| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Alice Guy: a life in motion
|
Millar, Michelle
|
|
1996
|
|
21 |
p. 229-245
|
artikel
|
| 2 |
BookReview : Dudley Andrew, Mists of Regret: Culture and Sensibility in Classic French Film. Princeton: Princeton University Press, 1995. Pp. xv + 409. ISBN 0-691-00883-3
|
Condron, Ann Marie
|
|
1996
|
|
21 |
p. 333-334
|
artikel
|
| 3 |
Hitler, connais pas! Bertrand Blier's apprenticeship in the techniques of spectacle
|
Harris, Sue
|
|
1996
|
|
21 |
p. 295-307
|
artikel
|
| 4 |
Louis Malle's Ascenseur pour l'échafaud and the presence of the colonial wars in French cinema
|
Nicholls, David
|
|
1996
|
|
21 |
p. 271-282
|
artikel
|
| 5 |
'Not a mere question of form': the hybrid realism of Godard's Vivre sa vie
|
Cannon, Steve
|
|
1996
|
|
21 |
p. 283-294
|
artikel
|
| 6 |
Notice-board
|
Looseley, David
|
|
1996
|
|
21 |
p. 335-339
|
artikel
|
| 7 |
Pépé le Moko or the impossibility of being French in the 1930s
|
O'Shaughnessy, Martin
|
|
1996
|
|
21 |
p. 247-258
|
artikel
|
| 8 |
Textual interplay: the case of Rohmer's Ma nuit chez Maud and Conte d'hiver
|
Ennis, Tom
|
|
1996
|
|
21 |
p. 309-319
|
artikel
|
| 9 |
'Tous les garçons et les filles de leur âge': representations of youth and adolescence in pre-new-wave French cinema
|
Reader, Keith
|
|
1996
|
|
21 |
p. 259-270
|
artikel
|
| 10 |
Vampirism, gender wars and the 'Final Girl': French fantasy film in the early seventies
|
Austin, Guy
|
|
1996
|
|
21 |
p. 321-331
|
artikel
|
Tijdschrift beschrijving