| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Derrida, Deleuze and a Duck: The Movement of the Circulating Differential in Comic Book Analysis
|
Pitkethly, Clare
|
|
2009
|
4 |
3 |
p. 283-302
|
artikel
|
| 2 |
Dryden Goodwin in Conversation with Barnaby Dicker
|
Goodwins, Dryden
|
|
2009
|
4 |
3 |
p. 303-320
|
artikel
|
| 3 |
Editorial
|
Ndalianis, Angela
|
|
2009
|
4 |
3 |
p. 231-235
|
artikel
|
| 4 |
Movements within Movements: Following the Line in Animation and Comic Books
|
Atkinson, Paul
|
|
2009
|
4 |
3 |
p. 265-281
|
artikel
|
| 5 |
Review: Catherine Mason, A Computer in the Art Room: The Origins of British Computer Arts 1950—1980. London: Quiller Press, 2008. 250 pp. ISBN 1899163891
|
Lambert, Nick
|
|
2009
|
4 |
3 |
p. 326-331
|
artikel
|
| 6 |
Reviews: Barbara Flückiger, Visual Effects: Filmbilder aus dem Computer (German language). Marburg: Schüren Verlag, 2008. 528 pp., 399 illus. (mainly colour) ISBN 978—3—89472—518—1 (pbk)
|
Goldberg, Marcy
|
|
2009
|
4 |
3 |
p. 321-326
|
artikel
|
| 7 |
The Fastest Man Alive: Stasis and Speed in Contemporary Superhero Comics
|
Pedler, Martyn
|
|
2009
|
4 |
3 |
p. 249-263
|
artikel
|
| 8 |
The Frenzy of the Visible in Comic Book Worlds
|
Ndalianis, Angela
|
|
2009
|
4 |
3 |
p. 237-248
|
artikel
|
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