| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Alibis, and why performers don't have them
|
Gritten, Anthony
|
|
2005
|
9 |
1 |
p. 137-156
|
artikel
|
| 2 |
Creativity in performance
|
Clarke, Eric F.
|
|
2005
|
9 |
1 |
p. 157-182
|
artikel
|
| 3 |
David Sudnow, Ways of the Hand: A Rewritten Account. Cambridge, MA: MIT Press, 2001, xxi + 139 pp., $19.95. ISBN 0-262-19467-8 (hard cover)
|
Repp, Bruno H.
|
|
2005
|
9 |
1 |
p. 190-195
|
artikel
|
| 4 |
Interpretation and performance in Bryn Harrison's être-temps
|
Clarke, Eric
|
|
2005
|
9 |
1 |
p. 31-74
|
artikel
|
| 5 |
John Rink (ed.), Musical Performance: A Guide to Understanding. Cambridge: Cambridge University Press, 2002, 245 pp. ISBN 0 521 78300 3 (hardback) 0 521 78862 5 (paperback)
|
Windsor, Luke
|
|
2005
|
9 |
1 |
p. 183-189
|
artikel
|
| 6 |
Mastery through imitation: A preliminary study
|
Tânia, Lisboa
|
|
2005
|
9 |
1 |
p. 75-110
|
artikel
|
| 7 |
Nonverbal behaviours in popular music performance: A case study of The Corrs
|
Kurosawa, Kaori
|
|
2005
|
9 |
1 |
p. 111-136
|
artikel
|
| 8 |
Richard Parncutt and Gary E. McPherson (Editors), The Science and Psychology of Music Performance: Creative Strategies for Teaching and Learning. Oxford University Press, 2002, 388 pp. ISBN 0-19-513810-4
|
Johnson, Peter
|
|
2005
|
9 |
1 |
p. 196-202
|
artikel
|
| 9 |
Studying a creative act with computers: Music performance studies with automated discovery methods
|
Widmer, Gerhard
|
|
2005
|
9 |
1 |
p. 11-30
|
artikel
|
Tijdschrift beschrijving