| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1 |
An embodied approach to music semantics
|
Leman, Marc
|
|
2010
|
14 |
1_suppl |
p. 43-67
|
article
|
| 2 |
Computations and interfaces: Some notes on the relation between the language and the music faculties
|
Tsoulas, George
|
|
2010
|
14 |
1_suppl |
p. 11-41
|
article
|
| 3 |
Editorial
|
Deliège, Irène
|
|
2010
|
14 |
1_suppl |
p. 3-4
|
article
|
| 4 |
Foreword
|
Andreatta, Moreno
|
|
2010
|
14 |
1_suppl |
p. 5-9
|
article
|
| 5 |
GTTM and post-tonal music
|
Baroni, Mario
|
|
2010
|
14 |
1_suppl |
p. 69-93
|
article
|
| 6 |
Interview with Fred Lerdahl and Ray Jackendoff
|
|
|
2010
|
14 |
1_suppl |
p. 257-267
|
article
|
| 7 |
On the non-existence of music: Why music theory is a figment of the imagination
|
Wiggins, Geraint A.
|
|
2010
|
14 |
1_suppl |
p. 231-255
|
article
|
| 8 |
Reflections towards a generative theory of musical parallelism
|
Lartillot, Olivier
|
|
2010
|
14 |
1_suppl |
p. 195-229
|
article
|
| 9 |
The application of GTTM on 20th century modal music: Research based on the analysis of Yannis Constantinidis's “44 Greek miniatures for piano”
|
Tsougras, Costas
|
|
2010
|
14 |
1_suppl |
p. 157-194
|
article
|
| 10 |
The perception of structural boundaries in polyphonic representations of Western popular music
|
Bruderer, Michael J.
|
|
2010
|
14 |
1_suppl |
p. 115-155
|
article
|
| 11 |
Two notions of well-formedness in the organization of musical pitch
|
Noll, Thomas
|
|
2010
|
14 |
1_suppl |
p. 95-113
|
article
|
Journal description