| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
9-11
|
Lewis, Justin
|
|
2002
|
|
2 |
p. 125-131
|
artikel
|
| 2 |
About the Internet
|
Pierce, Joy
|
|
2004
|
|
2 |
p. 141-146
|
artikel
|
| 3 |
A Field in Flux: The Intriguing Past and the Promising Future of Audience Analysis
|
Das, Ranjana
|
|
2019
|
|
2 |
p. 123-129
|
artikel
|
| 4 |
“All about Nothing”:
|
Gunster, Shane
|
|
2005
|
|
2 |
p. 200-223
|
artikel
|
| 5 |
AMC: Stumbling toward a New Television Canon
|
Jaramillo, Deborah L.
|
|
2013
|
|
2 |
p. 167-183
|
artikel
|
| 6 |
An Agenda in the Interest of Audiences: Facing the Challenges of Intrusive Media Technologies
|
Das, Ranjana
|
|
2019
|
|
2 |
p. 184-198
|
artikel
|
| 7 |
A Place for the Spectator
|
Delage, Christian
|
|
2002
|
|
2 |
p. 163-167
|
artikel
|
| 8 |
A Response to Elizabeth Jacka's "Democracy as Defeat"
|
Garnham, Nicholas
|
|
2003
|
|
2 |
p. 193-200
|
artikel
|
| 9 |
A Review of The Internet Playground: Children's Access, Entertainment, and Mis-Education, by Ellen Seiter
|
Imre, Anikó
|
|
2007
|
|
2 |
p. 169-173
|
artikel
|
| 10 |
Audience Reception Research in a Post-broadcasting Digital Age
|
Das, Ranjana
|
|
2019
|
|
2 |
p. 155-169
|
artikel
|
| 11 |
Audiences in an Age of Datafication: Critical Questions for Media Research
|
Das, Ranjana
|
|
2019
|
|
2 |
p. 170-183
|
artikel
|
| 12 |
Betting on News Corporation
|
Kruse, Holly
|
|
2009
|
|
2 |
p. 179-194
|
artikel
|
| 13 |
Black Bloggers and Their Varied Publics: The Everyday Politics of Black Discourse Online
|
Steele, Catherine Knight
|
|
2018
|
|
2 |
p. 112-127
|
artikel
|
| 14 |
Book Review: European Media, by Stylianos Papathanassopoulos and Ralph Negrine
|
de Albuquerque, Afonso
|
|
2013
|
|
2 |
p. 147-149
|
artikel
|
| 15 |
Book Review: Jennifer Holt and Alisa Perren, eds. 2009. Media Industries: History, Theory, and Method. Malden, MA: Wiley-Blackwell, 283 pages
|
Hoyt, Eric
|
|
2010
|
|
2 |
p. 157-159
|
artikel
|
| 16 |
Branding Public Service: The "New PBS" and the Privatization of Public Television
|
Hoynes, William
|
|
2003
|
|
2 |
p. 117-130
|
artikel
|
| 17 |
Broadcasting Quality
|
Nygaard, Taylor
|
|
2017
|
|
2 |
p. 105-113
|
artikel
|
| 18 |
Buffy the Vampire Slayer
|
Stratton, Jon
|
|
2005
|
|
2 |
p. 176-199
|
artikel
|
| 19 |
Casus Belli
|
Calabrese, Andrew
|
|
2005
|
|
2 |
p. 153-175
|
artikel
|
| 20 |
Challenges to Public Television in the Era of Convergence and Commercialization
|
Syvertsen, Trine
|
|
2003
|
|
2 |
p. 155-175
|
artikel
|
| 21 |
Children Reporting Online
|
Seiter, Ellen
|
|
2004
|
|
2 |
p. 87-107
|
artikel
|
| 22 |
Cigarettes and Alcohol
|
Creeber, Glen
|
|
2001
|
|
2 |
p. 149-166
|
artikel
|
| 23 |
Clouded Visions: UltraViolet and the Future of Digital Distribution
|
Steirer, Gregory
|
|
2015
|
|
2 |
p. 180-195
|
artikel
|
| 24 |
Communicating Terror: Mediatization and Ritualization
|
Cui, Xi
|
|
2018
|
|
2 |
p. 155-162
|
artikel
|
| 25 |
Cosmopolitan Stars, Interactive Audience Labor, and the Digital Economy of Global Care
|
Wilson, Julie A.
|
|
2014
|
|
2 |
p. 104-120
|
artikel
|
| 26 |
Critical Industrial Practice
|
Caldwell, John T.
|
|
2006
|
|
2 |
p. 99-134
|
artikel
|
| 27 |
Crossing “The Line”
|
Dawson, Ashley
|
|
2001
|
|
2 |
p. 117-132
|
artikel
|
| 28 |
Cultural Outlaws
|
Costello, Victor
|
|
2007
|
|
2 |
p. 124-143
|
artikel
|
| 29 |
"Democracy as Defeat": The Impotence of Arguments for Public Service Broadcasting
|
Jacka, Elizabeth
|
|
2003
|
|
2 |
p. 177-191
|
artikel
|
| 30 |
Direct Marketing and the Productive Capacity of Commercial Television: T-commerce, Advanced Advertising, and the Audience Product
|
McGuigan, Lee
|
|
2015
|
|
2 |
p. 196-214
|
artikel
|
| 31 |
“Each to His Own...”
|
Sádaba, Teresa
|
|
2002
|
|
2 |
p. 219-222
|
artikel
|
| 32 |
Entering the Graveyard Shift: Disassembling the Australian TiVo
|
Meese, James
|
|
2015
|
|
2 |
p. 165-179
|
artikel
|
| 33 |
Fearful and Safe
|
Hill, Annette
|
|
2000
|
|
2 |
p. 193-213
|
artikel
|
| 34 |
From Media Events to Expressive Events: An Interview with Daniel Dayan
|
Sumiala, Johanna Maaria
|
|
2018
|
|
2 |
p. 177-187
|
artikel
|
| 35 |
Gay-Themed Television and the Slumpy Class
|
Becker, Ron
|
|
2006
|
|
2 |
p. 184-215
|
artikel
|
| 36 |
Global Vistas and Local Reflections
|
Tinic, Serra
|
|
2006
|
|
2 |
p. 154-183
|
artikel
|
| 37 |
Gurus and Oscar Winners: How-To Screenwriting Manuals in the New Cultural Economy
|
Conor, Bridget
|
|
2014
|
|
2 |
p. 121-138
|
artikel
|
| 38 |
Here Are the Muslim Feminist Voices, Mr. Rushdie!
|
Afzal-Khan, Fawzia
|
|
2002
|
|
2 |
p. 139-142
|
artikel
|
| 39 |
911 Hong Kong
|
Ma, Eric Kit-Wai
|
|
2002
|
|
2 |
p. 231-233
|
artikel
|
| 40 |
Honor among Patriots?
|
Maxwell, Richard
|
|
2002
|
|
2 |
p. 239-248
|
artikel
|
| 41 |
How Chinese Television and New Media Presented the U.S. 9-11 Tragedy
|
Yinbo, Li
|
|
2002
|
|
2 |
p. 223-229
|
artikel
|
| 42 |
How Shall We Measure Our Progress? On Paradigms, Metaphors, and Meetings in Audience Research
|
Das, Ranjana
|
|
2019
|
|
2 |
p. 130-141
|
artikel
|
| 43 |
Imagine the Terror
|
Semati, Mehdi
|
|
2002
|
|
2 |
p. 213-218
|
artikel
|
| 44 |
“I May Need You, Peter, but You Sure as Hell Need Me Too”
|
Leonard, Suzanne
|
|
2017
|
|
2 |
p. 131-146
|
artikel
|
| 45 |
Indigenous MediaSpace and the Production of (Trans)locality on Nicaragua’s Mosquito Coast
|
Glynn, Kevin
|
|
2011
|
|
2 |
p. 101-135
|
artikel
|
| 46 |
Inspector Morse and the Business of Crime
|
Davis, Helen
|
|
2001
|
|
2 |
p. 133-148
|
artikel
|
| 47 |
Interview with Jon Lewis, Corvallis, Oregon, September 21, 2008
|
King, Noel
|
|
2011
|
|
2 |
p. 174-184
|
artikel
|
| 48 |
Interview with Professor Graeme Turner, University of Queensland, November 9, 2007
|
King, Noel
|
|
2010
|
|
2 |
p. 143-156
|
artikel
|
| 49 |
In the Living Room
|
van Dijck, José
|
|
2016
|
|
2 |
p. 174-191
|
artikel
|
| 50 |
Introduction: The Struggle for and within Public Television
|
Sussman, Gerald
|
|
2003
|
|
2 |
p. 111-115
|
artikel
|
| 51 |
Introduction: Toward Hybrid Media Events of Terrorist Violence
|
Sumiala, Johanna Maaria
|
|
2018
|
|
2 |
p. 128-135
|
artikel
|
| 52 |
Italian Ambivalence
|
Buonanno, Milly
|
|
2002
|
|
2 |
p. 177-181
|
artikel
|
| 53 |
Lawyers Not in Love
|
Classen, Steven
|
|
2007
|
|
2 |
p. 144-168
|
artikel
|
| 54 |
Living in a State of Emergency
|
Rajagopal, Arvind
|
|
2002
|
|
2 |
p. 173-175
|
artikel
|
| 55 |
Lost and Mastermind Narration
|
Clarke, M.J.
|
|
2010
|
|
2 |
p. 123-142
|
artikel
|
| 56 |
Love to Hate: National Celebrity and Racial Intimacy on Reality TV in the New Europe
|
Imre, Anikó
|
|
2015
|
|
2 |
p. 103-130
|
artikel
|
| 57 |
Making Public Television Social? Public Service Broadcasting and the Challenges of Social Media
|
van Dijck, José
|
|
2015
|
|
2 |
p. 148-164
|
artikel
|
| 58 |
Making the Most out of 15 Minutes
|
Collins, Sue
|
|
2008
|
|
2 |
p. 87-110
|
artikel
|
| 59 |
Media Coverage of 9-11 in Brazil
|
Baiocchi, Gianpaolo
|
|
2002
|
|
2 |
p. 183-189
|
artikel
|
| 60 |
Media Policy, Audiences, and Social Demand
|
Raboy, Marc
|
|
2001
|
|
2 |
p. 95-115
|
artikel
|
| 61 |
Michael Mann's Miami Vice
|
Stratton, Jon
|
|
2009
|
|
2 |
p. 195-215
|
artikel
|
| 62 |
Narrating Injustice
|
Singh, Bhrigupati
|
|
2006
|
|
2 |
p. 135-153
|
artikel
|
| 63 |
Negotiating Distances: The Cultural Economy of Television Programs
|
Ashuri, Tamar
|
|
2010
|
|
2 |
p. 105-122
|
artikel
|
| 64 |
New Television and Media?
|
Mayer, Vicki
|
|
2011
|
|
2 |
p. 95-100
|
artikel
|
| 65 |
No More Cybertarians, Please—More Citizens, Thank You
|
Miller, Toby
|
|
2000
|
|
2 |
p. 131-134
|
artikel
|
| 66 |
Opinion Polls and the Misrepresentation of Public Opinion on the War with Afghanistan
|
Miller, David
|
|
2002
|
|
2 |
p. 153-161
|
artikel
|
| 67 |
Paid Posting in Chinese Cyberspace: Commodification and Regulation
|
Han, Dong
|
|
2018
|
|
2 |
p. 95-111
|
artikel
|
| 68 |
Participatory Culture and the New Governance of Communication: The Paradox of Participatory Media
|
Langlois, Ganaele
|
|
2013
|
|
2 |
p. 91-105
|
artikel
|
| 69 |
Picturing the Audience
|
Maxwell, Richard
|
|
2000
|
|
2 |
p. 135-157
|
artikel
|
| 70 |
Politics and Intimacy
|
Hamburger, Esther I.
|
|
2000
|
|
2 |
p. 159-178
|
artikel
|
| 71 |
Public Access/Private Confession
|
Freedman, Eric
|
|
2000
|
|
2 |
p. 179-191
|
artikel
|
| 72 |
Public Service Broadcasting and Data-Driven Personalization
|
van Dijck, José
|
|
2016
|
|
2 |
p. 124-141
|
artikel
|
| 73 |
Putting the Premium into Basic: Slow-Burn Narratives and the Loss-Leader Function of AMC’s Original Drama Series
|
Smith, Anthony N.
|
|
2013
|
|
2 |
p. 150-166
|
artikel
|
| 74 |
Racialized Documentary Reception of Ken Burns' Jazz
|
Amaya, Hector
|
|
2008
|
|
2 |
p. 111-130
|
artikel
|
| 75 |
“Reality Goes Pop!”
|
Holmes, Su
|
|
2004
|
|
2 |
p. 147-172
|
artikel
|
| 76 |
Rearticulating Audience Engagement
|
van Dijck, José
|
|
2016
|
|
2 |
p. 99-107
|
artikel
|
| 77 |
Report on the Conditions of Public Service Broadcasting
|
Padovani, Cinzia
|
|
2003
|
|
2 |
p. 131-153
|
artikel
|
| 78 |
Revising Screen Studies
|
Miller, Toby
|
|
2001
|
|
2 |
p. 91-93
|
artikel
|
| 79 |
Seeing the Present, Remembering the Past: Terror’s Representation as an Exercise in Collective Memory
|
Zelizer, Barbie
|
|
2018
|
|
2 |
p. 136-145
|
artikel
|
| 80 |
September 11, the Media, and War Fever
|
Kellner, Douglas
|
|
2002
|
|
2 |
p. 143-151
|
artikel
|
| 81 |
Showtime Thinks, Therefore I Am: The Corporate Construction of “The Lesbian” on sho.com’s The L Word Site
|
Kessler, Kelly
|
|
2013
|
|
2 |
p. 124-146
|
artikel
|
| 82 |
Social Television
|
van Dijck, José
|
|
2016
|
|
2 |
p. 159-173
|
artikel
|
| 83 |
Social TV and the Participation Dilemma in NBC’s The Voice
|
van Dijck, José
|
|
2016
|
|
2 |
p. 108-123
|
artikel
|
| 84 |
Soundtrack to a Crisis
|
Forman, Murray
|
|
2002
|
|
2 |
p. 191-204
|
artikel
|
| 85 |
Speaking of Wars...
|
Lewis, Justin
|
|
2002
|
|
2 |
p. 169-172
|
artikel
|
| 86 |
Super-Cooled Sports Dirt
|
Wenner, Lawrence A.
|
|
2008
|
|
2 |
p. 131-154
|
artikel
|
| 87 |
Television's New Engines
|
Keane, Michael
|
|
2008
|
|
2 |
p. 155-169
|
artikel
|
| 88 |
Temp Cyborgs: Gender, Technology, and Immaterial Labor in Popular Science Fiction Television
|
Johnson, Robin S.
|
|
2013
|
|
2 |
p. 106-123
|
artikel
|
| 89 |
Ten Years after the Danish Muhammad Cartoon News Stories: Terror and Radicalization as Predictable Media Events
|
Hervik, Peter
|
|
2018
|
|
2 |
p. 146-154
|
artikel
|
| 90 |
Terror, Territoriality, Temporality: Hypermedia Events in the Age of Islamic State
|
Kraidy, Marwan M.
|
|
2018
|
|
2 |
p. 170-176
|
artikel
|
| 91 |
The Complicated Transition to Broadcast Digital Television in the United States
|
Castañeda, Mari
|
|
2007
|
|
2 |
p. 91-106
|
artikel
|
| 92 |
The Cruel Optimism of The Good Wife
|
Orgad, Shani
|
|
2017
|
|
2 |
p. 165-183
|
artikel
|
| 93 |
The Cultural Power of an Anti-Television Metaphor
|
Mittell, Jason
|
|
2000
|
|
2 |
p. 215-238
|
artikel
|
| 94 |
The Double Hermeneutics of Audience Research
|
Das, Ranjana
|
|
2019
|
|
2 |
p. 142-154
|
artikel
|
| 95 |
The 2004 Election Did Not Take Place
|
Glynn, Kevin
|
|
2009
|
|
2 |
p. 216-245
|
artikel
|
| 96 |
The Event of Terrorism: Ambiguous Categories and Public Spectacle
|
Price, Stuart
|
|
2018
|
|
2 |
p. 163-169
|
artikel
|
| 97 |
The Family on Reality Television: Who’s Shaming Whom?
|
Ferguson, Galit
|
|
2010
|
|
2 |
p. 87-104
|
artikel
|
| 98 |
The Fashion of Florrick and FLOTUS
|
Miller, Taylor Cole
|
|
2017
|
|
2 |
p. 147-164
|
artikel
|
| 99 |
“The Guardians of the General Interest”: Discourses of Knowledge in QI
|
Mills, Brett
|
|
2011
|
|
2 |
p. 136-153
|
artikel
|
| 100 |
The Heroic Monster: Dexter, Masculinity, and Violence
|
Arellano, Lisa
|
|
2015
|
|
2 |
p. 131-147
|
artikel
|
| 101 |
The O of Han Ju
|
Ma, Sheng-mei
|
|
2007
|
|
2 |
p. 107-123
|
artikel
|
| 102 |
“The Pfaffs Are Not Like the Osbournes”
|
Dhoest, Alexander
|
|
2005
|
|
2 |
p. 224-245
|
artikel
|
| 103 |
The Spectacle of The Prisoner
|
Morreale, Joanne
|
|
2006
|
|
2 |
p. 216-226
|
artikel
|
| 104 |
The Team Online: Entertainment-Education, Social Media, and Cocreated Messages
|
Tully, Melissa
|
|
2014
|
|
2 |
p. 139-156
|
artikel
|
| 105 |
The Zillionth Time as Tragedy
|
McChesney, Robert W.
|
|
2002
|
|
2 |
p. 133-137
|
artikel
|
| 106 |
To Trust in Strange Habits and Last Calls
|
Hargraves, Hunter
|
|
2017
|
|
2 |
p. 114-130
|
artikel
|
| 107 |
Translating Terror in India
|
Chakravartty, Paula
|
|
2002
|
|
2 |
p. 205-212
|
artikel
|
| 108 |
Troy Kennedy Martin
|
Cooke, Lez
|
|
2001
|
|
2 |
p. 167-180
|
artikel
|
| 109 |
Trust No One (On the Internet)
|
Bratich, Jack Zeljko
|
|
2004
|
|
2 |
p. 109-139
|
artikel
|
| 110 |
Twitter Time
|
van Dijck, José
|
|
2016
|
|
2 |
p. 142-158
|
artikel
|
| 111 |
Wanted Dead or Digitized
|
Gates, Kelly A.
|
|
2002
|
|
2 |
p. 235-238
|
artikel
|
| 112 |
Were Producers and Audiences Ever Separate? Conceptualizing Media Production as Social Situation
|
Ross, Philippe
|
|
2014
|
|
2 |
p. 157-174
|
artikel
|
| 113 |
“What’s Good for UPS is Good for America”
|
Kumar, Deepa
|
|
2005
|
|
2 |
p. 131-152
|
artikel
|
| 114 |
Wikipedia: An Info-Communist Manifesto
|
Firer-Blaess, Sylvain
|
|
2014
|
|
2 |
p. 87-103
|
artikel
|
| 115 |
Yellow Kung Fu and Black Jokes
|
Ma, Sheng-mei
|
|
2000
|
|
2 |
p. 239-244
|
artikel
|
| 116 |
YouTube versus the National Film and Sound Archive: Which Is the More Useful Resource for Historians of Australian Television?
|
McKee, Alan
|
|
2011
|
|
2 |
p. 154-173
|
artikel
|
|
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