| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1001 |
THREE UNIDENTIFIED CHANSONS BY PIERRE DE LA RUE IN THE ALBUM DE MARGUERITE D'AUTRICHE
|
PICKER, MARTIN
|
|
1960
|
XXXVIII |
3 |
p. 329-343
|
artikel
|
| 1002 |
THREE UNPUBLISHED LETTERS BY GEORGE SAND AND THEIR CONTRIBUTION TO CHOPIN SCHOLARSHIP
|
BELOTTI, GASTONE
|
|
1966
|
XXXVIII |
3 |
p. 283-303
|
artikel
|
| 1003 |
TIME AND THE STRUCTURE OF STRAVINSKY'S SYMPHONY IN C
|
WILLIAMS, B. M.
|
|
1973
|
XXXVIII |
3 |
p. 355-369
|
artikel
|
| 1004 |
TIMOTHY SWAN AND YANKEE PSALMODY
|
MURRAY, STERLING E.
|
|
1975
|
XXXVIII |
3 |
p. 433-463
|
artikel
|
| 1005 |
TOBACCO AND COFFEE IN MUSIC
|
DEN BORREN, CHARLES VAN
|
|
1932
|
XXXVIII |
3 |
p. 355-374
|
artikel
|
| 1006 |
TOWARDS A CRITICAL EDITION OF NOTRE DAME ORGANA DUPLA
|
KARP, THEODORE
|
|
1966
|
XXXVIII |
3 |
p. 350-367
|
artikel
|
| 1007 |
TOWARDS UGLINESS: A REVISION OF OLD OPINIONS
|
FULLER-MAITLAND, J. A.
|
|
1920
|
XXXVIII |
3 |
p. 317-325
|
artikel
|
| 1008 |
Transformations of Tradition: Three Generations of Japanese American Music Making
|
Asai, Susan Miyo
|
|
1995
|
XXXVIII |
3 |
p. 429-453
|
artikel
|
| 1009 |
TRANSPOSING KEYBOARDS ON EXTANT FLEMISH HARPSICHORDS
|
MARCUSE, SIBYL
|
|
1952
|
XXXVIII |
3 |
p. 414-425
|
artikel
|
| 1010 |
“TRISTAN,»FIRST HAND
|
PEYSER, HERBERT F.
|
|
1925
|
XXXVIII |
3 |
p. 418-426
|
artikel
|
| 1011 |
TrouvÈre Songs: The Evolution of their Poetic and Musical Styles
|
TISCHLER, HANS
|
|
1987
|
XXXVIII |
3 |
p. 329-340
|
artikel
|
| 1012 |
TURKISH AFFECT IN THE LAND OF THE SUN KING
|
OBELKEVICH, MARY ROWEN
|
|
1977
|
XXXVIII |
3 |
p. 367-389
|
artikel
|
| 1013 |
TURKISH MUSIC
|
BELAIEV, VICTOR
|
|
1935
|
XXXVIII |
3 |
p. 356-367
|
artikel
|
| 1014 |
Tuscaloosa, Alabama
|
GOOSSEN, J. F.
|
|
1963
|
XXXVIII |
3 |
p. 375-378
|
artikel
|
| 1015 |
TWO CENTURIES OF A FRENCH MUSICAL FAMILY—THE COUPERINS
|
TIERSOT, JULIEN
|
|
1926
|
XXXVIII |
3 |
p. 406-431
|
artikel
|
| 1016 |
TWO OPERAS BY SCARLATTI RECOVERED
|
ROSE, GLORIA
|
|
1972
|
XXXVIII |
3 |
p. 420-435
|
artikel
|
| 1017 |
TWO UNKNOWN FROTTOLE
|
FERAND, ERNST T.
|
|
1940
|
XXXVIII |
3 |
p. 319-328
|
artikel
|
| 1018 |
TYPES OF MUSICAL LISTENING
|
GIBLING, SOPHIE P.
|
|
1917
|
XXXVIII |
3 |
p. 385-389
|
artikel
|
| 1019 |
UNITED STATES
|
PISK, PAUL A.
|
|
1963
|
XXXVIII |
3 |
p. 358-360
|
artikel
|
| 1020 |
UNITED STATES
|
GOLDMAN, RICHARD FRANKO
|
|
1960
|
XXXVIII |
3 |
p. 361-367
|
artikel
|
| 1021 |
UNITED STATES
|
BORETZ, BENJAMIN
|
|
1961
|
XXXVIII |
3 |
p. 386-396
|
artikel
|
| 1022 |
UNITED STATES
|
H.L.SMITH, GEORGE
|
|
1948
|
XXXVIII |
3 |
p. 405-407
|
artikel
|
| 1023 |
UNITED STATES
|
GOLDMAN, RICHARD F.
|
|
1949
|
XXXVIII |
3 |
p. 451-a-458
|
artikel
|
| 1024 |
UNITED STATES
|
COWELL, HENRY
|
|
1949
|
XXXVIII |
3 |
p. 451-b-465
|
artikel
|
| 1025 |
UNITED STATES
|
COWELL, HENRY
|
|
1951
|
XXXVIII |
3 |
p. 396-402
|
artikel
|
| 1026 |
UNITED STATES
|
BROECKX, JAN L.
|
|
1951
|
XXXVIII |
3 |
p. 416-421
|
artikel
|
| 1027 |
UNITED STATES
|
GOLDMAN, RICHARD F.
|
|
1951
|
XXXVIII |
3 |
p. 405-410
|
artikel
|
| 1028 |
UNITED STATES
|
HITCHCOCK, H. WILEY
|
|
1965
|
XXXVIII |
3 |
p. 530-540
|
artikel
|
| 1029 |
UNITED STATES
|
RICH, ALAN
|
|
1958
|
XXXVIII |
3 |
p. 367-370
|
artikel
|
| 1030 |
UNITED STATES
|
BOYKAN, MARTIN
|
|
1962
|
XXXVIII |
3 |
p. 385-387
|
artikel
|
| 1031 |
UNITED STATES
|
COPLAND, AARON
|
|
1951
|
XXXVIII |
3 |
p. 394-396
|
artikel
|
| 1032 |
UNITED STATES
|
COWELL, HENRY
|
|
1952
|
XXXVIII |
3 |
p. 440-445
|
artikel
|
| 1033 |
UNITED STATES
|
FRENCH, RICHARD F.
|
|
1964
|
XXXVIII |
3 |
p. 382-388
|
artikel
|
| 1034 |
UNITED STATES
|
HITCHCOCK, H. WILEY
|
|
1964
|
XXXVIII |
3 |
p. 381-382
|
artikel
|
| 1035 |
UNITED STATES
|
CLARKE, HENRY LEYLAND
|
|
1967
|
XXXVIII |
3 |
p. 397-400
|
artikel
|
| 1036 |
UNITED STATES
|
CARTER, ELLIOTT
|
|
1959
|
XXXVIII |
3 |
p. 375-381
|
artikel
|
| 1037 |
UNITED STATES
|
GOLDMAN, RICHARD F.
|
|
1959
|
XXXVIII |
3 |
p. 381-385
|
artikel
|
| 1038 |
UNITED STATES
|
GREISSLE, FELIX
|
|
1951
|
XXXVIII |
3 |
p. 402-404
|
artikel
|
| 1039 |
UNITED STATES
|
KOLNEDER, WALTER..
|
|
1951
|
XXXVIII |
3 |
p. 410-413
|
artikel
|
| 1040 |
UNITED STATES
|
GRADENWITZ, PETER
|
|
1951
|
XXXVIII |
3 |
p. 421-425
|
artikel
|
| 1041 |
UNITED STATES
|
GOLDMAN, RICHARD F.
|
|
1952
|
XXXVIII |
3 |
p. 435-440
|
artikel
|
| 1042 |
UNITED STATES: Ann Arbor, Michigan
|
P. H. L.,
|
|
1955
|
XXXVIII |
3 |
p. 361-363
|
artikel
|
| 1043 |
UNITED STATES: Ithaca, New York
|
HOLMES, WILLIAM C.
|
|
1964
|
XXXVIII |
3 |
p. 367-370
|
artikel
|
| 1044 |
UNITED STATES: Los Angeles
|
KOHN, KARL
|
|
1964
|
XXXVIII |
3 |
p. 370-379
|
artikel
|
| 1045 |
UNITED STATES NAVY BANDS, OLD AND NEW
|
PIERCE, EDWIN H.
|
|
1947
|
XXXVIII |
3 |
p. 381-389
|
artikel
|
| 1046 |
UNITED STATES: New Haven
|
BURROWS, DAVID
|
|
1966
|
XXXVIII |
3 |
p. 368-373
|
artikel
|
| 1047 |
UNITED STATES: New York
|
WEISGALL, HUGO
|
|
1964
|
XXXVIII |
3 |
p. 379-381
|
artikel
|
| 1048 |
UNITED STATES: New York
|
SMITHER, HOWARD E.
|
|
1957
|
XXXVIII |
3 |
p. 383-390
|
artikel
|
| 1049 |
UNITED STATESo
|
GOLDMAN, RICHARD F.
|
|
1954
|
XXXVIII |
3 |
p. 391-394
|
artikel
|
| 1050 |
UNPUBLISHED BERLIOZIANA
|
PROD'HOMME, J. G.
|
|
1919
|
XXXVIII |
3 |
p. 398-412
|
artikel
|
| 1051 |
UNPUBLISHED LETTERS BY GEORGES BIZET
|
CURTISS, MINA
|
|
1950
|
XXXVIII |
3 |
p. 375-409
|
artikel
|
| 1052 |
Urbana, Illinois
|
GOLDTHWAITE, SOOTT
|
|
1957
|
XXXVIII |
3 |
p. 390-398
|
artikel
|
| 1053 |
Urbana, Illinois
|
SHALLENBERG, ROBERT
|
|
1963
|
XXXVIII |
3 |
p. 378-383
|
artikel
|
| 1054 |
U. S. S. R
|
BOELZA, ICOR
|
|
1954
|
XXXVIII |
3 |
p. 412-418
|
artikel
|
| 1055 |
VALENCIAN CROSS-ROADS1
|
ALFORD, VIOLET
|
|
1937
|
XXXVIII |
3 |
p. 367-387
|
artikel
|
| 1056 |
VICTOR HARTMANN AND MODESTE MUSORGSKY
|
FRANKENSTEIN, ALFRED
|
|
1939
|
XXXVIII |
3 |
p. 268-291
|
artikel
|
| 1057 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1933
|
XXXVIII |
3 |
p. 351-359
|
artikel
|
| 1058 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1940
|
XXXVIII |
3 |
p. 393-400
|
artikel
|
| 1059 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1931
|
XXXVIII |
3 |
p. 404-408
|
artikel
|
| 1060 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1932
|
XXXVIII |
3 |
p. 483-497
|
artikel
|
| 1061 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1934
|
XXXVIII |
3 |
p. 354-360
|
artikel
|
| 1062 |
VIEWS AND REVIEWS1
|
C. E.,
|
|
1935
|
XXXVIII |
3 |
p. 368-375
|
artikel
|
| 1063 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1937
|
XXXVIII |
3 |
p. 388-395
|
artikel
|
| 1064 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1943
|
XXXVIII |
3 |
p. 405-409
|
artikel
|
| 1065 |
VIEWS AND REVIEWS
|
ENGEL, CARL
|
|
1926
|
XXXVIII |
3 |
p. 472-479
|
artikel
|
| 1066 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1936
|
XXXVIII |
3 |
p. 354-361
|
artikel
|
| 1067 |
VINCENZO GALILEI AND SOME LINKS BETWEEN “PSEUDO-MONODY” AND MONODY
|
PALISCA, CLAUDE V.
|
|
1960
|
XXXVIII |
3 |
p. 344-360
|
artikel
|
| 1068 |
VINCENZO RUFFO AND MUSICAL REFORM AFTER THE COUNCIL OF TRENT
|
LOCKWOOD, LEWIS H.
|
|
1957
|
XXXVIII |
3 |
p. 342-371
|
artikel
|
| 1069 |
VOCAL ART IN ANTIQUITY
|
DUEY, PHILIP A.
|
|
1946
|
XXXVIII |
3 |
p. 390-410
|
artikel
|
| 1070 |
VOCAL ORNAMENTATION IN CACCINI'S NUOVE MUSICHE*
|
HITCHCOCK, H. WILEY
|
|
1970
|
XXXVIII |
3 |
p. 389-404
|
artikel
|
| 1071 |
VOICE CULTURE PAST AND PRESENT
|
TAYLOR, DAVID C.
|
|
1915
|
XXXVIII |
3 |
p. 453-471
|
artikel
|
| 1072 |
WAGNER AND NIETZSCHE
|
FOERSTER-NIETZSCHE, ELIZABETH
|
|
1918
|
XXXVIII |
3 |
p. 466-489
|
artikel
|
| 1073 |
WAGNER, BERLIOZ AND MONSIEUR SCRIBE
|
PROD'HOMME, J. G.
|
|
1926
|
XXXVIII |
3 |
p. 359-375
|
artikel
|
| 1074 |
WALTER PISTON
|
CARTER, ELLIOTT
|
|
1946
|
XXXVIII |
3 |
p. 354-375
|
artikel
|
| 1075 |
War Music and the American Composer during the Vietnam Era
|
Arnold, Ben
|
|
1991
|
XXXVIII |
3 |
p. 316-335
|
artikel
|
| 1076 |
Washington
|
IRVINE, LOWENS
|
|
1967
|
XXXVIII |
3 |
p. 400-402
|
artikel
|
| 1077 |
Washington, D.C.
|
LOWENS, IRVING
|
|
1958
|
XXXVIII |
3 |
p. 376-382
|
artikel
|
| 1078 |
Washington, D. C.
|
VINTON, JOHN
|
|
1965
|
XXXVIII |
3 |
p. 550-555
|
artikel
|
| 1079 |
Washington, D. C.
|
LOWENS, IRVING
|
|
1965
|
XXXVIII |
3 |
p. 544-550
|
artikel
|
| 1080 |
Washington, D. C.
|
LOWENS, IRVING
|
|
1959
|
XXXVIII |
3 |
p. 385-388
|
artikel
|
| 1081 |
WHAT IS MUSIC?
|
FISHER, WILLIAM ARMS
|
|
1929
|
XXXVIII |
3 |
p. 360-370
|
artikel
|
| 1082 |
WHAT IS SACRED MUSIC?
|
MANSFIELD, ORLANDO A.
|
|
1927
|
XXXVIII |
3 |
p. 451-475
|
artikel
|
| 1083 |
What Kind of Composer Was Thelonious Monk?
|
Williams, Martin
|
|
1992
|
XXXVIII |
3 |
p. 433-441
|
artikel
|
| 1084 |
WHERE ARE THE VESPERS OF YESTERYEAR?
|
STEVENS, DENIS
|
|
1961
|
XXXVIII |
3 |
p. 315-330
|
artikel
|
| 1085 |
WHY WE HAVE MALE CHOIRS IN CHURCHES
|
STUBBS, G. EDWARD
|
|
1917
|
XXXVIII |
3 |
p. 416-427
|
artikel
|
| 1086 |
WILLEM PIJPER AS DUTCH NATIONALIST
|
HOOGERWERF, FRANK W.
|
|
1976
|
XXXVIII |
3 |
p. 358-373
|
artikel
|
| 1087 |
WORDS AND MUSIC IN BYZANTINE LITURGY1
|
WELLESZ, EGON
|
|
1947
|
XXXVIII |
3 |
p. 297-310
|
artikel
|
| 1088 |
YUGOSLAVIA
|
STEVENS, HALSEY
|
|
1965
|
XXXVIII |
3 |
p. 558-560
|
artikel
|
|
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