nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
Autonomy, Mimesis and Mechanical Reproduction in Contemporary Music
|
Windsor, W. Luke |
|
1996 |
15 |
1-2 |
p. 139-150 |
artikel |
2 |
Frank Zappa as Dadaist: recording technology and the power to repeat
|
Watson, Ben |
|
1996 |
15 |
1-2 |
p. 109-137 |
artikel |
3 |
Imagining the Source: The Interplay of Realism and Abstraction in Electroacoustic Music
|
Young, John |
|
1996 |
15 |
1-2 |
p. 73-93 |
artikel |
4 |
Index
|
|
|
1996 |
15 |
1-2 |
p. 177-179 |
artikel |
5 |
I Was Running in So Many Different Directions
|
Ferrari, Luc |
|
1996 |
15 |
1-2 |
p. 95-102 |
artikel |
6 |
Musical Storytelling
|
Appleton, Jon |
|
1996 |
15 |
1-2 |
p. 67-71 |
artikel |
7 |
Music in the Chords of Eternity
|
Riddell, Alistair M. |
|
1996 |
15 |
1-2 |
p. 151-171 |
artikel |
8 |
Notes to accompany CD:
|
|
|
1996 |
15 |
1-2 |
p. 173-176 |
artikel |
9 |
Real-World Music as Composed Listening
|
Norman, Katharine |
|
1996 |
15 |
1-2 |
p. 1-27 |
artikel |
10 |
Real-World Sounds and Simulacra in my Computer Music
|
Risset, Jean-Claude |
|
1996 |
15 |
1-2 |
p. 29-47 |
artikel |
11 |
“Something like a hidden glimmering”: John Cage and recorded sound
|
Pritchett, James |
|
1996 |
15 |
1-2 |
p. 103-108 |
artikel |
12 |
Soundscape, Acoustic Communication and Environmental Sound Composition
|
Truax, Barry |
|
1996 |
15 |
1-2 |
p. 49-65 |
artikel |