| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Book review: Between Still and Moving Images: Photography and Cinema in the 20th Century
|
Chan, Hiu M
|
|
2018
|
13 |
3 |
p. 254-257
|
artikel
|
| 2 |
Book review: Identity in Animation: A Journey into Self, Difference, Culture and the Body
|
van Gageldonk, Maarten
|
|
2018
|
13 |
3 |
p. 257-260
|
artikel
|
| 3 |
Book review: Manga and Anime Go to Hollywood: The Amazing Rapidly Evolving Relationship between Hollywood and Japanese Animation, Manga, Television, and Film
|
Hernandez-Perez, Manuel
|
|
2018
|
13 |
3 |
p. 252-254
|
artikel
|
| 4 |
Book review: Motion and Representation: The Language of Human Movement
|
Lee, JeongHyun
|
|
2018
|
13 |
3 |
p. 260-262
|
artikel
|
| 5 |
Book review: Storyboarding: A Critical History
|
Jones, Timothy
|
|
2018
|
13 |
3 |
p. 262-265
|
artikel
|
| 6 |
Dong for Movements, Hua for Paintings: A Transdisciplinary Approach to Investigating Chinese Donghua
|
Kim, Minhyoung
|
|
2018
|
13 |
3 |
p. 207-220
|
artikel
|
| 7 |
Editorial
|
Buchan, Suzanne
|
|
2018
|
13 |
3 |
p. 189-191
|
artikel
|
| 8 |
Erratum: Omar Sayfo, Mediating a Disney-style Islam: The Emergence of Egyptian Islamic Animated Cartoons
|
|
|
2018
|
13 |
3 |
p. 266
|
artikel
|
| 9 |
The Ambivalent Image Factory: The Genealogy and Visual History of Chinese Independent Animation
|
Wu, Weihua
|
|
2018
|
13 |
3 |
p. 221-237
|
artikel
|
| 10 |
The Animator as Inventor: Labour and the New Animated Machine Comedy of the 2010s
|
Tai, Peng-yi
|
|
2018
|
13 |
3 |
p. 238-251
|
artikel
|
| 11 |
The Rotoscopic Uncanny: Aku no Hana and the Aesthetic of Japanese Postmodernity
|
Gottesman, Zachary Samuel
|
|
2018
|
13 |
3 |
p. 192-206
|
artikel
|
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