| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Agami (The Time Ahead, 1984), the First “Short Film” of Bangladesh: Toward a New Cinematic Aesthetic of Imaging Time and Nation
|
Akhter, Fahmida
|
|
|
|
1 |
p. 11-29
|
artikel
|
| 2 |
Agnipareeksha (Trial by Fire)
|
Madheshiya, Amit
|
|
2018
|
|
1 |
p. 97-107
|
artikel
|
| 3 |
Alas, Nitrate didn’t Wait, but does it Really Matter?
|
Kumar, Ramesh
|
|
2016
|
|
1 |
p. 96-115
|
artikel
|
| 4 |
At Home in the Empire: Reading Colonial Home Movies—The Hyde Collection (1928–1937)
|
Hariharan, Veena
|
|
2014
|
|
1 |
p. 49-61
|
artikel
|
| 5 |
Book Review: Ali Khan and Ali Nobil Ahmad (Eds), Cinema and Society: Film and Social Change in Pakistan
|
Siddique, Salma
|
|
2017
|
|
1 |
p. 176-180
|
artikel
|
| 6 |
Book review: Ashvin Immanuel Devasundaram, India’s New Independent Cinema: The Rise of the Hybrid
|
Chatterjee, Tupur
|
|
|
|
1 |
p. 91-95
|
artikel
|
| 7 |
Book Review: Christine Gledhill and Julia Knight (Eds), Doing Women’s Film History: Reframing Cinemas, Past and Future
|
Menon, Bindu
|
|
2016
|
|
1 |
p. 122-125
|
artikel
|
| 8 |
Book review: Giulia Battaglia, Documentary Film in India: An Anthropological History
|
Matzner, Deborah
|
|
|
|
1 |
p. 95-97
|
artikel
|
| 9 |
Book Review: Jayson Beaster-Jones and Natalie Sarrazin (Eds), Music in Contemporary Indian Film: Memory, Voice, Identity
|
Tanvir, Kuhu
|
|
2018
|
|
1 |
p. 108-110
|
artikel
|
| 10 |
Book Review: Madhusree Dutta, Kaushik Bhaumik and Rohan Shivkumar (Eds), Project Cinema City
|
Thomas, Rosie
|
|
2017
|
|
1 |
p. 171-173
|
artikel
|
| 11 |
Book Review: Nitin Govil, Orienting Hollywood: A Century of Film Culture between Los Angeles and Bombay
|
Rajadhyaksha, Ashish
|
|
2016
|
|
1 |
p. 119-122
|
artikel
|
| 12 |
Book Review: Peter Sutoris, Visions of Development: Films Division of India and the Imagination of Progress, 1948–75
|
Hariharan, Veena
|
|
2017
|
|
1 |
p. 174-176
|
artikel
|
| 13 |
Book Review: Shannon Mattern, Code + Clay … Data + Dirt: Five Thousand Years of Urban Media
|
Mukherjee, Debashree
|
|
2018
|
|
1 |
p. 114-116
|
artikel
|
| 14 |
Book Review: Sudhir Mahadevan, A Very Old Machine: The Many Origins of the Cinema in India
|
Larkin, Brian
|
|
2016
|
|
1 |
p. 116-119
|
artikel
|
| 15 |
Book Review: Swarnavel Eswaran Pillai, Madras Studios: Narrative, Genre, and Ideology in Tamil Cinema
|
Ingle, Hrishikesh
|
|
2018
|
|
1 |
p. 110-113
|
artikel
|
| 16 |
Capturing Stars: Bengali Actresses Through the Camera of Nemai Ghosh
|
Gadihoke, Sabeena
|
|
2017
|
|
1 |
p. 30-45
|
artikel
|
| 17 |
Cinematograph to Cinema
|
Bhaumik, Kaushik
|
|
2011
|
|
1 |
p. 41-67
|
artikel
|
| 18 |
Cinematograph to Cinema
|
Bhaumik, Kaushik
|
|
2011
|
|
1 |
p. 41-67
|
artikel
|
| 19 |
Disciplining the Dasi: Cintamani and the Politics of a New Sexual Economy
|
Kaali, Sundar
|
|
2013
|
|
1 |
p. 51-69
|
artikel
|
| 20 |
Documentary Acts: An Interview with Madhusree Dutta
|
Sarkar, Bhaskar
|
|
2012
|
|
1 |
p. 21-34
|
artikel
|
| 21 |
Documentary Photography, Decolonization, and the Making of “Secular Icons”: Reading Sunil Janah’s Photographs from the 1940s through the 1950s
|
Roychoudhuri, Ranu
|
|
2017
|
|
1 |
p. 46-80
|
artikel
|
| 22 |
Domestic Concerns, Transnational Fields: Two Recent Documentary Films from Mumbai and an “Interstitial Mode of Production”
|
Matzner, Deborah
|
|
2012
|
|
1 |
p. 35-51
|
artikel
|
| 23 |
Editorial
|
Vasudevan, Ravi S.
|
|
2011
|
|
1 |
p. 1-3
|
artikel
|
| 24 |
Editorial
|
Sarkar, Bhaskar
|
|
2012
|
|
1 |
p. 1-6
|
artikel
|
| 25 |
Editorial
|
Vasudevan, Ravi S.
|
|
2014
|
|
1 |
p. 1-3
|
artikel
|
| 26 |
Editorial
|
Vasudevan, Ravi
|
|
2018
|
|
1 |
p. vii-x
|
artikel
|
| 27 |
Editorial
|
Vasudevan, Ravi S.
|
|
2015
|
|
1 |
p. vii-ix
|
artikel
|
| 28 |
Editorial
|
Vasudevan, Ravi S.
|
|
2016
|
|
1 |
p. vii-x
|
artikel
|
| 29 |
Editorial
|
Vasudevan, Ravi S.
|
|
2011
|
|
1 |
p. 1-3
|
artikel
|
| 30 |
Editorial: Archives and Histories
|
Vasudevan, Ravi S.
|
|
2013
|
|
1 |
p. 1-7
|
artikel
|
| 31 |
Embodied Engagements: Filmmaking and Viewing Practices and the Habitus of Telugu Cinema
|
Bhrugubanda, Uma Maheswari
|
|
2016
|
|
1 |
p. 80-95
|
artikel
|
| 32 |
Evolution of Dada Uttam Kumar: Performing Masculinity and the Disillusioned Bhadralok Mahanayak in the 1970s’ Popular Melodramas
|
Banerjee, Smita
|
|
|
|
1 |
p. 52-74
|
artikel
|
| 33 |
Film Genres, the Muslim Social, and Discourses of Identity c. 1935–1945
|
Vasudevan, Ravi S.
|
|
2015
|
|
1 |
p. 27-43
|
artikel
|
| 34 |
Film History Through Fragments: The Aurora Archive and the Transnational Travels of Early Indian Cinema
|
Chatterjee, Ranita
|
|
2014
|
|
1 |
p. 29-47
|
artikel
|
| 35 |
From the Ruins of Chanakya: Exhibition History and Urban Memory
|
Sahu, Ipsita
|
|
2018
|
|
1 |
p. 73-96
|
artikel
|
| 36 |
From Villain to Hero: Masculinity and Political Aesthetics in the Films of Bangladeshi Action Star Joshim
|
Awwal, Arpana
|
|
2018
|
|
1 |
p. 24-45
|
artikel
|
| 37 |
Genre Mixing as Creative Fabrication
|
Prasad, M. Madhava
|
|
2011
|
|
1 |
p. 69-81
|
artikel
|
| 38 |
Genre Mixing as Creative Fabrication
|
Prasad, M. Madhava
|
|
2011
|
|
1 |
p. 69-81
|
artikel
|
| 39 |
Hari Sadhan Dasgupta: Short Film Maker
|
Biswas, Moinak
|
|
2017
|
|
1 |
p. 146-170
|
artikel
|
| 40 |
Hidden Accounts
|
Vasudevan, Ravi
|
|
|
|
1 |
p. 7-10
|
artikel
|
| 41 |
Imagining Sound through the Pharmaish: Radios and Request-postcards in North India, c. 1955–1975
|
Duggal, Vebhuti
|
|
2018
|
|
1 |
p. 1-23
|
artikel
|
| 42 |
In the Light of Experience: An Indian Cameraman
|
Pandian, Anand
|
|
2013
|
|
1 |
p. 81-92
|
artikel
|
| 43 |
Mapping Melodrama: Global Theatrical Circuits, Parsi Theater, and the Rise of the Social
|
Hansen, Kathryn
|
|
2016
|
|
1 |
p. 1-30
|
artikel
|
| 44 |
Media’s Law
|
Liang, Lawrence
|
|
2011
|
|
1 |
p. 23-40
|
artikel
|
| 45 |
Media’s Law
|
Liang, Lawrence
|
|
2011
|
|
1 |
p. 23-40
|
artikel
|
| 46 |
Meena Shorey: The Droll Queen of Partition
|
Siddique, Salma
|
|
2015
|
|
1 |
p. 44-66
|
artikel
|
| 47 |
Miffed! or “Gasping for [Polluted?] Air”
|
Waugh, Thomas
|
|
2012
|
|
1 |
p. 87-93
|
artikel
|
| 48 |
Notes on a Scandal: Writing Women’s Film History Against an Absent Archive
|
Mukherjee, Debashree
|
|
2013
|
|
1 |
p. 9-30
|
artikel
|
| 49 |
Notes on Postcolonial Visual Culture
|
Rajagopal, Arvind
|
|
2011
|
|
1 |
p. 11-22
|
artikel
|
| 50 |
Notes on Postcolonial Visual Culture
|
Rajagopal, Arvind
|
|
2011
|
|
1 |
p. 11-22
|
artikel
|
| 51 |
On Teaching Cinema Studies in Australia
|
Jayamanne, Laleen
|
|
2011
|
|
1 |
p. 5-9
|
artikel
|
| 52 |
On Teaching Cinema Studies in Australia
|
Jayamanne, Laleen
|
|
2011
|
|
1 |
p. 5-9
|
artikel
|
| 53 |
On the Aesthetics and Ideology of the Indian Documentary Film: A Conversation
|
Rajagopal, Arvind
|
|
2012
|
|
1 |
p. 7-20
|
artikel
|
| 54 |
“Regional” Cinema or Products of Bricolage? An Introduction to Malayalam Studio Film of the Early 1950s
|
Joseph, Jenson
|
|
2013
|
|
1 |
p. 31-49
|
artikel
|
| 55 |
Sharing the Silver Screen: The Social Experience of Cinemagoing in the Indian Diaspora
|
Vandevelde, Iris
|
|
2015
|
|
1 |
p. 88-106
|
artikel
|
| 56 |
Simulation at Wars’ End: A “Documentary” in the Field of Evidence Quest
|
Mohaiemen, Naeem
|
|
2016
|
|
1 |
p. 31-57
|
artikel
|
| 57 |
“Sun in the Belly”: Film Practice at Films Division of India 1965–1975
|
Kaushik, Ritika
|
|
2017
|
|
1 |
p. 103-123
|
artikel
|
| 58 |
The Discrete Charm of Local Practices: Malegaon and the Politics of Locality
|
Tiwary, Ishita
|
|
2015
|
|
1 |
p. 67-87
|
artikel
|
| 59 |
The Documentary Archive in Photography, Film, and Video
|
Vasudevan, Ravi S.
|
|
2017
|
|
1 |
p. vii-xiv
|
artikel
|
| 60 |
The Eloquent Language: Hindustani in 1940s Indian Cinema
|
Lunn, David
|
|
2015
|
|
1 |
p. 1-26
|
artikel
|
| 61 |
The Islamic Subject of Home Cinema of Kerala
|
Karinkurayil, Mohamed Shafeeq
|
|
|
|
1 |
p. 30-51
|
artikel
|
| 62 |
The Many Passages of Sound
|
George, Joppan
|
|
2011
|
|
1 |
p. 83-98
|
artikel
|
| 63 |
The Many Passages of Sound
|
George, Joppan
|
|
2011
|
|
1 |
p. 83-98
|
artikel
|
| 64 |
The Production of the Past: Early Tamil Film History as a Living Archive
|
Hughes, Stephen Putnam
|
|
2013
|
|
1 |
p. 71-80
|
artikel
|
| 65 |
The Promise of Portability: CENDIT and the Infrastructure, Politics, and Practice of Video as Little Media in India 1972–1990
|
Kishore, Shweta
|
|
2017
|
|
1 |
p. 124-145
|
artikel
|
| 66 |
The Proximate Truth: Reenactment in the Pandemic-Era HIV/AIDS Documentaries
|
Ghosh, Bishnupriya
|
|
2012
|
|
1 |
p. 69-86
|
artikel
|
| 67 |
The Trace Beneath: The Photographic Residue in the Early Twentieth-century Paintings of the “Bombay School”
|
Sawant, Shukla
|
|
2017
|
|
1 |
p. 1-29
|
artikel
|
| 68 |
Thieves of Bombay: United Artists, Colonial Copyright, and Film Piracy in the 1920s
|
Govil, Nitin
|
|
2014
|
|
1 |
p. 5-27
|
artikel
|
| 69 |
Toward a New Frame for Regional Films: Manbhum Videos and the Other Side of (Indian) Cinema
|
Mukherjee, Madhuja
|
|
2016
|
|
1 |
p. 58-79
|
artikel
|
| 70 |
Travels, Songs and Displacements: Movement in Translocal Documentaries Interrogating Development
|
Mukherjee, Rahul
|
|
2012
|
|
1 |
p. 53-68
|
artikel
|
| 71 |
Visions of Post-independence India in Arne Sucksdorff’s Documentaries
|
Stjernholm, Emil
|
|
2017
|
|
1 |
p. 81-102
|
artikel
|
| 72 |
Visions of Queer Anarchism: Gender, Desire, and Futurity in Omar Ali Khan’s Zibahkhana
|
Masood, Syeda Momina
|
|
|
|
1 |
p. 75-90
|
artikel
|
| 73 |
What Remains
|
Pinney, Christopher
|
|
2014
|
|
1 |
p. 63-79
|
artikel
|
| 74 |
Wrinkles in Time: Ageing Costume in Hindi Film
|
Wilkinson, Clare M.
|
|
2018
|
|
1 |
p. 46-72
|
artikel
|
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