| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Aaron McGruder’s The Boondocks and its Transition from Comic Strip to Animated Series
|
Krueger, Rex
|
|
2010
|
5 |
3 |
p. 313-329
|
artikel
|
| 2 |
Diegetic Short Circuits: Metalepsis in Animation
|
Feyersinger, Erwin
|
|
2010
|
5 |
3 |
p. 279-294
|
artikel
|
| 3 |
Disney-Formalism: Rethinking ‘Classic Disney’
|
Pallant, Chris
|
|
2010
|
5 |
3 |
p. 341-352
|
artikel
|
| 4 |
Disney’s Alice Comedies: A Life of Illusion and the Illusion of Life
|
Telotte, J.P.
|
|
2010
|
5 |
3 |
p. 331-340
|
artikel
|
| 5 |
Drawing Animation
|
Hosea, Birgitta
|
|
2010
|
5 |
3 |
p. 353-367
|
artikel
|
| 6 |
Editorial
|
Buchan, Suzanne
|
|
2010
|
5 |
3 |
p. 275-278
|
artikel
|
| 7 |
Review: Anna Bentkowska-Kafel, Trish Cashen and Hazel Gardiner (eds.), Digital Visual Culture: Theory and Practice (Computers and the History of Art Series, Volume 3). Bristol: Intellect Books, 2009. 112 pp. ISBN: 978—1841502489
|
Wood, Aylish
|
|
2010
|
5 |
3 |
p. 378-381
|
artikel
|
| 8 |
Reviewessay: Vanessa Theme Ament, The Foley Grail: The Art of Performing Sound for Film, Games, and Animation. Oxford: Focal Press, 2009. 216 pp. ISBN: 978—0240811253
|
Garwood, Ian
|
|
2010
|
5 |
3 |
p. 369-374
|
artikel
|
| 9 |
Review: Paul Wells, The Animated Bestiary: Animals, Cartoons, and Culture. New Brunswick: Rutgers University Press, 2009. 192 pp. ISBN: 0813544157 (pbk)
|
Pallant, Chris
|
|
2010
|
5 |
3 |
p. 375-378
|
artikel
|
| 10 |
Sketching Under the Influence? Winsor McCay and the Question of Aesthetic Convergence Between Comic Strips and Film
|
Morton, Drew
|
|
2010
|
5 |
3 |
p. 295-312
|
artikel
|
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