| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1 |
Can experts identify “open throat” technique as a perceptual phenomenon?
|
Mitchell, Helen F.
|
|
2006
|
10 |
1 |
p. 33-57
|
article
|
| 2 |
Constructions of jazz: How Jazz musicians present their collaborative musical practice
|
Macdonald, Raymond A. R.
|
|
2006
|
10 |
1 |
p. 59-83
|
article
|
| 3 |
Dorottya Fabian, Bach Performance Practice, 1945-1975 — A Comprehensive Review of Sound Recordings and Literature. Aldershot: Ashgate Press, 2003, xiv + 314 pp., £52.50. ISBN 0-7546-0549-3 (hard cover)
|
Milsom, David
|
|
2006
|
10 |
1 |
p. 138-143
|
article
|
| 4 |
Impact of melodic organization on perceived structure and emotional expression in music
|
Lindström, Erik
|
|
2006
|
10 |
1 |
p. 85-117
|
article
|
| 5 |
Isabelle Peretz and Robert Zatorre (eds), The Cognitive Neuroscience of Music. Oxford and New York: Oxford University Press, 2003, 452 pp., $59.50. ISBN 0-19-852520-6 (paperback)
|
Brattico, Elvira
|
|
2006
|
10 |
1 |
p. 130-137
|
article
|
| 6 |
Suppressing reflexive behaviour: Saccadic eye movements in musicians and non-musicians
|
Gruhn, Wilfried
|
|
2006
|
10 |
1 |
p. 19-32
|
article
|
| 7 |
Yizhak Sadaï, Traité de sujets musicaux. Vers une épistémologie musicale. Paris: L'Harmattan, 2003, 503 pp. ISBN: 2-7475-5616-6
|
Baroni, Mario
|
|
2006
|
10 |
1 |
p. 119-129
|
article
|
| 8 |
Zipf's law and the creation of musical context
|
Zanette, Damiáan H.
|
|
2006
|
10 |
1 |
p. 3-18
|
article
|
Journal description