| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Be Selling You: The Prisoner As Cult and Commodity
|
Hanna, Erin
|
|
2014
|
15 |
5 |
p. 433-448
|
artikel
|
| 2 |
Bye Bye “Hello Ladies?” In-Vision Announcers As Continuity Technique in a European Postlinear Television Landscape: The Case of Flandersand Norway
|
Van den Bulck, Hilde
|
|
2014
|
15 |
5 |
p. 453-469
|
artikel
|
| 3 |
Flow under Pressure: Television Scheduling and Continuity Techniques as Victims of Media Convergence?
|
Van den Bulck, Hilde
|
|
2014
|
15 |
5 |
p. 449-452
|
artikel
|
| 4 |
Horror 2.0 (On Demand): The Digital Convergence of Horror Film Culture
|
Tompkins, Joe
|
|
2014
|
15 |
5 |
p. 413-432
|
artikel
|
| 5 |
Keeping Them and Moving Them: TV Scheduling in the Phase of Channel and Platform Proliferation
|
Ihlebæk, Karoline Andrea
|
|
2014
|
15 |
5 |
p. 470-486
|
artikel
|
| 6 |
Regathering the Imagined Audience: Shifting Strategies at a Trans-European Public Television Channel
|
Stankiewicz, Damien
|
|
2014
|
15 |
5 |
p. 487-503
|
artikel
|
| 7 |
The Culture Industry, New Media, and the Shift from Creation to Curation; or, Enlightenment As a Kick in the Nuts
|
Wiggins, Benjamin Alan
|
|
2014
|
15 |
5 |
p. 395-412
|
artikel
|
Tijdschrift beschrijving