nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
Animating Molecular Life: An Interview with Natasha Myers
|
Leslie, Esther |
|
2017 |
12 |
3 |
p. 350-359 |
artikel |
2 |
Animation and the Powers of Plasticity
|
Leslie, Esther |
|
2017 |
12 |
3 |
p. 259-271 |
artikel |
3 |
Cloud Animation
|
Leslie, Esther |
|
2017 |
12 |
3 |
p. 230-243 |
artikel |
4 |
Digital Unreason: Jordan Wolfson’s ‘Evil Jew’
|
Leslie, Esther |
|
2017 |
12 |
3 |
p. 318-333 |
artikel |
5 |
Editorial
|
Leslie, Esther |
|
2017 |
12 |
3 |
p. 205-206 |
artikel |
6 |
Interjections and Connections: The Critical Potential of Animated Segments in Live Action Documentary
|
Leslie, Esther |
|
2017 |
12 |
3 |
p. 272-286 |
artikel |
7 |
Life Remade: Critical Animation in the Digital Age
|
Leslie, Esther |
|
2017 |
12 |
3 |
p. 207-213 |
artikel |
8 |
Media Mix Mobilization: Social Mobilization and Yo-Kai Watch
|
Leslie, Esther |
|
2017 |
12 |
3 |
p. 244-258 |
artikel |
9 |
Rango, Ethics and Animation
|
Leslie, Esther |
|
2017 |
12 |
3 |
p. 306-317 |
artikel |
10 |
San Andreas and the Spiralling of the Analogico–Digital Animated Image
|
Leslie, Esther |
|
2017 |
12 |
3 |
p. 334-349 |
artikel |
11 |
Simulation and the Labour of Invisibility: Harun Farocki’s Life Manuals
|
Leslie, Esther |
|
2017 |
12 |
3 |
p. 214-229 |
artikel |
12 |
Speculative Animation: Digital Projections of Urban Past and Future
|
Leslie, Esther |
|
2017 |
12 |
3 |
p. 287-305 |
artikel |