| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Amateur Theatre in the Long Nineteenth Century
|
Hawley, Judith
|
|
2011
|
38 |
2 |
p. xvii-xix
|
artikel
|
| 2 |
Contributors
|
|
|
2011
|
38 |
2 |
p. xv-xvi
|
artikel
|
| 3 |
Documents of Performance
|
Isbell, Mary
|
|
2011
|
38 |
2 |
p. 67-74
|
artikel
|
| 4 |
Documents of Performance
|
McGirr, Elaine
|
|
2011
|
38 |
2 |
p. 75-85
|
artikel
|
| 5 |
‘Entirely Free of Any Amateurishness’: Private Training, Public Taste and the Women's Dramatic Club of University College, Toronto (1905–21)
|
Whittaker, Robin C.
|
|
2011
|
38 |
2 |
p. 51-66
|
artikel
|
| 6 |
‘Feeling and Sense beyond All Seeming’: Private Lines, Public Relations and the Performances of the LeFanu Circle
|
Fitzer, Anna M.
|
|
2011
|
38 |
2 |
p. 26-37
|
artikel
|
| 7 |
‘One Entire Nation of Actors and Actresses’: Reconsidering the Relationship of Public and Private Theatricals
|
Brooks, Helen E. M.
|
|
2011
|
38 |
2 |
p. 1-13
|
artikel
|
| 8 |
Private Theatricals in the Harcourt Family Papers
|
Watson, Carly
|
|
2011
|
38 |
2 |
p. 14-25
|
artikel
|
| 9 |
Reviews: Russian Culture and Theatrical Performance in America, 1891–1933., Nineteenth-Century Theatre and the Imperial Encounter., Peoples on Parade: Exhibitions, Empire, and Anthropology in Nineteenth-Century Britain
|
Senelick, Laurence
|
|
2011
|
38 |
2 |
p. 86-92
|
artikel
|
| 10 |
The Serious Play of Gender: Blackface Minstrel Shows by Mary Barnard Home, 1892–1897
|
Recchio, Thomas
|
|
2011
|
38 |
2 |
p. 38-50
|
artikel
|
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