| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Book Review: The Mediated Construction of Reality
|
Svensson, Göran
|
|
2019
|
41 |
1 |
p. 158-160
|
artikel
|
| 2 |
Bridging bonds: Latvian migrants’ interpersonal ties on social networking sites
|
Bucholtz, Ianis
|
|
2019
|
41 |
1 |
p. 104-119
|
artikel
|
| 3 |
‘Free country, free internet’: the symbolic power of technology in the Hungarian internet tax protests
|
Ferrari, Elisabetta
|
|
2019
|
41 |
1 |
p. 70-85
|
artikel
|
| 4 |
‘I Am Spartacus’: individualising visual media and warfare
|
Mann, Daniel
|
|
2019
|
41 |
1 |
p. 38-53
|
artikel
|
| 5 |
Negotiating new racism: ‘It’s not racist or sexist. It’s just the way it is’
|
Hunt, Whitney
|
|
2019
|
41 |
1 |
p. 86-103
|
artikel
|
| 6 |
Production and politics in Chinese television
|
Zeng, Wenna
|
|
2019
|
41 |
1 |
p. 54-69
|
artikel
|
| 7 |
Projecting ‘New Turkey’ deflecting the coup: squares, screens, and publics at Turkey’s ‘democracy watches’
|
Carney, Josh
|
|
2019
|
41 |
1 |
p. 138-148
|
artikel
|
| 8 |
Querying the Internet as a mnemonic practice: how search engines mediate four types of past events in Russia
|
Zavadski, Andrei
|
|
2019
|
41 |
1 |
p. 21-37
|
artikel
|
| 9 |
The need for not more, but more socially relevant audience participation in public service media
|
Vanhaeght, Anne-Sofie
|
|
2019
|
41 |
1 |
p. 120-137
|
artikel
|
| 10 |
The practice of parodying: YouTube as a hybrid field of cultural production
|
Boxman-Shabtai, Lillian
|
|
2019
|
41 |
1 |
p. 3-20
|
artikel
|
| 11 |
Turkey’s failed coup as an ‘ongoing media event’ and the formation of public affect
|
Bulut, Ergin
|
|
2019
|
41 |
1 |
p. 149-157
|
artikel
|
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