| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1 |
B(l)ending time, (de)compressing identity: Creative thought and meaning construction in Copy Shop (2001)
|
Cambouropoulos, Emilios
|
|
2018
|
22 |
1 |
p. 88-107
|
article
|
| 2 |
Conceptual blending and musical emotion
|
Cambouropoulos, Emilios
|
|
2018
|
22 |
1 |
p. 24-37
|
article
|
| 3 |
Conceptual blending, creativity, and music
|
Cambouropoulos, Emilios
|
|
2018
|
22 |
1 |
p. 6-23
|
article
|
| 4 |
Conceptual integration of sound and image: A model of perceptual modalities
|
Cambouropoulos, Emilios
|
|
2018
|
22 |
1 |
p. 72-87
|
article
|
| 5 |
Editorial
|
Cambouropoulos, Emilios
|
|
2018
|
22 |
1 |
p. 3-5
|
article
|
| 6 |
Embedded blends and meaning construction in Modest Musorgsky’s Pictures at an Exhibition
|
Cambouropoulos, Emilios
|
|
2018
|
22 |
1 |
p. 38-56
|
article
|
| 7 |
Musical blending and creativity: An empirical evaluation of the CHAMELEON melodic harmonisation assistant
|
Cambouropoulos, Emilios
|
|
2018
|
22 |
1 |
p. 119-144
|
article
|
| 8 |
Schemas, grounds, meaning: On the emergence of musical concepts through conceptual blending
|
Cambouropoulos, Emilios
|
|
2018
|
22 |
1 |
p. 57-71
|
article
|
| 9 |
The way we blend: Rethinking conceptual integration through intermedial and open-form scores
|
Cambouropoulos, Emilios
|
|
2018
|
22 |
1 |
p. 108-118
|
article
|
Journal description