| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Aesthetic and family frames in the online sharing of children’s birthday photos
|
Wang, Li
|
|
2014
|
13 |
2 |
p. 191-209
|
artikel
|
| 2 |
‘And they all look just the same’? A quantitative survey of television title sequences
|
Bednarek, Monika
|
|
2014
|
13 |
2 |
p. 125-145
|
artikel
|
| 3 |
Book Review: Nicholas Mirzoeff, The Visual Culture Reader, 3rd edn, Routledge: London, 2013; 686 pp.: ISBN 978 0415620550 (hbk), ISBN 978 0415782623 (pbk)
|
Taylor, Chris
|
|
2014
|
13 |
2 |
p. 268-272
|
artikel
|
| 4 |
Book Review: Tony Jappy, Introduction to Peircian Visual Semiotics (Bloomsbury Advances in Semiotics), Bloomsbury Academic: London, 2013; 256 pp.: ISBN 978 1441151636 (hbk); 240 pp.: ISBN 978 1441109404 (pbk)
|
Bateman, John A
|
|
2014
|
13 |
2 |
p. 263-268
|
artikel
|
| 5 |
Embattled Vienna 1683/2010: right-wing populism, collective memory and the fictionalisation of politics
|
Wodak, Ruth
|
|
2014
|
13 |
2 |
p. 231-255
|
artikel
|
| 6 |
Evidence and circularity in multimodal discourse analysis
|
Thomas, Martin
|
|
2014
|
13 |
2 |
p. 163-189
|
artikel
|
| 7 |
Hungry ghosts in urban spaces: A visual study of aesthetic markers and material anchoring
|
Heng, Terence
|
|
2014
|
13 |
2 |
p. 147-162
|
artikel
|
| 8 |
Memento mori: a consideration of colloquial gods: Review of the exhibition Who Shot Rock & Roll? Auckland Art Gallery Toi O Tāmaki
|
Sinfield, David
|
|
2014
|
13 |
2 |
p. 257-262
|
artikel
|
| 9 |
Metaphors of resonance for visual communication design
|
Kelly, Veronika
|
|
2014
|
13 |
2 |
p. 211-230
|
artikel
|
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