| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
A Hopeful Work in Progress: British Wildlife Sculptor, Kendra Haste
|
Catren, NR
|
|
2018
|
|
4 |
p. 8-19
|
artikel
|
| 2 |
A Pedestal for Perception: Confederate Monuments from an African-American Perspective
|
Daise, Ronald
|
|
2017
|
|
4 |
p. 26-31
|
artikel
|
| 3 |
Art from Objects: The Magical Sculpture of Federico Uribe
|
Conero, Anna
|
|
2018
|
|
4 |
p. 20-27
|
artikel
|
| 4 |
Books are Occasionally Opened Monuments are Seen Every Day: The Polemics of the Confederate Landscape and Its Sculptors
|
Terrono, Evie
|
|
2017
|
|
4 |
p. 16-25
|
artikel
|
| 5 |
Caryatid
|
Hemingway, Colette C.
|
|
2009
|
|
4 |
p. 8-13
|
artikel
|
| 6 |
Dark Histories: Ceramic Narratives by Margaret Keelan Calvin Ma, and Erika Sanada
|
Coon, Cheryl
|
|
2015
|
|
4 |
p. 30-33
|
artikel
|
| 7 |
Gerard Mas: The Enigma of the Face
|
Mohn, Katrina
|
|
2016
|
|
4 |
p. 18-23
|
artikel
|
| 8 |
Glass as Medium Providing new Ways to Convey the Human Figure
|
Carpenter, Kim
|
|
2010
|
|
4 |
p. 8-15
|
artikel
|
| 9 |
Imagining the Future of Monuments to the Confederacy: Students Brainstorm Interpretive Strategies
|
Werbel, Amy
|
|
2017
|
|
4 |
p. 32-37
|
artikel
|
| 10 |
Intersections in Portraiture: Exploring Humanism
|
Catren, NR
|
|
2016
|
|
4 |
p. 32-39
|
artikel
|
| 11 |
Kate Clark: Animal Impulses
|
Carpenter, Kim
|
|
2015
|
|
4 |
p. 14-19
|
artikel
|
| 12 |
Katsura Funakoshi: Japanese Sculptor's Realistic Pieces with Touches of the Bizarre
|
Foster, Hal
|
|
2016
|
|
4 |
p. 8-17
|
artikel
|
| 13 |
Michael Rees “Model Behavior”
|
Ganis, William V.
|
|
2009
|
|
4 |
p. 34-35
|
artikel
|
| 14 |
Monument Avenue, Richmond Virginia: Writing History with Bronze and Marble
|
Graham, Christopher
|
|
2017
|
|
4 |
p. 8-15
|
artikel
|
| 15 |
New Life in Church Sculpture since Vatican II: Opening Doors
|
Mabry, Wolfgang
|
|
2013
|
|
4 |
p. 28-37
|
artikel
|
| 16 |
New Materials, Ideas, and Imperatives
|
Mabry, Wolfgang
|
|
2010
|
|
4 |
p. 24-32
|
artikel
|
| 17 |
Our Anxiety for this World: Ken+Julia Yonetani on the Practical, the Surprising, and the Intangible of Working in Salt
|
Holmberg, Sheryl Morang
|
|
2018
|
|
4 |
p. 28-33
|
artikel
|
| 18 |
Portrait of Humanity: The Vision of Javier Marín
|
Shull, Jodie A.
|
|
2016
|
|
4 |
p. 24-31
|
artikel
|
| 19 |
Pushing Materials
|
Langland, Tuck
|
|
2010
|
|
4 |
p. 16-23
|
artikel
|
| 20 |
Reflections
|
Arrivederci,
|
|
2018
|
|
4 |
p. 7
|
artikel
|
| 21 |
Remembering Elliot Offner (1931–2010)
|
Salmon, Robin R.
|
|
2010
|
|
4 |
p. 33
|
artikel
|
| 22 |
Representing Renewal an Epochal Religious Event and Subsequent Sculpture
|
O'Donovan, Leo J.
|
|
2013
|
|
4 |
p. 8-21
|
artikel
|
| 23 |
Reviving Ancient Cultures: Contemporary Northwest Coast Artists Breathe New Life into Totemic Symbols
|
Holmberg, Sheryl Morang
|
|
2015
|
|
4 |
p. 8-13
|
artikel
|
| 24 |
Sculpture News
|
|
|
2010
|
|
4 |
p. 34
|
artikel
|
| 25 |
Shadows
|
Biagi, Giancarlo
|
|
2017
|
|
4 |
p. 7
|
artikel
|
| 26 |
The Chapel of ST. Ignatius Seattle University a Gathering of Different Lights
|
Pham, Trung
|
|
2013
|
|
4 |
p. 22-27
|
artikel
|
| 27 |
The Female form in Twentieth–Century Sculpture
|
Budny, Virginia
|
|
2009
|
|
4 |
p. 14-23
|
artikel
|
| 28 |
The Grotesque: Novel Associations of Forms and Ideas
|
Holmberg, Sheryl Morang
|
|
2015
|
|
4 |
p. 20-29
|
artikel
|
| 29 |
The Many Faces of Eyevan Tumbleweed: Turning Found Wood into Figurative Sculpture
|
Shull, Jodie A.
|
|
2018
|
|
4 |
p. 34-39
|
artikel
|
| 30 |
Two Sculptors in their Own Words: Tom Durham and Dylan Lewis
|
Kibej, Ruell
|
|
2015
|
|
4 |
p. 34-39
|
artikel
|
| 31 |
“What is this Face?” Isamu Noguchi's Portrait Busts
|
Carpenter, Kim
|
|
2009
|
|
4 |
p. 24-33
|
artikel
|
| 32 |
Your “Look” in Time
|
Biagi, Giancarlo
|
|
2016
|
|
4 |
p. 7
|
artikel
|
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