| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1 |
“Does the Queen know about this?” Wole Soyinka and the British Government 1969–1973
|
Harvey, A. D.
|
|
2013
|
48 |
3 |
p. 327-329
|
article
|
| 2 |
“I” and “You” as fragile fabrications of the imagination: Betty Roland’s The Eye of the Beholder
|
Clark, Maureen
|
|
2013
|
48 |
3 |
p. 363-376
|
article
|
| 3 |
Memories of empire: The Empire Exhibition in Andrea Levy’s Small Island and Hari Kunzru’s The Impressionist
|
Graham, Shane
|
|
2013
|
48 |
3 |
p. 441-452
|
article
|
| 4 |
Michael Ondaatje’s Divisadero as rhizomic novel
|
Concilio, Carmelina
|
|
2013
|
48 |
3 |
p. 425-439
|
article
|
| 5 |
Obituary: Dominic Mulaisho (1933–2013)
|
Primorac, Ranka
|
|
2013
|
48 |
3 |
p. 453-454
|
article
|
| 6 |
Reading new black fiction of East Asia: An ex-centric approach to transnational literary studies
|
Baxter, Katherine Isobel
|
|
2013
|
48 |
3 |
p. 349-362
|
article
|
| 7 |
The great unread New Zealand novel: David Ballantyne’s Sydney Bridge Upside Down
|
Mercer, Erin Siobhan
|
|
2013
|
48 |
3 |
p. 393-409
|
article
|
| 8 |
The way of words: Vernacular cosmopolitanism in Amitav Ghosh’s Sea of Poppies
|
Luo, Shao-Pin
|
|
2013
|
48 |
3 |
p. 377-392
|
article
|
| 9 |
“They are us”: Caryl Phillips’ A Distant Shore and the British transnation
|
Ellis, David
|
|
2013
|
48 |
3 |
p. 411-423
|
article
|
| 10 |
“True fictions”: Subjectivity and intertextuality in the writings of Sylvia Leith-Ross
|
Watson, Lucy
|
|
2013
|
48 |
3 |
p. 331-347
|
article
|
Journal description