| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Acknowledgements
|
Zhang, Qian
|
|
|
4 |
4 |
p. 514
|
artikel
|
| 2 |
Ali Baba, Genghis Khan, and Jimmy, who are they!? The transnational and trans-regional production of modernity in 1980s’ Chinese disco
|
Zhang, Qian
|
|
|
4 |
4 |
p. 462-476
|
artikel
|
| 3 |
Analog Hallyu: Historicizing K-pop formations in China
|
Zhang, Qian
|
|
|
4 |
4 |
p. 419-436
|
artikel
|
| 4 |
Balancing impressiveness and favorability: A qualitative study on an emerging type of advertising in China
|
Zhang, Qian
|
|
|
4 |
4 |
p. 477-492
|
artikel
|
| 5 |
Exploring the effect of Weibo opinion leaders on the dynamics of public opinion in China: A revisit of the two-step flow of communication
|
Zhang, Qian
|
|
|
4 |
4 |
p. 493-513
|
artikel
|
| 6 |
Introduction: Historicizing globalization—Popular musics in Asia and beyond
|
Zhang, Qian
|
|
|
4 |
4 |
p. 399-402
|
artikel
|
| 7 |
Nation-states, transnational corporations and cosmopolitans in the global popular music economy
|
Zhang, Qian
|
|
|
4 |
4 |
p. 403-418
|
artikel
|
| 8 |
UK–Asia music business collaborations: Liverpool Sound City, Modern Sky and Zandari Festa
|
Zhang, Qian
|
|
|
4 |
4 |
p. 437-461
|
artikel
|
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