| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
About the contributors
|
|
|
2007
|
26 |
5-6 |
p. 635-637
|
artikel
|
| 2 |
Bright Sheng's music: An expression of cross-cultural experience—illustrated through the motivic, contrapuntal and tonal treatment of the Chinese folk song The Stream Flows
|
Chang, Peter
|
|
2007
|
26 |
5-6 |
p. 619-633
|
artikel
|
| 3 |
Calligraphy and musical gestures in the late works of Chou Wen-chung
|
Everett, Yayoi Uno
|
|
2007
|
26 |
5-6 |
p. 569-584
|
artikel
|
| 4 |
China and the West—The Birth of a New Music
|
Green, Edward
|
|
2007
|
26 |
5-6 |
p. 493-499
|
artikel
|
| 5 |
Colliding resonances: The music of Xiaoyong Chen
|
Liang, Lei
|
|
2007
|
26 |
5-6 |
p. 529-545
|
artikel
|
| 6 |
Context, agency and Chineseness: The music of Law Wing Fai
|
Lau, Frederick
|
|
2007
|
26 |
5-6 |
p. 585-603
|
artikel
|
| 7 |
Reconsidering cultural politics in the analysis of contemporary Chinese music: The case of Ghost Opera
|
Young, Samson
|
|
2007
|
26 |
5-6 |
p. 605-618
|
artikel
|
| 8 |
The impact of Buddhist thought on the music of Zhou Long: A consideration of Dhyana
|
Green, Edward
|
|
2007
|
26 |
5-6 |
p. 547-567
|
artikel
|
| 9 |
The tradition of luogu dianzi (percussion classics) and Its signification in contemporary music
|
Rao, Nancy Yunhwa
|
|
2007
|
26 |
5-6 |
p. 511-527
|
artikel
|
| 10 |
Whither Chinese composers?
|
Wen-chung, Chou
|
|
2007
|
26 |
5-6 |
p. 501-510
|
artikel
|
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