| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1 |
Bologna: The Retrieved Cinema
|
|
|
2008
|
35 |
1 |
p. 52-55
|
article
|
| 2 |
‘Chaste as a Picture by Wilkie’: The Relationship between Comic Performance and Genre Painting in Early Nineteenth-Century British Theatre
|
Davis, Jim
|
|
2008
|
35 |
1 |
p. 3-16
|
article
|
| 3 |
Contributors
|
|
|
2008
|
35 |
1 |
p. 1
|
article
|
| 4 |
Editorial
|
Gardner, Viv
|
|
2008
|
35 |
1 |
p. 1-2
|
article
|
| 5 |
Griffith in the Twilight
|
Day-Mayer, Helen
|
|
2008
|
35 |
1 |
p. 48-51
|
article
|
| 6 |
Reviews: Shakespeare and the Victorians, Victorian Shakespeare, Volume I: Theatre, Drama and Performance., Women's Theatre Writing in Victorian Britain, Theatre, Politics, and Markets in Fin-De Siécle Paris: Staging Modernity, Staging Politics and Gender: French Women's Drama, 1880–1923, Blackface Cuba, 1840–1895, Shoot! The Notebooks of Serafino Gubbio, Cinematograph Operator, the Big Show: British Cinema Culture in the Great War, 1914–1918, Moving Pictures: American Art and Early Film, 1880–1910, Humanist and Emotional Beginnings of a Nationalist Indian Cinema in Bombay: With Kracauer in the Footsteps of Phalke, the Collected Films 1895–1908
|
Mazer, Cary M.
|
|
2008
|
35 |
1 |
p. 56-80
|
article
|
| 7 |
Staging the Page: Visibility and Invisibility in Oscar Wilde's Salome
|
Boyd, Jason
|
|
2008
|
35 |
1 |
p. 17-47
|
article
|
Journal description