| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
A Passage to Manchester: Space, Place and Aesthetic in The Jewel in the Crown
|
Dunn, David
|
|
2015
|
10 |
3 |
p. 37-52
|
artikel
|
| 2 |
A Sense of Proportion: Aspect Ratio and the Framing of Television Space
|
Cardwell, Sarah
|
|
2015
|
10 |
3 |
p. 83-100
|
artikel
|
| 3 |
Between Theatre and Television: Inside the Hybrid Space of the Wars of the Roses
|
Wyver, John
|
|
2015
|
10 |
3 |
p. 23-36
|
artikel
|
| 4 |
Book Reviews: A Sense of Place: Regional British Television Drama 1956–82, Television and British Cinema: Convergence and Divergence since 1990, British Television Drama: Past Present and Future, Screenwriting Poetics and the Screen Idea, A Philosophy of the Screenplay, Who is Who? The Philosophy of Doctor Who, New Dimensions of Doctor Who: Adventures in Space, Time and Television, Doctor Who: The Eleventh Hour – A Critical Celebration of the Matt Smith and Steven Moffat Era, Envisioning Socialism: Television and the Cold War in the German Democratic Republic, Popular Television in Authoritarian Europe, Reading Asian Television Drama: Crossing Borders and Breaking Boundaries, Fashion on Television: Identity and Celebrity Culture
|
Rolinson, David
|
|
2015
|
10 |
3 |
p. 121-143
|
artikel
|
| 5 |
Breaking the Intimate Screen: Pre-recording, Special Effects and the Aesthetics of Early British Television Drama
|
Johnston, Derek
|
|
2015
|
10 |
3 |
p. 53-66
|
artikel
|
| 6 |
Producing Classics on outside Broadcast in the 1970s: The Little Minister (1975), As You Like It (1978) and Henry VIII (1979)
|
Smart, Billy
|
|
2015
|
10 |
3 |
p. 67-82
|
artikel
|
| 7 |
Studio as Hybridised Community Space: For the Love of Albert
|
Rolinson, David
|
|
2015
|
10 |
3 |
p. 5-22
|
artikel
|
| 8 |
The Arrival of Colour in BBC Drama and Rudolph Cartier's Colour Productions
|
Panos, Leah
|
|
2015
|
10 |
3 |
p. 101-120
|
artikel
|
| 9 |
The Spaces of Television
|
Panos, Leah
|
|
2015
|
10 |
3 |
p. 1-4
|
artikel
|
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