| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Articulating breath: Writing Charcot’s hysteric with performance writing
|
Worden, Jessica
|
|
2014
|
13 |
3 |
p. 318-325
|
artikel
|
| 2 |
Becoming and disappearing: Between art, architecture and research.
|
Beinart, Katy
|
|
2014
|
13 |
3 |
p. 227-234
|
artikel
|
| 3 |
Begging the question: Performativity and studio-based research
|
Petelin, George
|
|
2014
|
13 |
3 |
p. 189-200
|
artikel
|
| 4 |
Can grey ravens fly?: Beyond Frayling’s categories
|
Belcher, Shaun D
|
|
2014
|
13 |
3 |
p. 235-242
|
artikel
|
| 5 |
Channels of vision and the poetics of drawing: Strategies for teaching
|
Riley, Howard
|
|
2014
|
13 |
3 |
p. 201-216
|
artikel
|
| 6 |
Civilisation on the couch: Theorising multi-levelled psychoanalytical arts practice
|
Benjamin, Garfield
|
|
2014
|
13 |
3 |
p. 243-249
|
artikel
|
| 7 |
Critical-creative writing and theory of/and practice
|
Parker, Jan
|
|
2014
|
13 |
3 |
p. 183-188
|
artikel
|
| 8 |
Drawing and emerging research: The acquisition of experiential knowledge through drawing as a methodological strategy
|
Roberts, Amanda
|
|
2014
|
13 |
3 |
p. 292-302
|
artikel
|
| 9 |
Enticing new growth
|
Raby, June
|
|
2014
|
13 |
3 |
p. 282-291
|
artikel
|
| 10 |
From ‘or’ to ‘and’: L’écriture féminine as a methodological approach for Fine Art research
|
Taylor, Jacqueline
|
|
2014
|
13 |
3 |
p. 303-311
|
artikel
|
| 11 |
How can visual experience be depicted? A study of close-up double vision
|
Green, James
|
|
2014
|
13 |
3 |
p. 258-267
|
artikel
|
| 12 |
‘If you cannot say it, point to it’
|
Crews, Sarah
|
|
2014
|
13 |
3 |
p. 250-257
|
artikel
|
| 13 |
Introduction
|
Roberts, Amanda
|
|
2014
|
13 |
3 |
p. 217-217
|
artikel
|
| 14 |
Practice as research: A fine art contextual study
|
Adams, Suze
|
|
2014
|
13 |
3 |
p. 218-226
|
artikel
|
| 15 |
Practices of legitimacy and the problem of artistic research.
|
Matcham, David
|
|
2014
|
13 |
3 |
p. 276-281
|
artikel
|
| 16 |
‘The house is still named after him’: Exploring the subjective tensions of the female artist inhabiting cultural discourses
|
Hannon, Andrea
|
|
2014
|
13 |
3 |
p. 268-275
|
artikel
|
| 17 |
The social dynamics of art research: Contemporary photography in Belfast post the Good Friday Agreement
|
Tuck, Sarah
|
|
2014
|
13 |
3 |
p. 312-317
|
artikel
|
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