| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
A questionnaire-based investigation of the skills and roles of Computer Music Designers
|
Donin, Nicolas
|
|
2016
|
20 |
3 |
p. 436-456
|
artikel
|
| 2 |
Comparing the main compositional activities in a study of eight composers
|
Donin, Nicolas
|
|
2016
|
20 |
3 |
p. 413-435
|
artikel
|
| 3 |
Creative layers and continuities: A case study of Nicole Lizée and the Kronos Quartet
|
Donin, Nicolas
|
|
2016
|
20 |
3 |
p. 392-412
|
artikel
|
| 4 |
Creativity beyond innovation: Musical performance and craft
|
Donin, Nicolas
|
|
2016
|
20 |
3 |
p. 325-344
|
artikel
|
| 5 |
Duration of playing bursts and redundancy of melodic jazz improvisation in John Coltrane’s “Giant Steps”
|
Donin, Nicolas
|
|
2016
|
20 |
3 |
p. 345-360
|
artikel
|
| 6 |
Negotiated authority, shared creativity: Cooperation models among conductors and performers
|
Donin, Nicolas
|
|
2016
|
20 |
3 |
p. 287-303
|
artikel
|
| 7 |
Postscript: Music composition, creativity and collaboration – an old story, only recently told
|
Donin, Nicolas
|
|
2016
|
20 |
3 |
p. 457-461
|
artikel
|
| 8 |
Solo works of mixed music with live electronics: A qualitative enquiry in timbre and gesture from the performer’s perspective
|
Donin, Nicolas
|
|
2016
|
20 |
3 |
p. 361-391
|
artikel
|
| 9 |
Tracking the creative process in music: New issues, new methods
|
Donin, Nicolas
|
|
2016
|
20 |
3 |
p. 283-286
|
artikel
|
| 10 |
Understanding the creative process in the shaping of an interpretation by expert musicians: Two case studies
|
Donin, Nicolas
|
|
2016
|
20 |
3 |
p. 304-324
|
artikel
|
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