| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Abstracts (French, German, Italian, Spanish)
|
|
|
2012
|
|
1 |
p. 121-132
|
artikel
|
| 2 |
Acoustic Gestalt: On the perceptibility of melodic symmetry
|
Mongoven, Casey
|
|
2017
|
|
1 |
p. 41-59
|
artikel
|
| 3 |
A dynamic model that links skill acquisition with self-determination in instrumental music lessons
|
Küpers, Elisa
|
|
2014
|
|
1 |
p. 17-34
|
artikel
|
| 4 |
Affective reactions to musical stimuli reflect emotional use of music in everyday life
|
Saarikallio, Suvi
|
|
2013
|
|
1 |
p. 27-39
|
artikel
|
| 5 |
A General Model for the Dynamic Functioning of Musical Systems
|
Leroy, Jean-Luc
|
|
2009
|
|
1 |
p. 3-34
|
artikel
|
| 6 |
Alibis, and why performers don't have them
|
Gritten, Anthony
|
|
2005
|
|
1 |
p. 137-156
|
artikel
|
| 7 |
Alternative music playlists on the radio: Flow experience and appraisal during the reception of music radio programs
|
Ruth, Nicolas
|
|
2017
|
|
1 |
p. 75-97
|
artikel
|
| 8 |
An experimental validation of Temporal Semiotic Units and Parameterized Time Motifs
|
Frey, Aline
|
|
2014
|
|
1 |
p. 98-123
|
artikel
|
| 9 |
An Investigation of the Effects of Music on Thematic Apperception Test (TAT) Interpretations
|
Carlton, Lana
|
|
2003
|
|
1 |
p. 9-30
|
artikel
|
| 10 |
Anthony Gritten and Elaine King (eds), Music and Gesture. Ashgate Publishing (2006). 232 pp. ISBN-10: 0-75546-5298-X
|
Ginsborg, Jane
|
|
2008
|
|
1 |
p. 172-176
|
artikel
|
| 11 |
A preliminary investigation into the association between body movement patterns and dynamic variation in western contemporary popular singing
|
Turner, Gemma
|
|
2010
|
|
1 |
p. 143-164
|
artikel
|
| 12 |
Beginnings and Endings in the Musical Improvisations of Children Aged 7 to 10 Years
|
Tafuri, Johannella
|
|
2003
|
|
1 |
p. 157-174
|
artikel
|
| 13 |
B(l)ending time, (de)compressing identity: Creative thought and meaning construction in Copy Shop (2001)
|
Cambouropoulos, Emilios
|
|
2018
|
|
1 |
p. 88-107
|
artikel
|
| 14 |
Body-based schemata in receptive music therapy1
|
Aksnes, Hallgjerd
|
|
2008
|
|
1 |
p. 49-74
|
artikel
|
| 15 |
Book Review: Dorottya Fabian, Renee Timmers, and Emery Schubert (eds) Expressiveness in Music Performance: Emprical Approaches across Styles and Cultures
|
Sloboda, John
|
|
2015
|
|
1 |
p. 129-131
|
artikel
|
| 16 |
Book review: Jean-Marc Chouvel et Xavier Hascher, Esthétique et Cognition
|
Dufour, Valérie
|
|
2014
|
|
1 |
p. 124-126
|
artikel
|
| 17 |
Book review: Jeanne Bamberger, Discovering the Musical Mind: A View of Creativity as Learning
|
Gruhn, Wilfried
|
|
2014
|
|
1 |
p. 126-128
|
artikel
|
| 18 |
Book Reviews
|
Trondalen, Gro
|
|
2009
|
|
1 |
p. 179-182
|
artikel
|
| 19 |
Book Reviews
|
Gritten, Anthony
|
|
2009
|
|
1 |
p. 172-178
|
artikel
|
| 20 |
Book Reviews
|
Brown, Steven
|
|
2009
|
|
1 |
p. 163-171
|
artikel
|
| 21 |
Call and response: Musical and bodily interactions in jazz improvisation duos
|
Wöllner, Clemens
|
|
|
|
1 |
p. 44-59
|
artikel
|
| 22 |
Can experts identify “open throat” technique as a perceptual phenomenon?
|
Mitchell, Helen F.
|
|
2006
|
|
1 |
p. 33-57
|
artikel
|
| 23 |
Children's Recognition of Their Musical Performance
|
Delogu, Franco
|
|
2003
|
|
1 |
p. 31-48
|
artikel
|
| 24 |
Compactness in the Euler-Lattice: A Parsimonious Pitch Spelling Model
|
Honingh, Aline K.
|
|
2009
|
|
1 |
p. 117-138
|
artikel
|
| 25 |
Comparison of rhythm in musical scores and performances as measured with the pairwise variability index
|
Raju, Marju
|
|
2010
|
|
1 |
p. 51-71
|
artikel
|
| 26 |
Computer-based composition in the primary school: An investigation of children's “creative” responses using the CD Rom Dance eJay
|
Mellor, Liz
|
|
2007
|
|
1 |
p. 61-88
|
artikel
|
| 27 |
Conceptual blending and musical emotion
|
Cambouropoulos, Emilios
|
|
2018
|
|
1 |
p. 24-37
|
artikel
|
| 28 |
Conceptual blending, creativity, and music
|
Cambouropoulos, Emilios
|
|
2018
|
|
1 |
p. 6-23
|
artikel
|
| 29 |
Conceptual integration of sound and image: A model of perceptual modalities
|
Cambouropoulos, Emilios
|
|
2018
|
|
1 |
p. 72-87
|
artikel
|
| 30 |
Consolation through music: A survey study
|
Saarikallio, Suvi
|
|
2016
|
|
1 |
p. 122-137
|
artikel
|
| 31 |
Constructions of jazz: How Jazz musicians present their collaborative musical practice
|
Macdonald, Raymond A. R.
|
|
2006
|
|
1 |
p. 59-83
|
artikel
|
| 32 |
Contagious heterophony: A new theory about the origins of music
|
Brown, Steven
|
|
2007
|
|
1 |
p. 3-26
|
artikel
|
| 33 |
Contemporary art music and its audiences: Age, gender, and social class profile
|
Grebosz-Haring, Katarzyna
|
|
|
|
1 |
p. 60-77
|
artikel
|
| 34 |
Context effects of background babbling on memory for melodies
|
Herff, Steffen A.
|
|
|
|
1 |
p. 96-112
|
artikel
|
| 35 |
Contextualising the relationship between music, emotions and the well-being of young people: A critical interpretive synthesis
|
Saarikallio, Suvi
|
|
2016
|
|
1 |
p. 103-121
|
artikel
|
| 36 |
Creativity in performance
|
Clarke, Eric F.
|
|
2005
|
|
1 |
p. 157-182
|
artikel
|
| 37 |
Cross-cultural anger communication in music: Towards a stereotype theory of emotion in music
|
Susino, Marco
|
|
2017
|
|
1 |
p. 60-74
|
artikel
|
| 38 |
Darwin, music and evolution: New insights from family correspondence on The Descent of Man
|
Bannan, Nicholas
|
|
2017
|
|
1 |
p. 3-25
|
artikel
|
| 39 |
David Huron, Sweet Anticipation: Music and the Psychology of Expectation. Cambridge, MA: MIT Press, 2006, 512 pp., ISBN 0262083450, (Hardcover)
|
Pearce, Marcus T.
|
|
2008
|
|
1 |
p. 158-168
|
artikel
|
| 40 |
David Sudnow, Ways of the Hand: A Rewritten Account. Cambridge, MA: MIT Press, 2001, xxi + 139 pp., $19.95. ISBN 0-262-19467-8 (hard cover)
|
Repp, Bruno H.
|
|
2005
|
|
1 |
p. 190-195
|
artikel
|
| 41 |
Der Singstreit in humanethologischer Perspektive
|
Lehmann, Christian
|
|
2008
|
|
1 |
p. 115-145
|
artikel
|
| 42 |
Designing and managing music festival experiences to enhance attendees’ psychological and social benefits
|
Ballantyne, Julie
|
|
2014
|
|
1 |
p. 65-83
|
artikel
|
| 43 |
Dorottya Fabian, Bach Performance Practice, 1945-1975 — A Comprehensive Review of Sound Recordings and Literature. Aldershot: Ashgate Press, 2003, xiv + 314 pp., £52.50. ISBN 0-7546-0549-3 (hard cover)
|
Milsom, David
|
|
2006
|
|
1 |
p. 138-143
|
artikel
|
| 44 |
Editorial
|
Cambouropoulos, Emilios
|
|
2018
|
|
1 |
p. 3-5
|
artikel
|
| 45 |
Editorial
|
Kopiez, Reinhard
|
|
2013
|
|
1 |
p. 3-4
|
artikel
|
| 46 |
Editorial
|
Ginsborg, Jane
|
|
2019
|
|
1 |
p. 3-4
|
artikel
|
| 47 |
Editorial – Or how to install a new editorial board
|
Saarikallio, Suvi
|
|
2016
|
|
1 |
p. 3-9
|
artikel
|
| 48 |
Effects of Carrier and Phase on the Pitch of Long-Duration Vibrato Tones1
|
Van Besouw, Rachel M.
|
|
2009
|
|
1 |
p. 139-161
|
artikel
|
| 49 |
Effects of Non-Musical Attributes and Excerpt Duration on Ratings of High-Level Piano Performances
|
Wapnick, Joel
|
|
2009
|
|
1 |
p. 35-54
|
artikel
|
| 50 |
Effects of State Anxiety on Music Performance: Relationship between the Revised Competitive State Anxiety Inventory-2 Subscales and Piano Performance
|
Yoshie, Michiko
|
|
2009
|
|
1 |
p. 55-84
|
artikel
|
| 51 |
Einflüsse von Modalität und Tempo auf die Wahrnehmung musikalischer Affekte bei Kindern und Erwachsenen: Eine Replikationsstudie
|
Kreutz, Gunter
|
|
2007
|
|
1 |
p. 121-143
|
artikel
|
| 52 |
Embedded blends and meaning construction in Modest Musorgsky’s Pictures at an Exhibition
|
Cambouropoulos, Emilios
|
|
2018
|
|
1 |
p. 38-56
|
artikel
|
| 53 |
Emotion and music: The Ethiopian lyre bagana
|
Weisser, Stéphanie
|
|
2012
|
|
1 |
p. 3-18
|
artikel
|
| 54 |
Emotion-Related Responses to Audio News with Rising versus Falling Background Tone Sequences
|
Kallinen, Kari
|
|
2003
|
|
1 |
p. 85-110
|
artikel
|
| 55 |
Emotion response and regulation to “happy” and “sad” music stimuli: Partial synchronization of subjective and physiological responses
|
Saarikallio, Suvi
|
|
2016
|
|
1 |
p. 11-25
|
artikel
|
| 56 |
Establishing an empirical profile of self-defined “tone deafness”: Perception, singing performance and self-assessment
|
Wise, Karen J.
|
|
2008
|
|
1 |
p. 3-26
|
artikel
|
| 57 |
Evaluating practice strategies, behavior and learning progress in elite performers: An exploratory study
|
Mornell, Adina
|
|
|
|
1 |
p. 130-135
|
artikel
|
| 58 |
Exploring emotional responses to orchestral gestures
|
Goodchild, Meghan
|
|
2019
|
|
1 |
p. 25-49
|
artikel
|
| 59 |
Exploring relationships between pianists’ body movements, their expressive intentions, and structural elements of the music
|
Thompson, Marc R.
|
|
2012
|
|
1 |
p. 19-40
|
artikel
|
| 60 |
Exploring the effect of tempo changes on violinists’ body movements
|
Coorevits, Esther
|
|
2019
|
|
1 |
p. 87-110
|
artikel
|
| 61 |
Expressive Devices and Perceived Musical Character in 34 Performances of Variation 7 from Bach's Goldbergvariations
|
Fabian, Dorottya
|
|
2003
|
|
1 |
p. 49-71
|
artikel
|
| 62 |
Facing pitch: Constructing associations between space and pitch leads to better estimation of musical intervals
|
Loudwin, Johannes
|
|
2017
|
|
1 |
p. 26-40
|
artikel
|
| 63 |
Fifty shades of blue: Classification of music-evoked sadness
|
Saarikallio, Suvi
|
|
2016
|
|
1 |
p. 84-102
|
artikel
|
| 64 |
Gary McPherson (ed.), The Child as Musician: A Handbook of Musical Development. Oxford: Oxford University Press, 2006. ISBN 0-19-853032-3, 501 pages (paperback, £35.00)
|
Lamont, Alexandra
|
|
2008
|
|
1 |
p. 169-171
|
artikel
|
| 65 |
Graphical interface-based automated music composition use among elementary school students
|
Huang, Chih-Fang
|
|
2014
|
|
1 |
p. 84-97
|
artikel
|
| 66 |
Group behaviour and interpersonal synchronization to electronic dance music
|
Solberg, Ragnhild Torvanger
|
|
2019
|
|
1 |
p. 111-134
|
artikel
|
| 67 |
Impact of melodic organization on perceived structure and emotional expression in music
|
Lindström, Erik
|
|
2006
|
|
1 |
p. 85-117
|
artikel
|
| 68 |
Inferring musical structure through bodily gestures
|
MacRitchie, Jennifer
|
|
2013
|
|
1 |
p. 86-108
|
artikel
|
| 69 |
In memoriam: Robert Francès, 1919–2012
|
Imberty, Michel
|
|
2013
|
|
1 |
p. 5-10
|
artikel
|
| 70 |
Interpretation and performance in Bryn Harrison's être-temps
|
Clarke, Eric
|
|
2005
|
|
1 |
p. 31-74
|
artikel
|
| 71 |
Introducing a new model of emotion dysregulation with implications for everyday use of music and music therapy
|
Saarikallio, Suvi
|
|
2016
|
|
1 |
p. 53-67
|
artikel
|
| 72 |
Investigating Melodic Segmentation through the Temporal Multi-Scaling Framework
|
Serman, Maja
|
|
2003
|
|
1 |
p. 125-155
|
artikel
|
| 73 |
Isabelle Peretz and Robert Zatorre (eds), The Cognitive Neuroscience of Music. Oxford and New York: Oxford University Press, 2003, 452 pp., $59.50. ISBN 0-19-852520-6 (paperback)
|
Brattico, Elvira
|
|
2006
|
|
1 |
p. 130-137
|
artikel
|
| 74 |
John Rink (ed.), Musical Performance: A Guide to Understanding. Cambridge: Cambridge University Press, 2002, 245 pp. ISBN 0 521 78300 3 (hardback) 0 521 78862 5 (paperback)
|
Windsor, Luke
|
|
2005
|
|
1 |
p. 183-189
|
artikel
|
| 75 |
Koechlin’s volume: Perception of sound extensity among instrument timbres from different families
|
Chiasson, Frédéric
|
|
2017
|
|
1 |
p. 113-131
|
artikel
|
| 76 |
Leonard B. Meyer (1918–2007)
|
Nattiez, Jean-Jacques
|
|
2008
|
|
1 |
p. I-V
|
artikel
|
| 77 |
Loved music can make a listener feel negative emotions
|
Schubert, Emery
|
|
2013
|
|
1 |
p. 11-26
|
artikel
|
| 78 |
Mastery through imitation: A preliminary study
|
Tânia, Lisboa
|
|
2005
|
|
1 |
p. 75-110
|
artikel
|
| 79 |
Melodic improvisation at the age of 6–11 years: Development of pitch and rhythm
|
Paananen, Pirkko A.
|
|
2007
|
|
1 |
p. 89-119
|
artikel
|
| 80 |
Memesatz contra Ursatz: Memetic perspectives on the aetiology and evolution of musical structure
|
Jan, Steven
|
|
2010
|
|
1 |
p. 3-50
|
artikel
|
| 81 |
Michel Imberty, La Musique creuse le temps. De Wagner à Boulez: Musique, psychologie, psychanalyse. Paris, L'Harmattan, 2005, pp. 495, Euros 41
|
Marconi, Luca
|
|
2008
|
|
1 |
p. 147-157
|
artikel
|
| 82 |
Mobile listening situations in everyday life: The use of MP3 players while travelling
|
Heye, Andreas
|
|
2010
|
|
1 |
p. 95-120
|
artikel
|
| 83 |
Musical and non-musical involvement in daily life: The case of absorption
|
Herbert, Ruth
|
|
2012
|
|
1 |
p. 41-66
|
artikel
|
| 84 |
Musical blending and creativity: An empirical evaluation of the CHAMELEON melodic harmonisation assistant
|
Cambouropoulos, Emilios
|
|
2018
|
|
1 |
p. 119-144
|
artikel
|
| 85 |
Musically puzzling II: Sensitivity to overall structure in a Haydn E-minor sonata
|
Granot, Roni Y.
|
|
2012
|
|
1 |
p. 67-80
|
artikel
|
| 86 |
Musical mode and visual-spatial cross-modal associations in infants and adults
|
Bonetti, Leonardo
|
|
2019
|
|
1 |
p. 50-68
|
artikel
|
| 87 |
Musical tastes of secondary school students' with different cultural backgrounds: A study in the spanish north african city of Melilla
|
Cremades, Roberto
|
|
2010
|
|
1 |
p. 121-141
|
artikel
|
| 88 |
Music and affordances
|
Windsor, W. Luke
|
|
2012
|
|
1 |
p. 102-120
|
artikel
|
| 89 |
Music as emotion regulation
|
Saarikallio, Suvi
|
|
2016
|
|
1 |
p. 10
|
artikel
|
| 90 |
Music-evoked autobiographical memories, emotion regulation, time perspective, and mental health
|
Saarikallio, Suvi
|
|
2016
|
|
1 |
p. 26-52
|
artikel
|
| 91 |
Music listening as a potential aid in reducing emotional eating: An exploratory study
|
van den Tol, Annemieke J. M.
|
|
|
|
1 |
p. 78-95
|
artikel
|
| 92 |
Music practice and participation for psychological well-being: A review of how music influences positive emotion, engagement, relationships, meaning, and accomplishment
|
Croom, Adam M
|
|
2015
|
|
1 |
p. 44-64
|
artikel
|
| 93 |
Music reception and emotional regulation in adolescence and adulthood
|
Leipold, Bernhard
|
|
2015
|
|
1 |
p. 111-128
|
artikel
|
| 94 |
“Music-ripping”: Des Pratiques Qui Provoquent la Musicologie
|
Rousseaux, Francis
|
|
2003
|
|
1 |
p. 111-123
|
artikel
|
| 95 |
Nonverbal behaviours in popular music performance: A case study of The Corrs
|
Kurosawa, Kaori
|
|
2005
|
|
1 |
p. 111-136
|
artikel
|
| 96 |
Nœuds Polychromes et Entrelacs Sonores : Vers de Nouvelles Catégories Musicales
|
Jedrzejewski, Franck
|
|
2003
|
|
1 |
p. 73-83
|
artikel
|
| 97 |
Observing entrainment in music performance: Video-based observational analysis of Indian musicians' tanpura playing and beat marking
|
Clayton, Martin R. L.
|
|
2007
|
|
1 |
p. 27-59
|
artikel
|
| 98 |
On the Power of Music to Affect Intergroup Relations
|
Bodner, Ehud
|
|
2009
|
|
1 |
p. 85-115
|
artikel
|
| 99 |
Orchestra rehearsal strategies: Conductor and performer views
|
Biasutti, Michele
|
|
2013
|
|
1 |
p. 57-71
|
artikel
|
| 100 |
Parent perceptions of music therapy in an on-campus clinic for children with Autism Spectrum Disorder
|
Schwartzberg, Edward T.
|
|
2017
|
|
1 |
p. 98-112
|
artikel
|
| 101 |
Peer contagion, lenient legal-ethical position, and music piracy intentions in emerging adults: Mindfulness as a protective factor
|
Miranda, Dave
|
|
2015
|
|
1 |
p. 3-22
|
artikel
|
| 102 |
Perceived improvement in vocal performance following tertiary-level classical vocal training: Do listeners hear systematic progress?
|
Mitchell, Helen F.
|
|
2010
|
|
1 |
p. 73-93
|
artikel
|
| 103 |
Performing solo Bach: A case study of musical decision-making
|
Bangert, Daniel
|
|
2014
|
|
1 |
p. 35-52
|
artikel
|
| 104 |
Predictive factors of music piracy: An exploration of personality using the HEXACO PI-R
|
Brown, Steven C.
|
|
2014
|
|
1 |
p. 53-64
|
artikel
|
| 105 |
Problem music or problem stereotypes? The dynamics of stereotype activation in rock and hip-hop music
|
Neguţ, Alexandra
|
|
2014
|
|
1 |
p. 3-16
|
artikel
|
| 106 |
Processing musical form: Behavioural and neurocognitive approaches
|
Neuhaus, Christiane
|
|
2013
|
|
1 |
p. 109-127
|
artikel
|
| 107 |
Psychoacoustical correlates of musically induced chills
|
Nagel, Frederik
|
|
2008
|
|
1 |
p. 101-113
|
artikel
|
| 108 |
Relationships between expressed and felt emotions in music
|
Evans, Paul
|
|
2008
|
|
1 |
p. 75-99
|
artikel
|
| 109 |
Religious and demographic indicators of music preference in a Turkish sample
|
Ok, Üzeyir
|
|
2015
|
|
1 |
p. 23-43
|
artikel
|
| 110 |
Richard Parncutt and Gary E. McPherson (Editors), The Science and Psychology of Music Performance: Creative Strategies for Teaching and Learning. Oxford University Press, 2002, 388 pp. ISBN 0-19-513810-4
|
Johnson, Peter
|
|
2005
|
|
1 |
p. 196-202
|
artikel
|
| 111 |
Sad music as a means for acceptance-based coping
|
Saarikallio, Suvi
|
|
2016
|
|
1 |
p. 68-83
|
artikel
|
| 112 |
Schemas, grounds, meaning: On the emergence of musical concepts through conceptual blending
|
Cambouropoulos, Emilios
|
|
2018
|
|
1 |
p. 57-71
|
artikel
|
| 113 |
Self-determination theory: An approach to motivation in music education
|
Evans, Paul
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