nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
Absolute Pitch: Practice Makes Perfect, the Earlier the Better
|
Crozier, John B. |
|
1997 |
25 |
2 |
p. 110-119 |
artikel |
2 |
Absolute Pitch: Practice Makes Perfect, the Earlier the Better
|
Crozier, John B. |
|
1997 |
25 |
2 |
p. 110-119 |
artikel |
3 |
Book Reviews
|
Davies, John Booth |
|
1997 |
25 |
2 |
p. 192-193 |
artikel |
4 |
Book Reviews
|
O'Neill, Susan |
|
1997 |
25 |
2 |
p. 196-198 |
artikel |
5 |
Book Reviews
|
Hargreaves, David J. |
|
1997 |
25 |
2 |
p. 193-195 |
artikel |
6 |
Book Reviews
|
Spencer, Christopher |
|
1997 |
25 |
2 |
p. 198-200 |
artikel |
7 |
Book Reviews
|
Hargreaves, David J. |
|
1997 |
25 |
2 |
p. 193-195 |
artikel |
8 |
Book Reviews
|
Spencer, Christopher |
|
1997 |
25 |
2 |
p. 198-200 |
artikel |
9 |
Book Reviews
|
Davies, John Booth |
|
1997 |
25 |
2 |
p. 192-193 |
artikel |
10 |
Book Reviews
|
O'Neill, Susan |
|
1997 |
25 |
2 |
p. 196-198 |
artikel |
11 |
Editorial
|
Davidson, Jane |
|
1997 |
25 |
2 |
p. 109 |
artikel |
12 |
Editorial
|
Davidson, Jane |
|
1997 |
25 |
2 |
p. 109-109 |
artikel |
13 |
Effect of Tempo and Dynamics on the Perception of Emotion in Music
|
Kamenetsky, Stuart B. |
|
1997 |
25 |
2 |
p. 149-160 |
artikel |
14 |
Effect of Tempo and Dynamics on the Perception of Emotion in Music
|
Kamenetsky, Stuart B. |
|
1997 |
25 |
2 |
p. 149-160 |
artikel |
15 |
Influence of Linguistic Factors on Young School Children's Responses to Musical Pitch Tests: A Preliminary Test
|
Durkin, Kevin |
|
1997 |
25 |
2 |
p. 186-191 |
artikel |
16 |
Influence of Linguistic Factors on Young School Children's Responses to Musical Pitch Tests: A Preliminary Test
|
Durkin, Kevin |
|
1997 |
25 |
2 |
p. 186-191 |
artikel |
17 |
Music Preference and the Five-Factor Model of the NEO Personality Inventory
|
Rawlings, David |
|
1997 |
25 |
2 |
p. 120-132 |
artikel |
18 |
Music Preference and the Five-Factor Model of the NEO Personality Inventory
|
Rawlings, David |
|
1997 |
25 |
2 |
p. 120-132 |
artikel |
19 |
Music Recognition: An Illustrative Application of a Connectionist Model
|
Stevens, Catherine |
|
1997 |
25 |
2 |
p. 161-185 |
artikel |
20 |
Music Recognition: An Illustrative Application of a Connectionist Model
|
Stevens, Catherine |
|
1997 |
25 |
2 |
p. 161-185 |
artikel |
21 |
Some Observations on Pianists' Timing of Arpeggiated Chords
|
Repp, Bruno H. |
|
1997 |
25 |
2 |
p. 133-148 |
artikel |
22 |
Some Observations on Pianists' Timing of Arpeggiated Chords
|
Repp, Bruno H. |
|
1997 |
25 |
2 |
p. 133-148 |
artikel |