| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Academic Reviewing, Interculturalism and Committed Aesthetics: Syncretic Itineraries of a Reviewer
|
de Carles, Nathalie Rivère
|
|
2012
|
81 |
1_suppl |
p. 17-26
|
artikel
|
| 2 |
Afterword
|
Holland, Peter
|
|
2012
|
81 |
1_suppl |
p. 141-146
|
artikel
|
| 3 |
Amateur Reviewing at the Avignon Festival: The “Mirror Group”
|
March, Florence
|
|
2012
|
81 |
1_suppl |
p. 133-139
|
artikel
|
| 4 |
Australian Newspaper Reviewers of Shakespeare: Writing with the Head or with the Heart?
|
Gay, Penny
|
|
2012
|
81 |
1_suppl |
p. 127-132
|
artikel
|
| 5 |
Contributors
|
|
|
2012
|
81 |
1_suppl |
p. vi-vii
|
artikel
|
| 6 |
Critical Conditions: Reviewing Shakespeare in South Africa
|
Gordon, Colette
|
|
2012
|
81 |
1_suppl |
p. 117-126
|
artikel
|
| 7 |
International Perspectives on Shakespearean Theatre Reviewing
|
|
|
2012
|
81 |
1_suppl |
p. 149-152
|
artikel
|
| 8 |
“Nothing if Not Critical”: International Perspectives on Shakespearean Theatre Reviewing
|
Prescott, Paul
|
|
2012
|
81 |
1_suppl |
p. 1-8
|
artikel
|
| 9 |
Objective Reviews? No, Thanks!
|
Marti, Markus
|
|
2012
|
81 |
1_suppl |
p. 27-30
|
artikel
|
| 10 |
Reviewing Shakespeare in Bulgaria: Past and Present
|
Shurbanov, Alexander
|
|
2012
|
81 |
1_suppl |
p. 93-98
|
artikel
|
| 11 |
Reviewing the Reception of Yukio Ninagawa's Shakespeare Productions (1999–2009) in the British and Japanese Press
|
Kuwayama, Tomonari
|
|
2012
|
81 |
1_suppl |
p. 87-92
|
artikel
|
| 12 |
Reviewing Tunisian Productions of Shakespeare's Plays under Bourguiba and Ben Ali
|
Guinle, Francis
|
|
2012
|
81 |
1_suppl |
p. 105-115
|
artikel
|
| 13 |
Select Bibliography
|
|
|
2012
|
81 |
1_suppl |
p. 147-148
|
artikel
|
| 14 |
Shakespearean Performance Reviewing in Brazil
|
Rauen, Margarida Gandara
|
|
2012
|
81 |
1_suppl |
p. 99-104
|
artikel
|
| 15 |
“She Will a Handmaid Be to His Desires”: Theatre Reviewing in the Service of Education in Rex Gibson's Shakespeare and Schools
|
Olive, Sarah
|
|
2012
|
81 |
1_suppl |
p. 45-51
|
artikel
|
| 16 |
“SO That's Where That Phrase Comes From” Moments and Taffety Punks: Some Thoughts on the State of Theatre Reviewing in Washington, DC
|
Thompson, Sara
|
|
2012
|
81 |
1_suppl |
p. 81-85
|
artikel
|
| 17 |
Surveying Survey
|
Conkie, Rob
|
|
2012
|
81 |
1_suppl |
p. 37-44
|
artikel
|
| 18 |
Theatre Reviewing À La Mode Des Cahiers
|
Valls-Russell, Janice
|
|
2012
|
81 |
1_suppl |
p. 9-14
|
artikel
|
| 19 |
The Disappearing Audience: Reviewing Shakespeare in the UK
|
Middleton, Irene
|
|
2012
|
81 |
1_suppl |
p. 53-57
|
artikel
|
| 20 |
The Newspaper Review: Constructing an Understanding of Shakespearean Performance in Madrid (1900–1936)
|
Cerdá, Juan F.
|
|
2012
|
81 |
1_suppl |
p. 65-72
|
artikel
|
| 21 |
Valuing Shakespearean Theatre Reviews
|
Ormsby, Rob
|
|
2012
|
81 |
1_suppl |
p. 31-36
|
artikel
|
| 22 |
What Becomes of a Performance through (Second-Hand) Quotations of (Second-Hand) Reviews?
|
Schwartz-Gastine, Isabelle
|
|
2012
|
81 |
1_suppl |
p. 73-78
|
artikel
|
| 23 |
When is a Theatre Record Not a Theatre Record?
|
Farr, Jeannie
|
|
2012
|
81 |
1_suppl |
p. 59-64
|
artikel
|
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