| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Controlling parameterized compositional data in stella and common music
|
Taube, Heinrich
|
|
1994
|
10 |
2 |
p. 191-199
|
artikel
|
| 2 |
Defining timbre — Refining timbre
|
Smalley, Denis
|
|
1994
|
10 |
2 |
p. 35-48
|
artikel
|
| 3 |
Details of accompanying audio cassette tape
|
|
|
1994
|
10 |
2 |
p. 233-236
|
artikel
|
| 4 |
Evolution of timbres through the use of Tabula Vigilans on the MIDAS system
|
Kirk, Ross
|
|
1994
|
10 |
2 |
p. 201-209
|
artikel
|
| 5 |
From symbols to sound: AI-based investigation of sound synthesis
|
Miranda, Eduardo Reck
|
|
1994
|
10 |
2 |
p. 211-232
|
artikel
|
| 6 |
From the elements to the continuum: Timbre composition in early electronic music
|
Ungeheuer, Elena
|
|
1994
|
10 |
2 |
p. 25-33
|
artikel
|
| 7 |
Issues in timbre and perception
|
Hoopen, Christiane Ten
|
|
1994
|
10 |
2 |
p. 61-71
|
artikel
|
| 8 |
'Live' versus 'real-time'
|
Emmerson, Simon
|
|
1994
|
10 |
2 |
p. 95-101
|
artikel
|
| 9 |
Micro-time sonic design and timbre formation
|
Scipio, Agostino Di
|
|
1994
|
10 |
2 |
p. 135-148
|
artikel
|
| 10 |
Pierre Schaeffer and the significance of radiophonic art
|
Dack, John
|
|
1994
|
10 |
2 |
p. 3-11
|
artikel
|
| 11 |
Preface
|
Emmerson, Simon
|
|
1994
|
10 |
2 |
p. 1-2
|
artikel
|
| 12 |
Real-time granular sampling using the IRCAM signal processing workstation
|
Lippe, Cort
|
|
1994
|
10 |
2 |
p. 149-155
|
artikel
|
| 13 |
Real-time timbral transformation: FFT-based resynthesis
|
Settel, Zack
|
|
1994
|
10 |
2 |
p. 171-179
|
artikel
|
| 14 |
Sound processing in los dados eternos
|
Fischman, Rajmil
|
|
1994
|
10 |
2 |
p. 181-189
|
artikel
|
| 15 |
Telling tales
|
Norman, Katharine
|
|
1994
|
10 |
2 |
p. 103-109
|
artikel
|
| 16 |
The human-machine interface in electroacoustic music composition
|
Vaughan, Mike
|
|
1994
|
10 |
2 |
p. 111-127
|
artikel
|
| 17 |
The linear change of waveform segments causing non-linear changes of timbral presence
|
Chandra, Arun
|
|
1994
|
10 |
2 |
p. 157-149
|
artikel
|
| 18 |
The “something to hold on to factor” in timbral composition
|
Landy, Leigh
|
|
1994
|
10 |
2 |
p. 49-60
|
artikel
|
| 19 |
Timbre as syntax: A spectral modeling approach
|
Vaggione, Horacio
|
|
1994
|
10 |
2 |
p. 73-83
|
artikel
|
| 20 |
Timbre composition: Ideology, metaphor and social process
|
Waters, Simon
|
|
1994
|
10 |
2 |
p. 129-134
|
artikel
|
| 21 |
Timbre diversification in serial tape music and its consequence on form
|
Decroupet, Pascal
|
|
1994
|
10 |
2 |
p. 13-23
|
artikel
|
| 22 |
Using auditory information for events in electroacoustic music
|
Windsor, W. Luke
|
|
1994
|
10 |
2 |
p. 85-93
|
artikel
|
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