| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1 |
‘Are you tough enough?’ Performing gender in the UK leadership debates 2015
|
Harmer, Emily
|
|
2017
|
39 |
7 |
p. 960-975
|
article
|
| 2 |
Building an audience, bonding a city: digital news production as a field of care
|
Boyles, Jan Lauren
|
|
2017
|
39 |
7 |
p. 945-959
|
article
|
| 3 |
Democracy, protest and public sphere in Russia after the 2011–2012 anti-government protests: digital media at stake
|
Denisova, Anastasia
|
|
2017
|
39 |
7 |
p. 976-994
|
article
|
| 4 |
Disinformation and the media: the case of Russia and Ukraine
|
Mejias, Ulises A
|
|
2017
|
39 |
7 |
p. 1027-1042
|
article
|
| 5 |
‘Distinctiveness’ and the BBC: a new battleground for public service television?
|
Goddard, Peter
|
|
2017
|
39 |
7 |
p. 1089-1099
|
article
|
| 6 |
Embassy cinema: what WikiLeaks reveals about US state support for Hollywood
|
Moody, Paul
|
|
2017
|
39 |
7 |
p. 1063-1077
|
article
|
| 7 |
Fake news, post-truth and media–political change
|
Corner, John
|
|
2017
|
39 |
7 |
p. 1100-1107
|
article
|
| 8 |
Harmonious or out of tune? Cooperation between the television industry and the music business in talent contests of the 2000s
|
Kjus, Yngvar
|
|
2017
|
39 |
7 |
p. 1011-1026
|
article
|
| 9 |
Media and the politics of the sacral: freedom of expression in Tunisia after the Arab Uprisings
|
Farmanfarmaian, Roxane
|
|
2017
|
39 |
7 |
p. 1043-1062
|
article
|
| 10 |
Television format as cultural technology transfer: importing a production format for daily drama
|
Keinonen, Heidi
|
|
2017
|
39 |
7 |
p. 995-1010
|
article
|
| 11 |
The political economy of ‘creative industries’
|
Lee, Hye-Kyung
|
|
2017
|
39 |
7 |
p. 1078-1088
|
article
|
Journal description