1890-1959
|
Dorris, George |
|
1995 |
|
3 |
p. 505-510 |
artikel |
57 |
Dance guide books
|
Fultz, Benjamin |
|
1978 |
|
3 |
p. 234-236 |
artikel |
58 |
Dance history in higher education at the university of California, riverside, 1953-1993: A memoir
|
Schlundt, Christena L. |
|
1995 |
|
3 |
p. 467-484 |
artikel |
59 |
Dance notes and queries
|
|
|
1999 |
|
3 |
p. 447-452 |
artikel |
60 |
Dancers and dancing
|
Driver, Senta |
|
1981 |
|
3 |
p. 354-358 |
artikel |
61 |
Dancing and Writing As Spiritual Exercises
|
Anderson, Jack |
|
2007 |
|
3 |
p. 533-538 |
artikel |
62 |
Dancing at a Dutch university: The Franeker dancing master, 1682-1796
|
Brooks, Lynn Matluck |
|
1985 |
|
3 |
p. 356-385 |
artikel |
63 |
Dancing for joy: A memoir, part three
|
Kelly, Brigitte |
|
1999 |
|
3 |
p. 359-418 |
artikel |
64 |
Dancing in the depression
|
Savery, Helen |
|
1983 |
|
3 |
p. 279-293 |
artikel |
65 |
Dancing Out of the Whole Earth: Modalities of Globalization in The Rite of Spring
|
Bale, Theodore |
|
2008 |
|
3 |
p. 324-369 |
artikel |
66 |
Dancing the Bolero School
|
Ruyter, Nancy Lee Chalfa |
|
2003 |
|
3 |
p. 347-350 |
artikel |
67 |
Dancing with Bronislava Nijinska and Ida Rubinstein
|
Severn, Margaret |
|
1987 |
|
3 |
p. 333-364 |
artikel |
68 |
Degas' Magnificent Obsession
|
Meglin, Joellen A. |
|
2007 |
|
3 |
p. 507-517 |
artikel |
69 |
Denishawn and the beginnings of modern dance
|
Shelton, Suzanne |
|
1979 |
|
3 |
p. 325-330 |
artikel |
70 |
Designing for George Balanchine: Diaries of ballet productions, part two
|
Harvey, Peter |
|
1997 |
|
3 |
p. 295-326 |
artikel |
71 |
Doris Humphrey at green mansions, 1947
|
Kaye, Meli Davis |
|
1995 |
|
3 |
p. 405-418 |
artikel |
72 |
Editorial board
|
|
|
1992 |
|
3 |
p. 1 |
artikel |
73 |
Editorial board
|
|
|
2000 |
|
3 |
p. 1 |
artikel |
74 |
Editorial board
|
|
|
1986 |
|
3 |
p. 1 |
artikel |
75 |
Editorial board
|
|
|
1993 |
|
3 |
p. 1 |
artikel |
76 |
Editorial board
|
|
|
1997 |
|
3 |
p. 1 |
artikel |
77 |
Editorial board
|
|
|
1999 |
|
3 |
p. 1 |
artikel |
78 |
Editorial board
|
|
|
1987 |
|
3 |
p. 1 |
artikel |
79 |
Editorial board
|
|
|
1989 |
|
3 |
p. 1 |
artikel |
80 |
Editorial board
|
|
|
1990 |
|
3 |
p. 1 |
artikel |
81 |
Editorial board
|
|
|
1994 |
|
3 |
p. 1 |
artikel |
82 |
Editorial board
|
|
|
1995 |
|
3 |
p. 1 |
artikel |
83 |
Editorial board
|
|
|
1996 |
|
3 |
p. 1 |
artikel |
84 |
Editorial board
|
|
|
1998 |
|
3 |
p. 1 |
artikel |
85 |
Editors' note
|
|
|
1986 |
|
3 |
p. 1 |
artikel |
86 |
Elizabetta Menzeli
|
Barzel, Ann |
|
1996 |
|
3 |
p. 277-288 |
artikel |
87 |
Enjoying Dance History
|
West, Martha Ullman |
|
2004 |
|
3 |
p. 433-437 |
artikel |
88 |
Fifth Hong Kong international dance conference, July 1990
|
Chazin-Bennahum, Judith |
|
1990 |
|
3 |
p. 393-400 |
artikel |
89 |
Filling a bibliographical gap
|
Strow, Mary R. |
|
1996 |
|
3 |
p. 367-369 |
artikel |
90 |
Four interpretations of Mevlevi Dervish dance, 1920-1929
|
Barber, X. Theodore |
|
1985 |
|
3 |
p. 328-355 |
artikel |
91 |
Genevieve Oswald
|
|
|
1999 |
|
3 |
p. 321 |
artikel |
92 |
Getting to know Ashton
|
Jowitt, Deborah |
|
1997 |
|
3 |
p. 327-335 |
artikel |
93 |
“Giving dance room to breathe”: Dance-music relationships in Siobhan Davies' choreography, 1972-1979
|
Preston, Sophia |
|
1999 |
|
3 |
p. 321-357 |
artikel |
94 |
Guglielmo Ebreo's little book on dancing, 1463: A new edition
|
Brainard, Ingrid |
|
1994 |
|
3 |
p. 361-368 |
artikel |
95 |
Honoring Uday Shankar
|
Hall, Fernau |
|
1983 |
|
3 |
p. 326-344 |
artikel |
96 |
II. The context of exoticism in Fanny Elssler's Cachucha
|
Arkin, Lisa C. |
|
1994 |
|
3 |
p. 303-325 |
artikel |
97 |
I. Le Diable Boiteux: French society behind a Spanish facade
|
Meglin, Joellen A. |
|
1994 |
|
3 |
p. 263-302 |
artikel |
98 |
In memoriam: Lincoln Kirstein
|
Reynolds, Nancy |
|
1996 |
|
3 |
p. 289-296 |
artikel |
99 |
In other scholarly journals
|
|
|
1992 |
|
3 |
p. 375 |
artikel |
100 |
In other scholarly journals
|
|
|
2000 |
|
3 |
p. 339-341 |
artikel |
101 |
In Other Scholarly Journals
|
|
|
2004 |
|
3 |
p. 439 |
artikel |
102 |
In other scholarly journals
|
|
|
1989 |
|
3 |
p. 394-395 |
artikel |
103 |
In other scholarly journals
|
|
|
1990 |
|
3 |
p. 413-414 |
artikel |
104 |
In Other Scholarly Journals
|
|
|
2007 |
|
3 |
p. 551-552 |
artikel |
105 |
In other scholarly journals
|
|
|
1997 |
|
3 |
p. 347 |
artikel |
106 |
In other scholarly journals
|
|
|
1999 |
|
3 |
p. 453-454 |
artikel |
107 |
In Other Scholarly Journals
|
|
|
2003 |
|
3 |
p. 371 |
artikel |
108 |
In Other Scholarly Journals
|
|
|
2005 |
|
3 |
p. 425-426 |
artikel |
109 |
In other scholarly journals
|
|
|
1993 |
|
3 |
p. 405 |
artikel |
110 |
In other scholarly journals
|
|
|
1994 |
|
3 |
p. 381-382 |
artikel |
111 |
In other scholarly journals
|
|
|
1995 |
|
3 |
p. 517-518 |
artikel |
112 |
In other scholarly journals
|
|
|
1996 |
|
3 |
p. 373-374 |
artikel |
113 |
In other scholarly journals
|
|
|
1998 |
|
3 |
p. 501-504 |
artikel |
114 |
Isadora Duncan in the Netherlands
|
Loewenthal, Lillian |
|
1979 |
|
3 |
p. 227-253 |
artikel |
115 |
Laban's Crystalline Complexity
|
Bradley, Karen Kohn |
|
2008 |
|
3 |
p. 476-480 |
artikel |
116 |
Le balet comique de la Royne and the ballet de cour
|
Christout, Marie-Francoise |
|
1982 |
|
3 |
p. 267-272 |
artikel |
117 |
Letters
|
Jackson, George |
|
1983 |
|
3 |
p. 375 |
artikel |
118 |
Letter to the editor
|
Manning, Susan |
|
1987 |
|
3 |
p. 440 |
artikel |
119 |
Letter to the editor
|
Manning, Susan |
|
1985 |
|
3 |
p. 405 |
artikel |
120 |
Letter to the editors
|
Davis, Janet Rowson |
|
1996 |
|
3 |
p. 371 |
artikel |
121 |
Letter to the Editors
|
Kirkendale, Warren |
|
2003 |
|
3 |
p. 365-369 |
artikel |
122 |
Letter to the Editors
|
Carter, Alexandra |
|
2007 |
|
3 |
p. 547-550 |
artikel |
123 |
Lincoln Kirstein's Many Lives
|
Dorris, George |
|
2007 |
|
3 |
p. 527-532 |
artikel |
124 |
Loie Fuller and Dance Modernism
|
Veroli, Patrizia |
|
2008 |
|
3 |
p. 491-498 |
artikel |
125 |
Looking at dance history: Three exhibitions
|
Dorris, George |
|
1978 |
|
3 |
p. 237-248 |
artikel |
126 |
L'Opera: 1815-1914
|
Dorris, George |
|
1993 |
|
3 |
p. 397-400 |
artikel |
127 |
L'Opera de Paris
|
Fultz, Benjamin |
|
1978 |
|
3 |
p. 232-233 |
artikel |
128 |
Louis Horst, a bundle of contradictions
|
Needham, Maureen |
|
1995 |
|
3 |
p. 511-513 |
artikel |
129 |
Martha Graham: Fiction and fact
|
McDonagh, Don |
|
1992 |
|
3 |
p. 349-360 |
artikel |
130 |
Massine's synthesis of the arts
|
Jeschke, Claudia |
|
1997 |
|
3 |
p. 343-346 |
artikel |
131 |
Maud Allan, part II: First steps to a dancing career, 1904-1907
|
Cherniavsky, Felix |
|
1982 |
|
3 |
p. 189-227 |
artikel |
132 |
Meyerbeer and ballet music of the nineteenth century: Some issues of influence with reference to robert le diable
|
Edgecombe, Rodney Stenning |
|
1998 |
|
3 |
p. 389-410 |
artikel |
133 |
Modernism revisited
|
Anderson, Jack |
|
1996 |
|
3 |
p. 359-365 |
artikel |
134 |
Morgan's Graham: Images of images
|
Anderson, Jack |
|
1980 |
|
3 |
p. 334-337 |
artikel |
135 |
Music on records: Bournonville's composers
|
Dorris, George |
|
1979 |
|
3 |
p. 345-357 |
artikel |
136 |
Music puts a time corset on the dance
|
Jordan, Stephanie |
|
1993 |
|
3 |
p. 295-321 |
artikel |
137 |
New dance in Russia, 1910-1930
|
Cohen, Selma Jeanne |
|
1997 |
|
3 |
p. 337-341 |
artikel |
138 |
New light on Bournonville
|
Jurgensen, Knud Arne |
|
1980 |
|
3 |
p. 264-278 |
artikel |
139 |
New light on Loie Fuller
|
West, Martha Ullman |
|
1998 |
|
3 |
p. 485-487 |
artikel |
140 |
Notes on contributors
|
|
|
1992 |
|
3 |
p. 381-382 |
artikel |
141 |
Notes on contributors
|
|
|
1994 |
|
3 |
p. 387-388 |
artikel |
142 |
Notes on contributors
|
|
|
2000 |
|
3 |
p. 347-348 |
artikel |
143 |
Notes on Contributors
|
|
|
2004 |
|
3 |
p. 445-447 |
artikel |
144 |
Notes on contributors
|
|
|
1985 |
|
3 |
p. 406-407 |
artikel |
145 |
Notes on contributors
|
|
|
1989 |
|
3 |
p. 404-405 |
artikel |
146 |
Notes on contributors
|
|
|
1995 |
|
3 |
p. 523-524 |
artikel |
147 |
Notes on contributors
|
|
|
1997 |
|
3 |
p. 355-356 |
artikel |
148 |
Notes on contributors
|
|
|
1999 |
|
3 |
p. 459-460 |
artikel |
149 |
NOTES ON CONTRIBUTORS
|
|
|
2005 |
|
3 |
p. 435-437 |
artikel |
150 |
Notes on contributors
|
|
|
1978 |
|
3 |
p. 249 |
artikel |
151 |
Notes on Contributors
|
|
|
2008 |
|
3 |
p. 501-504 |
artikel |
152 |
Notes on contributors
|
|
|
1980 |
|
3 |
p. 344-345 |
artikel |
153 |
Notes on contributors
|
|
|
1996 |
|
3 |
p. 379-382 |
artikel |
154 |
Notes on Contributors
|
|
|
2003 |
|
3 |
p. 379-381 |
artikel |
155 |
Notes on contributors
|
|
|
1979 |
|
3 |
p. 358-359 |
artikel |
156 |
Notes on contributors
|
|
|
1981 |
|
3 |
p. 359 |
artikel |
157 |
Notes on contributors
|
|
|
1982 |
|
3 |
p. 279-280 |
artikel |
158 |
Notes on contributors
|
|
|
1986 |
|
3 |
p. 413-414 |
artikel |
159 |
Notes on contributors
|
|
|
1987 |
|
3 |
p. 442-444 |
artikel |
160 |
Notes on contributors
|
|
|
1990 |
|
3 |
p. 417-418 |
artikel |
161 |
Notes on contributors
|
|
|
1993 |
|
3 |
p. 411-412 |
artikel |
162 |
Notes on contributors
|
|
|
1998 |
|
3 |
p. 507-508 |
artikel |
163 |
Notes on Contributors
|
|
|
2007 |
|
3 |
p. 557-559 |
artikel |
164 |
Notes on contributors
|
|
|
1983 |
|
3 |
p. 376-377 |
artikel |
165 |
Not for the faint-hearted
|
Rader, Patricia W. |
|
1999 |
|
3 |
p. 419-428 |
artikel |
166 |
Notice: De la Torre Bueno prize 1995
|
|
|
1994 |
|
3 |
p. 379 |
artikel |
167 |
Notice: De la Torre Bueno prize 1996
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1995 |
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3 |
p. 515 |
artikel |
168 |
Notice: The De La Torre Bueno prize
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1992 |
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3 |
p. 373 |
artikel |
169 |
O'Keeffe and the dance
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Palfy, Barbara |
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1998 |
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3 |
p. 495-499 |
artikel |
170 |
Openly English: Phyllis Bedells and the birth of British Ballet
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Genne, Beth |
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1995 |
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3 |
p. 437-451 |
artikel |
171 |
Or what's a heaven for?
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Sherman, Jane |
|
1987 |
|
3 |
p. 434-439 |
artikel |
172 |
OutLINES for a Global Ballet Aesthetic
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Jensen, Jill Nunes |
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2008 |
|
3 |
p. 370-411 |
artikel |
173 |
Performing Josephine Baker
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Borelli, Melissa Blanco |
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2008 |
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3 |
p. 466-470 |
artikel |
174 |
Philippine Dance
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Moore, Elvi |
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1978 |
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3 |
p. 230-231 |
artikel |
175 |
Philosophy of dance
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Van Camp, Julie |
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1996 |
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3 |
p. 347-357 |
artikel |
176 |
Pioneer on Pointe: Janet Reed, the Early Years, 1916-1941
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West, Martha Ullman |
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2007 |
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3 |
p. 471-493 |
artikel |
177 |
Reconsidering the roots of black South African popular music
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Heller, Nancy G. |
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1992 |
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3 |
p. 369-372 |
artikel |
178 |
Reconstructing la cracovienne
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Jurgensen, Knud Arne |
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1982 |
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3 |
p. 228-266 |
artikel |
179 |
Rediscovering Paul Taglioni
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Koegler, Horst |
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2007 |
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3 |
p. 495-500 |
artikel |
180 |
Remembering Helen Tamiris
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Tish, Pauline |
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1994 |
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3 |
p. 327-360 |
artikel |
181 |
Representing the Historical Memory of War in Lim Sung-Nam's Prince Hodong
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Kyunghee, Kim |
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2008 |
|
3 |
p. 412-435 |
artikel |
182 |
Researching the dance
|
Dorris, George |
|
1994 |
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3 |
p. 373-376 |
artikel |
183 |
Revealing La Argentina
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Brooks, Lynn Matluck |
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2000 |
|
3 |
p. 321-328 |
artikel |
184 |
Revelations of the choreographer of Coppelia
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Christout, Marie-Francoise |
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1981 |
|
3 |
p. 349-353 |
artikel |
185 |
Robert helpmann, dancer and choreographer part three
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Walker, Kathrine Sorley |
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1998 |
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3 |
p. 411-480 |
artikel |
186 |
Romeo and Juliet: The ballets
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Fultz, Benjamin |
|
1993 |
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3 |
p. 401-404 |
artikel |
187 |
Sada Yacco in London and Paris, 1900: Le Reve Realise
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Berg, Shelley C. |
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1995 |
|
3 |
p. 343-404 |
artikel |
188 |
Sauvages, sex roles, and semiotics: Representations of native Americans in the French Ballet 1736-1837, part two: The nineteenth century
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Meglin, Joellen A. |
|
2000 |
|
3 |
p. 275-320 |
artikel |
189 |
Scenes from a dancer's life, part one: 1910-1919
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Severn, Margaret |
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1992 |
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3 |
p. 253-290 |
artikel |
190 |
Schillinger's notation
|
Moekle, Janet |
|
1985 |
|
3 |
p. 403-404 |
artikel |
191 |
Silent drama to silent dream: Parisian ballet criticism, 1800-1850
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Chapman, John V. |
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1987 |
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3 |
p. 365-380 |
artikel |
192 |
Some Questions on the Original Version of Gluck and Angiolini's Don Juan
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Dahms, Sibylle |
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2007 |
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3 |
p. 427-438 |
artikel |
193 |
Stephen Philpot, a gentleman dancing master
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Cobau, Judith |
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1986 |
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3 |
p. 269-289 |
artikel |
194 |
Stravinsky and Mr. B
|
Dorris, George |
|
2003 |
|
3 |
p. 357-363 |
artikel |
195 |
Style and Polemic in Eighteenth-Century Ballet
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Astier, Regine |
|
2004 |
|
3 |
p. 415-425 |
artikel |
196 |
Swan Lake in Warsaw, 1900
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Pudełek, Janina |
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1990 |
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3 |
p. 359-367 |
artikel |
197 |
Taking Class: Memoirs of a Classroom Ballerina
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Juhasz, Suzanne |
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2003 |
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3 |
p. 333-346 |
artikel |
198 |
“That Englishman abroad”: A tribute to Antony Tudor
|
Sawyer, Elizabeth |
|
1997 |
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3 |
p. 227-273 |
artikel |
199 |
The aesthetic interpretation of dance history
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Chapman, John |
|
1979 |
|
3 |
p. 254-274 |
artikel |
200 |
The American Indian imagery of Ted Shawn
|
Sherman, Jane |
|
1989 |
|
3 |
p. 366-382 |
artikel |
201 |
The Arabesque: A compositional design
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Falcone, Francesca |
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1996 |
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3 |
p. 231-253 |
artikel |
202 |
The artistry of Astaire
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Ries, Frank W. D. |
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1986 |
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3 |
p. 378-387 |
artikel |
203 |
Theatre, dance, and theory: A philosophical narrative
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Carroll, Noël |
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1992 |
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3 |
p. 317-331 |
artikel |
204 |
The ballet poems of August Bournonville the complete scenarios, part six
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McAndrew, Patricia |
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1980 |
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3 |
p. 297-322 |
artikel |
205 |
The Ballet poems of August Bournonville the complete scenarios, part ten
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McAndrew, Patricia |
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1981 |
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3 |
p. 320-348 |
artikel |
206 |
The ballet poems of August Bournonville: The complete scenarios, part two
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McAndrew, Patricia |
|
1979 |
|
3 |
p. 285-324 |
artikel |
207 |
The bedaya-serimpi dances of java
|
Morrison, Miriam J. |
|
1978 |
|
3 |
p. 188-212 |
artikel |
208 |
The Bolshoi at two hundred
|
Fultz, Benjamin |
|
1980 |
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3 |
p. 342-343 |
artikel |
209 |
The Bournonville tradition in photographs
|
Haslam, Henley |
|
1987 |
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3 |
p. 429-433 |
artikel |
210 |
The choreography of Andree Howard
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Walker, Kathrine Sorley |
|
1990 |
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3 |
p. 265-358 |
artikel |
211 |
The choreography of Aurel Milloss, part three: 1967-1988
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Veroli, Patrizia |
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1990 |
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3 |
p. 368-392 |
artikel |
212 |
The choreography of Robert Joffrey: A supplement
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Dorris, George |
|
1989 |
|
3 |
p. 383-385 |
artikel |
213 |
The collected works of George Balanchine
|
Dorris, George |
|
1982 |
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3 |
p. 273-278 |
artikel |
214 |
The contexts of Petrushka
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Shaber, Remy |
|
1999 |
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3 |
p. 429-434 |
artikel |
215 |
The dance of Jean Cocteau
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Christout, Marie-Francoise |
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1986 |
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3 |
p. 367-374 |
artikel |
216 |
The dancer vs. the management in post-civil war America
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Barker, Barbara M. |
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1978 |
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3 |
p. 172-187 |
artikel |
217 |
The Dutch journal: The Sadler's Wells Ballet in Holland, May 1940, part one
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Farjeon, Annabel |
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1986 |
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3 |
p. 330-366 |
artikel |
218 |
The Enigma of Nicholas Roerich
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Garafola, Lynn |
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1990 |
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3 |
p. 401-412 |
artikel |
219 |
The future of dance scholarship in India
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Vatsyayan, Kapila |
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1995 |
|
3 |
p. 485-490 |
artikel |
220 |
The golden age of the Broadway musical: A personal reminiscence
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Guest, Ann Hutchinson |
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1993 |
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3 |
p. 323-371 |
artikel |
221 |
The great world and the small: Reflections on the Bournonville festival
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Anderson, Jack |
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1979 |
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3 |
p. 275-284 |
artikel |
222 |
“The human soul in silk”
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McCormik, Malcolm |
|
1996 |
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3 |
p. 341-345 |
artikel |
223 |
The Humphrey-Weidman company: A personal view
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Sherman, Jane |
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1979 |
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3 |
p. 331-336 |
artikel |
224 |
The Importance of Being Sally
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Copeland, Roger |
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2007 |
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3 |
p. 539-545 |
artikel |
225 |
The intellectual world of Genevieve Stebbins
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Ruyter, Nancy Lee Chalfa |
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1987 |
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3 |
p. 381-397 |
artikel |
226 |
The Jack Cole Notebooks
|
Boross, Bob |
|
2004 |
|
3 |
p. 409-413 |
artikel |
227 |
The Kanghelari dance as a means of communication in the village of Papadatai in Epeiros, hellas
|
Demas, Elias S. |
|
1997 |
|
3 |
p. 275-294 |
artikel |
228 |
The Legacy of Giacomo Meyerbeer
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Dorris, George |
|
2008 |
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3 |
p. 460-465 |
artikel |
229 |
The Lifar collection and the art of the ballets Russes
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Dorris, George |
|
1998 |
|
3 |
p. 489-493 |
artikel |
230 |
“The memory of dance,” an international conference of dance historians in Barcelona, 1994
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Ruyter, Nancy LeeChalfa |
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1995 |
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3 |
p. 491-496 |
artikel |
231 |
The mystery of music: Prokofiev, Stravinsky, and Poulenc
|
Dorris, George |
|
1979 |
|
3 |
p. 337-344 |
artikel |
232 |
The new york city ballet at fifty
|
Dorris, George |
|
1999 |
|
3 |
p. 441-445 |
artikel |
233 |
The Panegyri and Formation of Vlach Cultural Identity
|
Panopoulou, Kalliopi |
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2008 |
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3 |
p. 436-459 |
artikel |
234 |
The Pleasures of notation
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Horwitz, Dawn Lille |
|
1983 |
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3 |
p. 371-374 |
artikel |
235 |
The Politics of Folk Dance
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Prevots, Naima |
|
2003 |
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3 |
p. 351-355 |
artikel |
236 |
The precarious life of Thomas Pike, a colonial dancing master in Charleston and Philadelphia
|
Cobau, Judith |
|
1994 |
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3 |
p. 229-262 |
artikel |
237 |
The Priestesses
|
Ingber, Judith Brin |
|
1995 |
|
3 |
p. 453-465 |
artikel |
238 |
The Remarkable Dance of Anna Halprin
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Felciano, Rita |
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2007 |
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3 |
p. 519-522 |
artikel |
239 |
The romantic ballet in America
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Hardy, Camille |
|
1980 |
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3 |
p. 323-330 |
artikel |
240 |
The Romantic Ballet Revisited
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Dorris, George |
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2008 |
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3 |
p. 481-484 |
artikel |
241 |
The royal Danish ballet season of 1954-1955
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Aschengreen, Erik |
|
1995 |
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3 |
p. 419-426 |
artikel |
242 |
The shadow of herself: Some sources of Jules Perrot's Ondine
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Au, Susan |
|
1978 |
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3 |
p. 159-171 |
artikel |
243 |
The thirty-two Fouettes in the Coda of The Black Swan Pas de Deux
|
Farah, Wanda |
|
1981 |
|
3 |
p. 305-319 |
artikel |
244 |
The Toronto conference on “new directions in Indian dance”
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Coorlawala, Uttara Asha |
|
1993 |
|
3 |
p. 391-396 |
artikel |
245 |
Topsy's company
|
Anderson, Jack |
|
1978 |
|
3 |
p. 222-229 |
artikel |
246 |
Touring Russia with Isadora: Maurice Magnus' account
|
Wright, Louise E. |
|
2000 |
|
3 |
p. 233-261 |
artikel |
247 |
Treasures of the Romantic Ballet
|
Smith, Marian |
|
2007 |
|
3 |
p. 501-505 |
artikel |
248 |
Trying to discover the renaissance dancing body
|
Feves, Angene |
|
1989 |
|
3 |
p. 386-393 |
artikel |
249 |
Two Balletic sensations: Excelsior and the Ballet of the Nuns
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Dorris, George |
|
2000 |
|
3 |
p. 329-337 |
artikel |
250 |
Uday Shankar: The Early Years, 1900-1938
|
Abrahams, Ruth K. |
|
2007 |
|
3 |
p. 363-426 |
artikel |
251 |
Weaver and Purcell
|
Dorris, George |
|
1985 |
|
3 |
p. 393-402 |
artikel |
252 |
What does the dance of the sugar plum fairy “mean”?
|
Cohen, Selma Jeanne |
|
1980 |
|
3 |
p. 279-296 |
artikel |
253 |
Who is Isadora?
|
Needham, Maureen |
|
1996 |
|
3 |
p. 331-340 |
artikel |
254 |
Who's St. Denis? What is she?
|
Sherman, Jane |
|
1986 |
|
3 |
p. 305-329 |
artikel |
255 |
Wigman and the demon
|
Koegler, Horst |
|
1994 |
|
3 |
p. 369-372 |
artikel |
256 |
Working with Doris Humphrey
|
Koner, Pauline |
|
1983 |
|
3 |
p. 235-278 |
artikel |