| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
“A Fan Crashing the Party”
|
Curnutt, Hugh
|
|
2009
|
|
3 |
p. 251-266
|
artikel
|
| 2 |
“An . . . Unmarried Mother Sat in a Wing-Backed Chair on TV Last Night . . .”
|
Holmes, Su
|
|
2008
|
|
3 |
p. 175-196
|
artikel
|
| 3 |
A Review of Cultures in Orbit: Satellites and the Televisual, by Lisa Parks
|
Rowe, Katherine
|
|
2006
|
|
3 |
p. 306-311
|
artikel
|
| 4 |
A Review of the Television Genre Book, Edited by Glen Creeber
|
Lavery, David
|
|
2003
|
|
3 |
p. 335-337
|
artikel
|
| 5 |
At the Golden Globes
|
Grantham, Bill
|
|
2009
|
|
3 |
p. 267-269
|
artikel
|
| 6 |
A Vanishing Piece of the Pi: The Globalization of Visual Effects Labor
|
Curtin, Michael
|
|
2015
|
|
3 |
p. 219-239
|
artikel
|
| 7 |
Battle of the Online Brands
|
Blevins, Jeffrey Layne
|
|
2004
|
|
3 |
p. 247-271
|
artikel
|
| 8 |
Between Hyorish and Hyorism: A Korean TV Star and Social Media Activism
|
Kwon, Jungmin
|
|
2019
|
|
3 |
p. 241-256
|
artikel
|
| 9 |
Big Brother
|
Hill, Annette
|
|
2002
|
|
3 |
p. 323-340
|
artikel
|
| 10 |
Big Brother
|
Palmer, Gareth
|
|
2002
|
|
3 |
p. 295-310
|
artikel
|
| 11 |
Big Brother
|
Hill, Annette
|
|
2002
|
|
3 |
p. 251-254
|
artikel
|
| 12 |
Big Brother and Critical Discourse
|
Mathijs, Ernest
|
|
2002
|
|
3 |
p. 311-322
|
artikel
|
| 13 |
Big Brother as a Television Event
|
Scannell, Paddy
|
|
2002
|
|
3 |
p. 271-282
|
artikel
|
| 14 |
Book Review: Atari Age: The Emergence of Video Games in America, by Michael Z. Newman
|
Lawlor, Shannon
|
|
2019
|
|
3 |
p. 311-313
|
artikel
|
| 15 |
Book Review: Feeling Normal: Sexuality and Media Criticism in the Digital Age by F. Hollis Griffin
|
Szulc, Lukasz
|
|
|
|
3 |
p. 334-337
|
artikel
|
| 16 |
Book Review: Mediating Migration, by Radha S. Hegde
|
O’Leary, Eleanor
|
|
2018
|
|
3 |
p. 291-293
|
artikel
|
| 17 |
Bootcamp, Brides, and BMI: Biopedagogical Narratives of Health and Belonging on Canadian Size-Transformation Television
|
Sukhan, Tiara
|
|
2013
|
|
3 |
p. 194-210
|
artikel
|
| 18 |
Breakfast, Time, and “Breakfast Time”
|
Dickinson, Roger
|
|
2001
|
|
3 |
p. 235-256
|
artikel
|
| 19 |
Business on Television: Continuity, Change, and Risk in the Development of Television’s “Business Entertainment Format”
|
Kelly, Lisa W.
|
|
2011
|
|
3 |
p. 228-247
|
artikel
|
| 20 |
Catching a Catfish
|
Lovelock, Michael
|
|
2017
|
|
3 |
p. 203-217
|
artikel
|
| 21 |
Cinemagoing and the Rise of the Megaplex
|
Acland, Charles R.
|
|
2000
|
|
3 |
p. 355-382
|
artikel
|
| 22 |
Classed Femininity, Performativity, and Camp in British Structured Reality Programming
|
Woods, Faye
|
|
2014
|
|
3 |
p. 197-214
|
artikel
|
| 23 |
Country Cookin’ and Cross-Dressin’
|
Smith, Greg M.
|
|
2004
|
|
3 |
p. 175-195
|
artikel
|
| 24 |
Cracking Open the Set
|
Parks, Lisa
|
|
2000
|
|
3 |
p. 257-278
|
artikel
|
| 25 |
Cultural Citizenship
|
Miller, Toby
|
|
2001
|
|
3 |
p. 183-186
|
artikel
|
| 26 |
Cultural Mediators Seduced by Mad Men: How Cultural Journalists Legitimized a Quality TV Series in the Nordic Region
|
Kristensen, Nete Nørgaard
|
|
2019
|
|
3 |
p. 257-274
|
artikel
|
| 27 |
Designing Wonder: Complexity Made Simple or the Wii-Mote’s Galilean Edge
|
Tobias, James
|
|
2010
|
|
3 |
p. 197-219
|
artikel
|
| 28 |
Dialogic Absurdity
|
Druick, Zoë
|
|
2009
|
|
3 |
p. 294-308
|
artikel
|
| 29 |
Digital Media, Race, Gender, Affect, and Labor: Introduction to Special Section
|
Gajjala, Radhika
|
|
2014
|
|
3 |
p. 215-222
|
artikel
|
| 30 |
Disowning Commodities: EBooks, Capitalism, and Intellectual Property Law
|
Striphas, Ted
|
|
2006
|
|
3 |
p. 231-260
|
artikel
|
| 31 |
Ethnic/Diasporic/Transnational: The Rise and Fall of ImaginAsian TV
|
Han, Benjamin
|
|
2018
|
|
3 |
p. 274-290
|
artikel
|
| 32 |
Expanding the Brand
|
Marx, Nick
|
|
2016
|
|
3 |
p. 272-287
|
artikel
|
| 33 |
Follow the Subject and You'll Find the Money
|
Miller, Toby
|
|
2000
|
|
3 |
p. 251-255
|
artikel
|
| 34 |
From ‘Pictures’ to Formats: Interview with Albert Moran, Brisbane, June 13, 2008, Revised April 2010
|
King, Noel
|
|
2011
|
|
3 |
p. 273-288
|
artikel
|
| 35 |
From Ticks and Tocks to Budges and Nudges
|
Gilmore, James N.
|
|
2017
|
|
3 |
p. 189-202
|
artikel
|
| 36 |
Gender, Nation, and Reality TV
|
Negra, Diane
|
|
2013
|
|
3 |
p. 187-193
|
artikel
|
| 37 |
Gender Territories: House Hunting on American Real Estate TV
|
White, Mimi
|
|
2013
|
|
3 |
p. 228-243
|
artikel
|
| 38 |
Global Hollywood, Narrative Transparency, and Chinese Media Poachers: Narrating Cross-Cultural Negotiations of Friends in South China
|
See Kam Tan,
|
|
2011
|
|
3 |
p. 207-227
|
artikel
|
| 39 |
Goa Trance and the Practice of Community in the Age of the Internet
|
Elliott, Luther
|
|
2004
|
|
3 |
p. 272-288
|
artikel
|
| 40 |
“Harsh Realism”: Gender, Reality Television, and the Politics of the “Sink” Housing Estate in Austerity Britain
|
Gilligan, Paula
|
|
2013
|
|
3 |
p. 244-260
|
artikel
|
| 41 |
Hip-Hop’s Authentic Masculinity: A Quare Reading of Fox’s Empire
|
Rodriguez, Nathian Shae
|
|
2018
|
|
3 |
p. 225-240
|
artikel
|
| 42 |
Hong Kong Television
|
Kenny, James F.
|
|
2001
|
|
3 |
p. 281-294
|
artikel
|
| 43 |
Inactive Duty
|
Zimdars, Melissa
|
|
2017
|
|
3 |
p. 218-234
|
artikel
|
| 44 |
“Incremental Speed Increases Excitement”: Bodies, Space, Movement, and Televisual Change
|
Giddings, Seth
|
|
2010
|
|
3 |
p. 163-179
|
artikel
|
| 45 |
“In New Orleans, We Might Say It Like This . . .”: Authenticity, Place, and HBO’s Treme
|
Fuqua, Joy V.
|
|
2012
|
|
3 |
p. 235-242
|
artikel
|
| 46 |
“Integral to the Plot, and in No Way Gratuitous”? Constructing Creative Freedom in the Liberalization of Canadian Content Regulation
|
Heuman, Josh
|
|
2011
|
|
3 |
p. 248-272
|
artikel
|
| 47 |
Justifying Trash: Regulating Reality TV in Israel
|
Lavie, Noa
|
|
2019
|
|
3 |
p. 219-240
|
artikel
|
| 48 |
Katy French: National Identity, Postfeminism, and the Life and Death of a Celtic Tiger Cub
|
Sexton, Anne
|
|
2013
|
|
3 |
p. 211-227
|
artikel
|
| 49 |
Keeping It “Reals”: Narratives of New Orleans Jazz History as Represented in HBO’s Treme
|
George, Courtney
|
|
2012
|
|
3 |
p. 225-234
|
artikel
|
| 50 |
Locating the Televisual
|
Hay, James
|
|
2001
|
|
3 |
p. 205-234
|
artikel
|
| 51 |
Making Home through Cord-cutting: The Case of Korean Transient Migrants’ Postcable Culture in the United States
|
Lee, Claire Shinhea
|
|
|
|
3 |
p. 278-296
|
artikel
|
| 52 |
Making Media Workers: Contesting Film and Television Industry Career Pathways
|
Ashton, Daniel
|
|
2015
|
|
3 |
p. 275-294
|
artikel
|
| 53 |
Mechanisms of Disclosure: A Socio-technical Perspective on Sociality in Massively Multiplayer Online Role-playing Games
|
Coanda, Iulia
|
|
|
|
3 |
p. 315-333
|
artikel
|
| 54 |
Monday Night Football and the Racial Roots of the Network TV Event
|
Vogan, Travis
|
|
2017
|
|
3 |
p. 235-251
|
artikel
|
| 55 |
Negotiating Civil Rights in Prime Time
|
Bodroghkozy, Aniko
|
|
2003
|
|
3 |
p. 257-282
|
artikel
|
| 56 |
On How to Have Theory in an Epidemic
|
Gates, Kelly
|
|
2000
|
|
3 |
p. 383-395
|
artikel
|
| 57 |
Our Man Godfrey
|
Murray, Susan
|
|
2001
|
|
3 |
p. 187-204
|
artikel
|
| 58 |
Participatory Documentary Then and Now
|
ross, jesikah maria
|
|
2017
|
|
3 |
p. 283-293
|
artikel
|
| 59 |
“People Want to See What Happened”: Treme, Televisual Tourism, and the Racial Remapping of Post-Katrina New Orleans
|
Thomas, Lynnell L.
|
|
2012
|
|
3 |
p. 213-224
|
artikel
|
| 60 |
Perfect Transmissions
|
Poster, Mark
|
|
2003
|
|
3 |
p. 283-295
|
artikel
|
| 61 |
Performing the Real
|
Corner, John
|
|
2002
|
|
3 |
p. 255-269
|
artikel
|
| 62 |
Pills Gone Wild: Medium Specificity and the Regulation of Prescription Drug Advertising on Television
|
Jaramillo, Deborah L.
|
|
2006
|
|
3 |
p. 261-281
|
artikel
|
| 63 |
Playboring in the Tester Pit: The Convergence of Precarity and the Degradation of Fun in Video Game Testing
|
Bulut, Ergin
|
|
2015
|
|
3 |
p. 240-258
|
artikel
|
| 64 |
Playing for Celebrity
|
Couldry, Nick
|
|
2002
|
|
3 |
p. 283-293
|
artikel
|
| 65 |
Producing Television and Reproducing Gender
|
O’Brien, Anne
|
|
2015
|
|
3 |
p. 259-274
|
artikel
|
| 66 |
“Public Service” and the Journalism Crisis: Is the BBC the Answer?
|
Freedman, Des
|
|
2019
|
|
3 |
p. 203-218
|
artikel
|
| 67 |
Public Service Media Online? Regulating Public Broadcasters' Internet Services—A Comparative Analysis
|
Moe, Hallvard
|
|
2008
|
|
3 |
p. 220-238
|
artikel
|
| 68 |
Puppets, Slaves, and Sex Changes
|
Gournelos, Ted
|
|
2009
|
|
3 |
p. 270-293
|
artikel
|
| 69 |
Quasi Markets, Transaction Costs, and Trust
|
Deakin, Simon
|
|
2000
|
|
3 |
p. 321-354
|
artikel
|
| 70 |
Radio and Everyday Life
|
Winocur, Rosalía
|
|
2005
|
|
3 |
p. 319-332
|
artikel
|
| 71 |
Radio and Populism in Brazil
|
Haussen, Doris Fagundes
|
|
2005
|
|
3 |
p. 251-261
|
artikel
|
| 72 |
Radio Regulations in Latin America
|
Leree, Beatriz Solís
|
|
2005
|
|
3 |
p. 262-275
|
artikel
|
| 73 |
Reconfiguring the Audience Commodity
|
Kosterich, Allie
|
|
2016
|
|
3 |
p. 254-271
|
artikel
|
| 74 |
Recording Intimacy, Reviewing Spectacle: The Emergence of Video in the American Home
|
Spaulding, Hannah
|
|
2018
|
|
3 |
p. 257-273
|
artikel
|
| 75 |
Recovered, Reinvented, Reimagined: Treme, Television Studies and Writing New Orleans
|
Gray, Herman
|
|
2012
|
|
3 |
p. 268-278
|
artikel
|
| 76 |
Reflexivity, Conformity, and Israeli Big Brother
|
Shoshana, Avihu
|
|
2016
|
|
3 |
p. 243-253
|
artikel
|
| 77 |
Remembering Ourselves, Viewing the Others: Historical Reality Television and Celebrity in the Small Nation
|
McElroy, Ruth
|
|
2011
|
|
3 |
p. 187-206
|
artikel
|
| 78 |
Representing the Western Super-minority: Desirable Cosmopolitanism and Homosocial Multiculturalism on a South Korean Talk Show
|
Oh, David C.
|
|
|
|
3 |
p. 260-277
|
artikel
|
| 79 |
Rethinking International TV Flows Research in the Age of Netflix
|
Lobato, Ramon
|
|
2018
|
|
3 |
p. 241-256
|
artikel
|
| 80 |
Retroactive Edits: 9/11, Television’s Popular Archive, and Shifting Popular Memory
|
Scepanski, Philip
|
|
2019
|
|
3 |
p. 294-310
|
artikel
|
| 81 |
Revisiting the Y2K Bug
|
Best, Kirsty
|
|
2003
|
|
3 |
p. 297-319
|
artikel
|
| 82 |
Selfies and Self-Writing
|
Hall, Kimberly
|
|
2016
|
|
3 |
p. 228-242
|
artikel
|
| 83 |
Selling Subversion: An African City and the Promise of Online Television
|
Chávez, Christopher A.
|
|
2018
|
|
3 |
p. 191-207
|
artikel
|
| 84 |
Small Talk Makes a Big Difference: Recent Developments in Interactive, SMS-Based Television
|
Beyer, Yngvil
|
|
2007
|
|
3 |
p. 213-234
|
artikel
|
| 85 |
Social Media and the New Commons of TV Criticism
|
Teurlings, Jan
|
|
2018
|
|
3 |
p. 208-224
|
artikel
|
| 86 |
Space, Place, and New Orleans on Television: From Frank’s Place to Treme
|
Morgan Parmett, Helen
|
|
2012
|
|
3 |
p. 193-212
|
artikel
|
| 87 |
Spooks, Spies, and Control Technologies in The X-Files
|
Howley, Kevin
|
|
2001
|
|
3 |
p. 257-280
|
artikel
|
| 88 |
Stories as Instruments
|
Loyer, Erik
|
|
2010
|
|
3 |
p. 180-196
|
artikel
|
| 89 |
Studying Up
|
Miller, Toby
|
|
2003
|
|
3 |
p. 207-209
|
artikel
|
| 90 |
Supernatural Creatures, Accidents, and War
|
Kruuse, Kristiina
|
|
2017
|
|
3 |
p. 252-268
|
artikel
|
| 91 |
Telenovelas and the Israeli Television Market
|
López-Pumarejo, Tomás
|
|
2007
|
|
3 |
p. 197-212
|
artikel
|
| 92 |
Television's Power Relations in the Transition to Digital
|
Christophers, Brett
|
|
2008
|
|
3 |
p. 239-257
|
artikel
|
| 93 |
The Changing Shape of the Culture Industry; or, How Did Electronica Music Get into Television Commercials?
|
Taylor, Timothy D.
|
|
2007
|
|
3 |
p. 235-258
|
artikel
|
| 94 |
The Depiction of Politicians and Politics in British Soaps
|
Coleman, Stephen
|
|
2008
|
|
3 |
p. 197-219
|
artikel
|
| 95 |
The Fallacy of Falsity
|
Brook, Vincent
|
|
2000
|
|
3 |
p. 279-305
|
artikel
|
| 96 |
“The Hollywood of Latin America”
|
Sinclair, John
|
|
2003
|
|
3 |
p. 211-229
|
artikel
|
| 97 |
The Labor of Creativity in Images of Networking Children
|
Tanti, Melissa
|
|
2015
|
|
3 |
p. 295-308
|
artikel
|
| 98 |
The Radio in Peru
|
Alfaro, Rosa María
|
|
2005
|
|
3 |
p. 276-297
|
artikel
|
| 99 |
The SAG–AFTRA Merger
|
Fortmueller, Kate
|
|
2016
|
|
3 |
p. 212-227
|
artikel
|
| 100 |
The Self-consuming Commodity: Audiences, Users, and the Riddle of Digital Labor
|
Kaplan, Michael
|
|
|
|
3 |
p. 240-259
|
artikel
|
| 101 |
The Simultaneous and the Diverse in the Social World
|
Vargas, Héctor Gómez
|
|
2005
|
|
3 |
p. 298-318
|
artikel
|
| 102 |
The Social Contract and Beyond in Broadcast Media Policy
|
Flew, Terry
|
|
2006
|
|
3 |
p. 282-305
|
artikel
|
| 103 |
The “Value” of TV Drama
|
Alvarado, Manuel
|
|
2000
|
|
3 |
p. 307-319
|
artikel
|
| 104 |
The Voluntarily Childless Heroine: A Postfeminist Television Oddity
|
Kaklamanidou, Betty-Despoina
|
|
2019
|
|
3 |
p. 275-293
|
artikel
|
| 105 |
“This Complicated, Colossal Failure”: The Abjection of Creighton Bernette in HBO’s Treme
|
Leyda, Julia
|
|
2012
|
|
3 |
p. 243-260
|
artikel
|
| 106 |
To Have and to Hold
|
Bjarkman, Kim
|
|
2004
|
|
3 |
p. 217-246
|
artikel
|
| 107 |
Transformation of the World Television System under Neoliberal Globalization, 1983 to 2003
|
Dal Yong Jin,
|
|
2007
|
|
3 |
p. 179-196
|
artikel
|
| 108 |
Transitioning Online: Cosmetic Surgery Tourism in Thailand
|
Enteen, Jillana B.
|
|
2014
|
|
3 |
p. 238-249
|
artikel
|
| 109 |
Treme for Tourists: The Music of the City without the Power
|
Rathke, Wade
|
|
2012
|
|
3 |
p. 261-267
|
artikel
|
| 110 |
Tweets, Tweeps, and Signifyin’: Communication and Cultural Performance on “Black Twitter”
|
Florini, Sarah
|
|
2014
|
|
3 |
p. 223-237
|
artikel
|
| 111 |
Uncanny TV
|
Moylan, Katie
|
|
2017
|
|
3 |
p. 269-282
|
artikel
|
| 112 |
Virtual Reality’s New Synesthetic Possibilities
|
Ross, Miriam
|
|
|
|
3 |
p. 297-314
|
artikel
|
| 113 |
Visualizing Madness
|
Cross, Simon
|
|
2004
|
|
3 |
p. 197-216
|
artikel
|
| 114 |
Watching Nightlife: Affective Labor, Social Media, and Surveillance
|
Carah, Nicholas
|
|
2014
|
|
3 |
p. 250-265
|
artikel
|
| 115 |
What Happens in the Writers’ Room Stays in the Writers’ Room? Professional Authority in Lyle v. Warner Bros.
|
Heuman, Josh
|
|
2016
|
|
3 |
p. 195-211
|
artikel
|
| 116 |
Wii Will Become Silhouettes
|
Burrill, Derek A.
|
|
2010
|
|
3 |
p. 220-230
|
artikel
|
| 117 |
“Witnessing” or “Mediating” Distant Suffering? Ethical Questions across Moments of Text, Production, and Reception
|
Ong, Jonathan Corpus
|
|
2014
|
|
3 |
p. 179-196
|
artikel
|
| 118 |
Yeah You Rite: The Treme Issue
|
Mayer, Vicki
|
|
2012
|
|
3 |
p. 191-192
|
artikel
|
| 119 |
“You Take Care of the Patients, We'll Take Care of their TV”
|
Fuqua, Joy V.
|
|
2003
|
|
3 |
p. 231-256
|
artikel
|
| 120 |
YouTube’s Operational Logic: “The View” as Pervasive Category
|
van Es, Karin
|
|
|
|
3 |
p. 223-239
|
artikel
|
| 121 |
Zelda 64 and Video Game Fans
|
Consalvo, Mia
|
|
2003
|
|
3 |
p. 321-334
|
artikel
|
|
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