| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1 |
Bodily movement and facial actions in expressive musical performance by solo and duo instrumentalists: Two distinctive case studies
|
Davidson, Jane W.
|
|
2012
|
40 |
5 |
p. 595-633
|
article
|
| 2 |
Emotion, engagement and meaning in strong experiences of music performance
|
Lamont, Alexandra
|
|
2012
|
40 |
5 |
p. 574-594
|
article
|
| 3 |
Musical imagination: Perception and production, beauty and creativity
|
Hargreaves, David J.
|
|
2012
|
40 |
5 |
p. 539-557
|
article
|
| 4 |
Psychology of Music: 40 years of multidisciplinary innovation
|
MacDonald, Raymond
|
|
2012
|
40 |
5 |
p. 521-522
|
article
|
| 5 |
SEMPRE: Forty years on
|
Cox, Gordon
|
|
2012
|
40 |
5 |
p. 523-538
|
article
|
| 6 |
The development of practising strategies in young people
|
Hallam, Susan
|
|
2012
|
40 |
5 |
p. 652-680
|
article
|
| 7 |
The reciprocal relationship between jazz musicians and audiences in live performances: A pilot qualitative study
|
Brand, Gail
|
|
2012
|
40 |
5 |
p. 634-651
|
article
|
| 8 |
The sign of silence: Negotiating musical identities in an improvising ensemble
|
Wilson, Graeme B.
|
|
2012
|
40 |
5 |
p. 558-573
|
article
|
Journal description