| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1 |
Blast from the past: Conservatoire students’ experiences and perceptions of public master classes
|
Long, Marion
|
|
2012
|
16 |
3 |
p. 286-306
|
article
|
| 2 |
Book Review: Márta Grabócz, Musique, narrativité, signification
|
Jacono, Jean-Marie
|
|
2012
|
16 |
3 |
p. 401-402
|
article
|
| 3 |
Characterising musical gestures
|
Ben-Tal, Oded
|
|
2012
|
16 |
3 |
p. 247-261
|
article
|
| 4 |
Effects of music therapy on facial expression of individuals with Parkinson’s disease: A pilot study
|
Elefant, Cochavit
|
|
2012
|
16 |
3 |
p. 392-400
|
article
|
| 5 |
International Symposium on Performance Science
|
|
|
2012
|
16 |
3 |
p. 403-403
|
article
|
| 6 |
Melodic similarity among folk songs: An annotation study on similarity-based categorization in music
|
Volk, Anja
|
|
2012
|
16 |
3 |
p. 317-339
|
article
|
| 7 |
Music-enhanced recall: An effect of mood congruence, emotion arousal or emotion function?
|
Tesoriero, Michael
|
|
2012
|
16 |
3 |
p. 340-356
|
article
|
| 8 |
3rd International Conference on Music & Emotion
|
|
|
2012
|
16 |
3 |
p. 404-404
|
article
|
| 9 |
Recognition and description of singing voices: The impact of verbal overshadowing
|
Mitchell, Helen F.
|
|
2012
|
16 |
3 |
p. 307-316
|
article
|
| 10 |
Restraint of body movement potentially reduces peak SPL in western contemporary popular singing
|
Turner, Gemma
|
|
2012
|
16 |
3 |
p. 357-371
|
article
|
| 11 |
The development of the aesthetic experience of music: Preference, emotions, and beauty
|
Nieminen, Sirke
|
|
2012
|
16 |
3 |
p. 372-391
|
article
|
| 12 |
Tracking the composer’s cognition in the course of a creative process: Stefano Gervasoni and the beginning of Gramigna
|
Donin, Nicolas
|
|
2012
|
16 |
3 |
p. 262-285
|
article
|
Journal description