| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Book review: Aaron Berkowitz, The Improvising Mind: Cognition and Creativity in the Musical Moment
|
Baker, David
|
|
2013
|
41 |
1 |
p. 131-133
|
artikel
|
| 2 |
Book review: Stephen Davies, Musical Understandings and Other Essays on the Philosophy of Music
|
Stakelum, Mary
|
|
2013
|
41 |
1 |
p. 133-135
|
artikel
|
| 3 |
Ecological development and validation of a music performance rating scale for five instrument families
|
Wrigley, William J.
|
|
2013
|
41 |
1 |
p. 97-118
|
artikel
|
| 4 |
Editorial
|
Lamont, Alexandra
|
|
2013
|
41 |
1 |
p. 3-4
|
artikel
|
| 5 |
Free improvisation and performance anxiety among piano students
|
Allen, Robert
|
|
2013
|
41 |
1 |
p. 75-88
|
artikel
|
| 6 |
Handedness and ‘open-earedness’: Strong right-handers are less likely to prefer less popular musical genres
|
Christman, Stephen D.
|
|
2013
|
41 |
1 |
p. 89-96
|
artikel
|
| 7 |
Mindfulness, attention, and flow during music listening: An empirical investigation
|
Diaz, Frank M.
|
|
2013
|
41 |
1 |
p. 42-58
|
artikel
|
| 8 |
Music, bodies and relationships: An ethnographic contribution to embodied cognition studies
|
Moran, Nikki
|
|
2013
|
41 |
1 |
p. 5-17
|
artikel
|
| 9 |
Perceived performance anxiety in advanced musicians specializing in different musical genres
|
Papageorgi, Ioulia
|
|
2013
|
41 |
1 |
p. 18-41
|
artikel
|
| 10 |
The influences of progression type and distortion on the perception of terminal power chords
|
Juchniewicz, Jay
|
|
2013
|
41 |
1 |
p. 119-130
|
artikel
|
| 11 |
Tonal language background and detecting pitch contour in spoken and musical items
|
Stevens, Catherine J.
|
|
2013
|
41 |
1 |
p. 59-74
|
artikel
|
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