no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
1 |
Hearing Cinematic Modernism in the 1930s: The Audiovisual in British Documentary Cinema and Virginia Woolf's Between the Acts
|
Harris, Laurel |
|
2012 |
21 |
1 |
p. 61-75 |
article |
2 |
Laughing Matter: Phenomenological Takes on the Mind/Body Problem in Ulysses and Early Cinema
|
Hanaway, Cleo |
|
2012 |
21 |
1 |
p. 6-23 |
article |
3 |
Literature & History Special Issue Cinema and Modernism: Introduction
|
Shail, Andrew |
|
2012 |
21 |
1 |
p. 1-5 |
article |
4 |
Mina Loy and the Hollywood Industry
|
Goody, Alex |
|
2012 |
21 |
1 |
p. 76-93 |
article |
5 |
Professor R. C. Richardson
|
Martin, Philip |
|
2012 |
21 |
1 |
p. v-vi |
article |
6 |
Reviews: On Anachronism, the Debate on the Crusades, the Social Universe of the English Bible. Scripture, Society, and Culture in Early Modern England, Godly Reading. Print, Manuscript and Puritanism in England, 1580–1720, Early Modern Englishwomen Testing Ideas, the Intellectual and Cultural World of the Early Modern Inns of Court., Shakespeare Only., Literatures of Exile in the English Revolution and its Aftermath, 1640–1690, This is Enlightenment, Race, Nation and Empire: Making Histories 1750 to the Present, from Battlefields Rising: How the Civil War Transformed American Literature, Science, Sexuality and Sensation Novels, Christmas in Nineteenth-Century England, Katherine Mansfield and Literary Modernism, Langston Hughes and American Lynching Culture, the BBC and National Identity in Britain, 1922–53, the Crisis of Theory: E. P. Thompson, the New Left and Postwar British Politics
|
Watson, David |
|
2012 |
21 |
1 |
p. 94-113 |
article |
7 |
‘That Magic Force That is Montage’: Eisenstein's Filmic Fourth Dimension, Borderline and H. D.
|
Maclean, Caroline |
|
2012 |
21 |
1 |
p. 44-60 |
article |
8 |
‘The Skeleton is Well Wrapped in Flesh’: Official First World War Films and Modernist Literary Corporeality in H.D. and Virginia Woolf
|
Gillis, Stacy |
|
2012 |
21 |
1 |
p. 24-43 |
article |