| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1 |
Auditive analysis of the Quartetto per Archi in due tempi (1955) by Bruno Maderna
|
Addessi, Anna Rita
|
|
2010
|
14 |
2_suppl |
p. 225-249
|
article
|
| 2 |
Corroborating external observation by cognitive data in the description and modelling of traditional music
|
Arom, Simha
|
|
2010
|
14 |
2_suppl |
p. 295-306
|
article
|
| 3 |
Cue Abstraction, Paradigmatic Analysis and Information Dynamics: Towards Music Analysis by Cognitive Model
|
Wiggins, Geraint A.
|
|
2010
|
14 |
2_suppl |
p. 307-331
|
article
|
| 4 |
ESCOM as the life work of Irène Deliège: Irène Deliège in conversation with Jukka Louhivuori
|
Louhivuori, Jukka
|
|
2010
|
14 |
2_suppl |
p. 7-23
|
article
|
| 5 |
Exploring the structural principles underlying the capacity of groups of notes to function concurrently in music
|
Ockelford, Adam
|
|
2010
|
14 |
2_suppl |
p. 149-185
|
article
|
| 6 |
In the beginning: A brief history of infant music perception
|
Trehub, Sandra E.
|
|
2010
|
14 |
2_suppl |
p. 71-87
|
article
|
| 7 |
La psychologie cognitive face à la musique contemporaine: Une contribution essentielle de Irène Deliège
|
Imberty, Michel
|
|
2010
|
14 |
2_suppl |
p. 251-274
|
article
|
| 8 |
Looking into the eyes of a conductor performing Lerdahl's “Time after Time”
|
Bigand, E.
|
|
2010
|
14 |
2_suppl |
p. 275-294
|
article
|
| 9 |
Musical Parameters and Children's Images of motion
|
Tubul, Zohar Eitan Nurit
|
|
2010
|
14 |
2_suppl |
p. 89-111
|
article
|
| 10 |
Musical structure processing after repeated listening: Schematic expectations resist veridical expectations
|
Tillmann, Barbara
|
|
2010
|
14 |
2_suppl |
p. 33-47
|
article
|
| 11 |
Music cognition and real-time listening: Denotation, cue abstraction, route description and cognitive maps
|
Reybrouck, Mark
|
|
2010
|
14 |
2_suppl |
p. 187-202
|
article
|
| 12 |
Musicologie historique, ethnomusicologie, analyse: Une musicologie générale est-elle possible?
|
Nattiez, Jean-Jacques
|
|
2010
|
14 |
2_suppl |
p. 333-355
|
article
|
| 13 |
Publications and Events Organised
|
Deliege, Irene
|
|
2010
|
14 |
2_suppl |
p. 25-32
|
article
|
| 14 |
The difficulty of discerning between composed and improvised music
|
Lehmann, Andreas C.
|
|
2010
|
14 |
2_suppl |
p. 113-129
|
article
|
| 15 |
The Musical Surface: Challenging Basic Assumptions
|
Cambouropoulos, Emilios
|
|
2010
|
14 |
2_suppl |
p. 131-147
|
article
|
| 16 |
Tonal implications of dyadic harmony
|
Woolhouse, Matthew
|
|
2010
|
14 |
2_suppl |
p. 49-70
|
article
|
| 17 |
Understanding musical structure and form: Essays in honour of Irène Deliège
|
Sloboda, John
|
|
2010
|
14 |
2_suppl |
p. 3-5
|
article
|
| 18 |
User-oriented studies in embodied music cognition research
|
Leman, Marc
|
|
2010
|
14 |
2_suppl |
p. 203-223
|
article
|
Journal description