| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Aesthetic responses to music: A questionnaire study
|
Istók, Eva
|
|
2009
|
13 |
2 |
p. 183-206
|
artikel
|
| 2 |
David Temperley: Music and Probability, Cambridge, MA, MIT Press (2007)
|
van Deventer, Pieta
|
|
2009
|
13 |
2 |
p. 471-473
|
artikel
|
| 3 |
Expectancy in Sami Yoiks revisited: The role of data-driven and schema-driven knowledge in the formation of melodic expectations
|
Eerola, Tuomas
|
|
2009
|
13 |
2 |
p. 231-272
|
artikel
|
| 4 |
Long-term melodic expectation: The unexpected observation of distant priming effects
|
Bailes, Freya
|
|
2009
|
13 |
2 |
p. 315-336
|
artikel
|
| 5 |
Mártha Grabócz, direction éditoriale. Sens et signification en musique. Paris: Hermann Éditeurs, 2007
|
Lalitte, Philippe
|
|
2009
|
13 |
2 |
p. 441-447
|
artikel
|
| 6 |
Music, Thought, and Feeling: Understanding the Psychology of Music by William Forde Thompson, Oxford University Press, 2009
|
Eerola, Tuomas
|
|
2009
|
13 |
2 |
p. 467-470
|
artikel
|
| 7 |
Ole Kühl's. Musical Semantics: Cognitive Musicology and the Challenge of Musical Meaning Musical Semantics. European Semiotics/Sémiotique Européenne Vol. 7. Bern: Peter Lang, 2007
|
Zbikowski, Lawrence
|
|
2009
|
13 |
2 |
p. 448-462
|
artikel
|
| 8 |
Pertinence cognitive des unités sémiotiques temporelles
|
Frey, Aline
|
|
2009
|
13 |
2 |
p. 415-440
|
artikel
|
| 9 |
Review of North, A.C. & Hargreaves, D.J. (2008). The Social and Applied Psychology of Music. Oxford: Oxford University Press
|
Lamont, Alexandra
|
|
2009
|
13 |
2 |
p. 463-466
|
artikel
|
| 10 |
Teacher-pupil-parent triads: A typology of interpersonal interaction in the context of learning a musical instrument
|
Creech, Andrea
|
|
2009
|
13 |
2 |
p. 387-413
|
artikel
|
| 11 |
The effects of music choice on task performance: A study of the impact of self-selected and experimenter-selected music on driving game performance and experience
|
Cassidy, Gianna
|
|
2009
|
13 |
2 |
p. 357-386
|
artikel
|
| 12 |
The influence of melodic and rhythmic redundancies on recognition memory for unknown musical themes
|
Nardo, Davide
|
|
2009
|
13 |
2 |
p. 337-355
|
artikel
|
| 13 |
The perception of structural boundaries in melody lines of Western popular music
|
Bruderer, Michael J.
|
|
2009
|
13 |
2 |
p. 273-313
|
artikel
|
| 14 |
What's your music? Subjective theories of music-creating artists
|
Holtz, Peter
|
|
2009
|
13 |
2 |
p. 207-230
|
artikel
|
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