| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
An interview with Jacques Ranciere: Cinematographic image, democracy, and the “splendor of the insignificant”
|
Guenoun, Solange
|
|
2000
|
4 |
2 |
p. 249-258
|
artikel
|
| 2 |
An interview with michele waquant: Impressions-city
|
Lamarche-Vadel, Gaëtane
|
|
2000
|
4 |
2 |
p. 259-268
|
artikel
|
| 3 |
An interview with Paul Virillo: Le cinematisme du monde
|
Vadel, Gaëtane Lamarche
|
|
2000
|
4 |
2 |
p. 269-276
|
artikel
|
| 4 |
Barthes/Godard: L'essai cinematographique est-il possible?
|
Bensmaia, Reda
|
|
2000
|
4 |
2 |
p. 435-446
|
artikel
|
| 5 |
Cette vie est la notre
|
Conort, Benoit
|
|
2000
|
4 |
2 |
p. 497-503
|
artikel
|
| 6 |
Dislocating the domestic in Chantal Akerman's Jeanne Dielman
|
Yervasi, Carina
|
|
2000
|
4 |
2 |
p. 385-398
|
artikel
|
| 7 |
Editorial board
|
|
|
2000
|
4 |
2 |
p. 1
|
artikel
|
| 8 |
Henri-Georges clouzot's Le corbeau and the crimes of women
|
Mayne, Judith
|
|
2000
|
4 |
2 |
p. 319-341
|
artikel
|
| 9 |
If cinema can be said to constitute the representational site par excellence of the 20th century, how might you understand its past, or future in relation to recent developments in video and new media?
|
Durham, Scott
|
|
2000
|
4 |
2 |
p. 489-495
|
artikel
|
| 10 |
Immaterial archives: New media and the memory of representation
|
Murray, Timothy
|
|
2000
|
4 |
2 |
p. 277-296
|
artikel
|
| 11 |
Introduction
|
Murray, Timothy
|
|
2000
|
4 |
2 |
p. 243-248
|
artikel
|
| 12 |
Les recines du mal
|
Dantec, Maurice
|
|
2000
|
4 |
2 |
p. 513-520
|
artikel
|
| 13 |
Masculinity and “Politics in New Wave Cinema
|
Sellier, Genevieve
|
|
2000
|
4 |
2 |
p. 471-487
|
artikel
|
| 14 |
Notes on contributors
|
|
|
2000
|
4 |
2 |
p. 1-6
|
artikel
|
| 15 |
Paradis: the tethering of terpsichore and technology
|
Manko, Vanessa
|
|
2000
|
4 |
2 |
p. 447-452
|
artikel
|
| 16 |
Par-Asian screen women and film identities: The Vampiric in Olivier assay as's Irma Vep
|
An, Grace
|
|
2000
|
4 |
2 |
p. 399-416
|
artikel
|
| 17 |
Resuscitating the father: New cinematic representations of the Maghrebi minority in France
|
Hargreaves, Alec G.
|
|
2000
|
4 |
2 |
p. 343-351
|
artikel
|
| 18 |
Revamping Irma: Immodest reflections on French cinema and globalization
|
Conley, Tom
|
|
2000
|
4 |
2 |
p. 417-433
|
artikel
|
| 19 |
Safi Faye and Sarah maldoror: Cinecrivaines of African cinema
|
Marker, Cynthia
|
|
2000
|
4 |
2 |
p. 453-469
|
artikel
|
| 20 |
Souviens-toi de moi: A hip-hop film?
|
Bluher, Dominique
|
|
2000
|
4 |
2 |
p. 353-365
|
artikel
|
| 21 |
The virtuality of the media
|
Weber, Samuel
|
|
2000
|
4 |
2 |
p. 297-317
|
artikel
|
| 22 |
Vestiges de fillette
|
Moussempes, Sandra
|
|
2000
|
4 |
2 |
p. 505-512
|
artikel
|
| 23 |
Virtual discourses of history: Collage, narrative or documents in Chris Marker's level 5
|
Turim, Maureen
|
|
2000
|
4 |
2 |
p. 367-383
|
artikel
|
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